What an absolute killer way to wrap up this trilogy. Seriously, wow. 🙏 This is hands down the best *The Walking Dead* movie yet—it’s in a completely different league compared to the first two (and let's be real, that second one was a total train wreck). Honestly? It might even be the best video game adaptation ever put on screen.
Alice Eve 🙏
Alice Eve 😍
Paul W. S. Anderson actually managed to save the reputation of *The Walking Dead*. Plus, we can't overlook how much Russell Mulcahy's direction really leveled things up!
The Best Tracks: "You Can't Stop the Beat", "Without Love", "Welcome to The 60", "The Nicest Kids in Town", "Good Morning Baltimore", "The New Girl in Town", "Come So Far", "Ladies' Choice", "Run and Tell That", "It Takes Two", "Hairspray", "I Know Where I've Been", "I Can Hear the Bells", "Timeless to Me", "Big, Blond and Beautiful", "Cooties", "mama, I'm a Big Girl Now"
The Worst Tracks: "The Legend of Miss Baltimore Crabs", "Blond and Beautiful (Reprise)"
The absolute peak of this chaotic mess has to be: Michelle Pfeiffer and that ridiculous little duck. 🤣 ( Honestly, her entire entrance into the scene was just pure comedy. )
Look, the movie isn't actually stupid. It’s got its funny moments, sure, but honestly? About halfway through, I just kind of checked out—it felt like it ran out of steam and stopped bringing anything new to the table. Also, I should probably mention that Luke Wilson wasn't the only one stuck in ice. There was this other person hanging out with him ( escort ) who's actually a lead character too. ( She was pretty hilarious when she claimed her job involved painting and stuff 🤣 ).
Samuel Ortiz3 said:Honestly, when you're dealing with movies like this, even leaving comments feels kind of pointless. It’s just pure commercial fluff—and yeah, I know, I can already hear everyone yelling, "What isn't commercial nowadays?" 🙄. But look, with the latest Batman, for instance, you can actually feel a director's specific vision—that clear ambition to push the envelope and elevate the whole thing to a higher level. Even with Ang Lee's Hulk, there was this obvious attempt to step away from the usual comic book formula. This? This feels totally routine, like a product made just to be used once and then tossed aside. You can see it right in the casting—Nicolas Cage is a complete miss here, even if he’s a huge box office draw. It’s basically a "safe bet" move, which is exactly why he was picked for this, and honestly, the thought of him being involved in the new Superman... it actually makes me nauseous 🤮.
