The Descent
in Movies ·
Laura Palmer25 said:What a coincidence that someone started this thread right after I finally sat down to watch this movie the other night. I have to admit, my expectations were sky-high because people have been hyping it up like crazy lately—honestly, more than almost any recent horror release. What can I say... it didn't disappoint, but it wasn't exactly mind-blowing either. If I have to give credit where it's due, it masterfully nails that sense of claustrophobia and pure, hopeless disorientation, but everything else is up for debate.
The whole conflict between Sarah and Juno felt totally forced to me, like they just threw it in to give the plot some fake psychological depth; it could have worked perfectly fine without it. And honestly, I felt bad for Juno. She was fighting like Rambo the entire time, clearing the path for everyone else and taking on the brunt of the attacks, only to be taken out by some jealous, betrayed woman in the end. That’s just messed up.
The crawlers are alright, though I've seen much scarier things (both visible and unseen) before. For instance, I immediately think of Valek from Carpenter's "Vampires" or the "lovely" Samara from "The Ring." If I had to choose who I'd rather have breathing down my neck—the crawlers or one of those two—I'd pick the crawlers without a second thought.
The core of this film really boils down to that central conflict. Without it, we’d just be watching a standard survival horror flick. It all starts with a tiny seed of doubt in those first three minutes, which eventually builds through the sheer terror they endure, finally culminating in that climactic action at the end. At its heart, revenge was simply the priority.
Laura Palmer25 said:What a coincidence that someone started this thread right after I finally sat down to watch this movie the other night. I have to admit, my expectations were sky-high because people have been hyping it up like crazy lately—honestly, more than almost any recent horror release. What can I say... it didn't disappoint, but it wasn't exactly mind-blowing either. If I have to give credit where it's due, it masterfully nails that sense of claustrophobia and pure, hopeless disorientation, but everything else is up for debate.
The whole conflict between Sarah and Juno felt totally forced to me, like they just threw it in to give the plot some fake psychological depth; it could have worked perfectly fine without it. And honestly, I felt bad for Juno. She was fighting like Rambo the entire time, clearing the path for everyone else and taking on the brunt of the attacks, only to be taken out by some jealous, betrayed woman in the end. That’s just messed up.
The crawlers are alright, though I've seen much scarier things (both visible and unseen) before. For instance, I immediately think of Valek from Carpenter's "Vampires" or the "lovely" Samara from "The Ring." If I had to choose who I'd rather have breathing down my neck—the crawlers or one of those two—I'd pick the crawlers without a second thought.
But that’s exactly the point. People just don't react logically after situations like that. Once you've cracked the skulls of a few "monsters," something inside a person just snaps. You also have to remember the girls were separated; they had no idea what the others were up to.
Laura Palmer25 said:What a coincidence that someone started this thread right after I finally sat down to watch this movie the other night. I have to admit, my expectations were sky-high because people have been hyping it up like crazy lately—honestly, more than almost any recent horror release. What can I say... it didn't disappoint, but it wasn't exactly mind-blowing either. If I have to give credit where it's due, it masterfully nails that sense of claustrophobia and pure, hopeless disorientation, but everything else is up for debate.
The whole conflict between Sarah and Juno felt totally forced to me, like they just threw it in to give the plot some fake psychological depth; it could have worked perfectly fine without it. And honestly, I felt bad for Juno. She was fighting like Rambo the entire time, clearing the path for everyone else and taking on the brunt of the attacks, only to be taken out by some jealous, betrayed woman in the end. That’s just messed up.
The crawlers are alright, though I've seen much scarier things (both visible and unseen) before. For instance, I immediately think of Valek from Carpenter's "Vampires" or the "lovely" Samara from "The Ring." If I had to choose who I'd rather have breathing down my neck—the crawlers or one of those two—I'd pick the crawlers without a second thought.
Of course you’d pick the Crawlers; they aren't even imbeciles. They don't have any crazy superpowers or anything supernatural going on. They're just as capable as our protagonists. I much prefer characters who are evenly matched rather than watching some inferior underdogs somehow stumble their way into defeating a superior enemy. If I recall correctly, Samara proved to be indestructible in the film, whereas vampires are just way too overpowered.