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Posts by nimblemarlin6

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Conan the Barbarian (1982) in Movies ·
Richard Wilson4 said:So you're saying it's purely about the physique?

Exactly. If you're just looking at muscles and nothing else, that doesn't make someone a better Conan. Arnold actually gave a better performance in the film, haters be damned.

And hey, let's not throw the word "hater" around so loosely! Hate is a pretty heavy word. Just because someone is breaking something down and evaluating it doesn't mean they're acting out of malice—it's just a multi-layered analysis!
Conan the Barbarian (1982) in Movies ·
Richard Wilson4 said:I've read both the books and the comics. Anri's version of Conan feels a bit different, but Momoa is just a disaster on screen. It's either not Conan at all, or just some nonsense that has zero connection to the source material.

Give me one single memorable scene from that trash heap, especially anything involving Momoa.
A musical number, the set design, anything?


Conan 82 is an untouchable masterpiece...
I'm not trying to compare the movies directly—because comparing those two is basically impossible—but I am talking about the acting and the actual presence of whoever is playing Conan.
Arnie is fantastic in the '82 Conan, but let's be real: that version isn't Howard's vision, it's more like Milius's Conan.
As for the 2011 Conan, there isn't a single redeeming quality or good scene to be found. Except—maybe—for Momoe as Conan!
He's missing maybe 10 or 15 pounds of pure muscle, but he actually got closer to the character as he's described in the Howard stories and the comic adaptations than Arnie ever did.
Conan the Barbarian (1982) in Movies ·
Things aren't always what they seem...
Conan 82 is a radical departure from the core philosophy found in Howard’s work. Look, he nailed the aesthetic—the style, the visual vibe, even certain individual segments capture the spirit perfectly—but as a cohesive whole? He completely missed the philosophical mark.
I really ought to sit down and write a proper long-form essay to break this all down properly... maybe when I actually find the time.

Even if we agree that the 2011 Conan flick was absolute bottom-of-the-barrel trash, Momoa actually delivered! Honestly, Momoa is a better Conan than Arnie ever was. Anyone who has actually sat down with Howard’s books or the classic comics knows exactly what I'm talking about.
A remake of Scarface? WTF? in Movies ·
It wouldn't really work if we were talking about some Cuban immigrant named Tony Montana... I mean, then the whole thing would just be trash.
But honestly, it’s a universal story at its core.
Back in the 1932 version directed by Howard Hawks, the character was actually Italian—his name was Antonio "Tony" Camonte.

A modern-day Scarface could easily be about a Russian or a Mexican...
Jack Ryan: Shadow Recruit (2014) in Movies ·
Watched it yesterday. Honestly? It’s all been done before. They just can't seem to decide if this is supposed to be a serious drama or a straight-up action flick—it’s stuck somewhere in the middle. Turns out Ryan isn't just some brilliant analyst, he's basically James Bourne, but the whole thing feels kind of lukewarm...
The standout for me was Kenneth Branagh playing the villain—he absolutely blows Rade Šerbedžija out of the water.
Just a completely generic thriller.
We aren't getting anything like The Hunt for Red October anymore, or those classic Ryan movies starring Ford.
Jack Ryan: Shadow Recruit (2014) in Movies ·
It’s all fine, I guess... it's just that... Ryan is an analyst—you know, the kind of guy who actually sits behind a desk—and in the movies, he only really gets into the fray when he's absolutely backed into a corner. It just doesn't sit right trying to turn him into James Bond.
Sabotage (2014) in Movies ·
LIKE! 😁
Olympus Has Fallen (2013) in Movies ·
stormyridge2 said:Alright, let's do this... How would you guys go about remaking White House Down—and I mean without any of that New York City nonsense—to actually make it a fun action thriller? I'm talking something that doesn't insult the audience's intelligence, features killer acting, smart action sequences, and villains who actually make sense. If anyone can throw together a halfway decent synopsis, you're the real Face / OFF.


The attackers—who fully realize this is basically a suicide mission—take the President hostage and seize the White House, using it to blackmail the USA into, say, pulling out of the Middle East.
But here’s the twist: since the President is really just a figurehead president, and the White House is mostly just a massive symbol, the people actually running US policy (you know, the same crowd responsible for the Kennedy situation) start panicking about oil profits and losing global dominance. To cover their tracks, they decide to just level the White House entirely and pin the whole disaster on some lone Secret Service agent who thinks he's the next Rambo.
So, the actual movie wouldn't even be about the siege itself—it would be about a guy desperately trying to stop that shadow plot from unfolding in the final hour.
Olympus Has Fallen (2013) in Movies ·
Joseph Chase29 said:Well, look at that—anything can happen now that we're part of the European Union.🤣

Honestly, we’ve never been more irrelevant. 🤣
Back when we were under the Austro-Canadian Empire, our capital was just some rough-around-the-edges province—basically a third-rate knockoff of Vienna—and now? Now we’re just going to be even more insignificant.
Olympus Has Fallen (2013) in Movies ·
In those "tough guy" action franchises, there’s always this predictable escalation—this steady climb from small-scale chaos to total global meltdown.

Die Hard:
1) a skyscraper
2) an airport
3) New York City
4) an entire US state
5) Russia

Under Siege:

1) a ship
2) a train

Speed:
1) a bus
2) a cruise ship

The "... Has Fallen" series:
1) the White House
2) London

After the White House, they didn't go for Buckingham Palace—they went for all of London. It makes you wonder, though—what could possibly be big enough for a third installment?
Olympus Has Fallen (2013) in Movies ·
Frank Moore4 said:The sequel is finally on its way—London Has Fallen. 😬

Great, just thrilled! 🙂

It feels a bit silly, though—they didn't bother giving Washington a cool code name.

I guess once they finally film something called "Washington Has fallen," then we'll know America has truly arrived on the world stage.
Which, let's be honest, isn't ever going to happen. 😁
Should America change its time zone? in Close to Politics ·
Changing the seasons just doesn't make any sense—honestly, we should just have one consistent climate all year round.
Olympus Has Fallen (2013) in Movies ·
Olympus is actually pretty good.
Ozploitation - American film in Movies ·
Joshua Smith5 said:It really isn't. Romper Stomper?

Yeah, looking back at *Romper Stomper*, you can't deny that Crowe really stood out... he had that presence—it was hard to look away from him, honestly.
Olympus Has Fallen (2013) in Movies ·
Just walked out of the theater after seeing White House Down. Honestly, I don’t think we even need a dedicated thread for this one—it’s basically just a carbon copy of Olympus Has Fallen.

"WHD" is exactly what you'd expect: a total collection of clichés and mindless fluff. It feels like they just scraped the best bits from much better movies and glued them together.
The setup and the middle stretch are pretty tedious—though, I will say, it turns into this weirdly, aggressively stupid kind of fun toward the end.
But then the finale happens and just drags the whole experience back down into the dirt.

Now, Olympus Has Fallen covers the exact same ground and is just as dumb, but it's actually way better. The reason? The plot feels more like a loose excuse to watch the lead character go on a rampage, whereas in White House Down, there's action everywhere but it feels strangely bloodless—plus, it's dripping with an amount of American patriotism that's almost nauseating.
Look, let's not waste any more breath on White House Down. It's forgettable.

Skip "WHD" and just go watch "OHF" instead.
Iconic Villains of the 70s, 80s, and 90s in Movies ·
What a coincidence—I was actually just mulling over who the absolute best villain of the '80s was the other day.
There are so many heavy hitters from that era that the title keeps shifting depending on who you ask.

Right now, my money is on KURGAN from "Highlandera". I honestly think he hits all the right notes—dangerous, sharp-witted, and just... perfect. 😁

http://www.youtube.com/watch?v=UWximPEZOIE
Olympus Has Fallen (2013) in Movies ·
The only real downside is that nothing can quite top that sequence where they storm the White House.
If they had actually filmed something like that for the finale, this would easily be the best movie of the year.
Olympus Has Fallen (2013) in Movies ·
Early reviews are suggesting that Olympus Has Fallen actually edges out White House Down. Honestly, both are pretty mindless and loaded with clichés—but the first one leans hard into that gritty, 80s action vibe like Rambo 2, featuring plenty of brutal kills, whereas the newer one feels more like sanitized, PG-13 popcorn fare.
Anyway, I thought Olympus Has Fallen was great, and I’m planning to squeeze in some time to watch White House Down later this week.
Underrated movies you probably missed in Movies ·
Dredd. Honestly, it's such a killer movie—I have no clue why it didn't get more eyes on it.
Who is your favorite DC superhero? in Movies ·
Harold Mitchell4 said:So, if you could pick any fight—and I’m not just talking about the usual DC vs. Marvel showdown—what would be your pick? Personally, I've been thinking about this... So, I’ve been sitting here thinking about that whole Superman vs Hulk debate—you know, the one that seems to pop up every time someone wants to start a friendly little argument at a bar or on a message board—and honestly, it’s such a classic mismatch of philosophies. You have the ultimate symbol of controlled power versus this absolute, unbridled force of nature. It’s fascinating, really. On one hand, you've got Superman. He’s the guy who holds back. Every single time he moves, he's calculating the impact, trying not to level a skyscraper or accidentally send someone into orbit just by shaking their hand. There's a certain grace there, a discipline that defines him. Then you look at the Hulk, and it's just... chaos. Pure, unfiltered rage that scales upward the more you try to contain it. It’s like trying to punch a hurricane—the harder you swing, the more the wind just pushes back against you. I mean, if we're looking at it logically—and I love a good logical deep dive—it comes down to whether Superman's restraint can actually hold up against an opponent whose entire power set is built on breaking through restraints. It’s a weirdly poetic struggle, isn't it? The man who refuses to be a monster fighting the man who becomes a monster to survive. Anyway, that's just my two cents. I'm sure everyone else has a much more heated opinion on it, but I find the whole dynamic pretty compelling from a distance.


There were just way too many of those comic book crossovers—honestly, it felt like they were everywhere.

So, I was falling down a rabbit hole earlier—one of those Wikipedia deep dives that starts with one thing and ends three hours later with you questioning everything—and I stumbled upon the whole DC vs. Marvel debate. It’s one of those eternal, circular arguments that people have been having since comic books were just cheap newsprint sold on street corners in NYC. You know the drill. One side swears by the gritty, god-like archetypes of DC, while the other clings to the more "human" (if you can call them that) struggles of the Marvel universe. It's funny, really—how much energy goes into deciding which pantheon reigns supreme. You’ve got the sheer cosmic scale of things like the Justice League versus the interconnected, messy soap opera vibes of the Avengers. Some people argue that DC characters are too distant, almost like modern myths rather than actual people, while others claim Marvel is just a collection of neurotic scientists and teenagers in spandex. Personally, I find both sides equally exhausting and fascinating. It’s less about which universe is "better" and more about what kind of escapism you're looking for on a Tuesday night after a long shift. Either way, the debate isn't going anywhere—it's baked into the DNA of American pop culture at this point.

So, we’re doing this—Aquaman (DC) versus Namor (Marvel). It’s one of those classic heavyweight matchups that people love to argue about over drinks, and honestly, there’s no easy way out of it. You’ve got two kings of the deep, two guys who basically own the ocean, and they both have enough attitude to fill a stadium. On one side, you have Aquaman from the DC universe. He’s essentially the powerhouse of the Seven Seas. When you look at his raw strength and that telepathic connection he has with marine life—which, let’s be honest, is a pretty incredible superpower to have if you ever find yourself needing help at a seafood restaurant—he becomes a force to be reckoned with. He’s sturdy, he’s reliable, and he carries himself with that classic hero weight. Then there’s Namor over at Marvel. Now, Namor isn't just some guy who swims fast—he’s got that royal chip on his shoulder, which, fair enough, given his history. He’s aggressive, he’s unpredictable, and he’s got that whole flying thing going on thanks to his ankle wings. That adds a layer of mobility that most underwater fighters just can't account for. If you’re fighting someone who can dive deep and then suddenly zip up into the stratosphere, things get complicated—fast. It really comes down to how you view the fight. If it’s a pure test of sheer, brute aquatic dominance, Aquaman feels like the safer bet—he’s built for that kind of grind. But if you factor in Namor’s temperament and that ability to strike from angles you aren't expecting, the math changes. It’s a toss-up, really—one is a disciplined king, the other is a bit of a wild card. My money? I’m leaning toward the guy who doesn't just rule the water, but actually knows how to use the air to his advantage. Still, it’s a hell of a fight regardless.
So, I was sitting around thinking about the whole "deadly femme fatale" archetype—you know, those characters who basically make being a highly trained assassin look like a casual weekend hobby—and I kept coming back to this one specific matchup. It’s Elektra from Marvel versus Catwoman from DC. It’s an interesting one, really. On one side, you’ve got Elektra—she’s pure, concentrated lethality. She isn't just "good with a knife"; she's practically a force of nature when it comes to martial arts and precision strikes. Then you have Catwoman, who operates on a completely different wavelength. Selina Kyle is all about that finesse, the agility, and let's be honest, the sheer audacity of the heist. She’s more of a master thief than a front-line combatant, though she can certainly hold her own if things get messy. If we're talking a straight-up fight to the finish? My money is on Elektra. It’s almost too one-sided when you look at their primary skill sets. Elektra is built for the kill, whereas Catwoman is built for the getaway. One is a weapon, and the other is a specialist in stealth and evasion. While Catwoman’s whip and acrobatics might buy her some time—and God knows she's clever enough to use the environment to her advantage—it’s hard to see how she survives once Elektra closes the distance. It’s less of a duel and more of a tactical mismatch. Still, it's fun to wonder how they'd interact if they weren't trying to end each other—probably a very tense conversation over expensive cocktails in Manhattan.
So, we’re finally doing it—the heavyweight bout that everyone’s been debating since they first picked up a comic book. It’s Flash from DC versus Quicksilver from Marvel. Honestly? It’s kind of a lopsided conversation if you actually look at the physics involved—not that "physics" really applies when you're breaking reality, but you get my drift. Look, I love Pietro—really, I do—and his whole vibe is great, but let's be real for a second. He’s fast, sure. He’s probably the fastest guy in the Marvel Universe, moving through a room before anyone can even blink. But then you bring in the Flash. We aren't just talking about running fast here; we're talking about tapping into some cosmic, fundamental force of the universe. It's like comparing a high-end Ferrari to a literal teleportation device disguised as a runner. While Quicksilver is busy outrunning a bullet, the Flash is basically rewriting the laws of motion every time he takes a step. There's the Speed Force—which is this whole extra dimension of madness—that gives him access to things like phasing through solid objects or traveling through time. Quicksilver doesn't exactly have a cheat code like that. I know, I know—some people will argue that Quicksilver’s perception of time makes him more efficient in a fight, or that he’s more "grounded." And yeah, maybe in a gritty, street-level brawl in Chicago, he holds his own. But in a vacuum? In a pure contest of speed? It’s not even a contest. The Flash operates on a level that’s just... different. It's almost unfair, which is why it's always a bit of a boring argument once you stop looking at the surface level. One guy runs fast, the other guy *is* speed. Case closed, I guess.
So, I was sitting around thinking about this matchup—it’s a bit of a weird one, honestly—but let's look at Robin from DC versus Jubilee from Marvel. It’s that classic "sidekick" dynamic, right? You’ve got these two who basically grew up in the shadow of giants, trying to carve out their own identity while dodging cosmic-level threats every Tuesday. If we’re talking raw training, Robin probably takes the edge early on. I mean, the kid was practically raised by Batman to be a tactical genius—he’s got the discipline, the martial arts, all that gritty, dark-alley stuff. He’s precise. But then you throw Jubilee into the mix, and things get... loud. Her power set is pure energy projection—those explosive plasmoids aren't just flashy; they’re unpredictable. It really comes down to whether Robin can close the gap before Jubilee turns the battlefield into a literal firework show. He’s fast, sure, but Jubilee’s ability to disrupt someone's senses could shut him down before he even gets within striking distance. It’s an interesting friction—the disciplined acrobat versus the high-energy powerhouse. One relies on a plan, the other relies on a spark. Just a thought.
So, I’ve been sitting here thinking about this one—really chewing on it—and it’s basically the ultimate cosmic heavyweight bout: Silver Surfer from Marvel versus Green Lantern from DC. It’s one of those matchups that sounds simple on paper, but once you start peeling back the layers, things get messy. On one side, you’ve got the Silver Surfer. He’s essentially a force of nature wrapped in chrome. We aren't just talking about some guy flying around; we're talking about the Power Cosmic. It’s an abstract, fundamental level of energy that he manipulates at will. He can reshape matter, manipulate energy on a molecular scale, and move through the vacuum of space like it’s his own living room. There’s a certain... weight to his power. It feels ancient and inevitable. Then you have Green Lantern. Now, the ring is incredible—there’s no denying that. The sheer versatility of being able to manifest anything you can imagine is a massive advantage. If you can think it, you can build it. But there’s always that catch, isn't there? The willpower. It all hinges on mental discipline. If your focus slips for even a second, the whole construct shatters. It’s a psychological battle as much as a physical one. If they actually went head-to-head—and I mean a real, no-holds-barred scrap—I think the outcome comes down to the nature of their fuel. Green Lantern relies on a localized tool powered by internal resolve, whereas the Surfer is more like a direct conduit to the universe itself. One is a master of tools; the other is a master of existence. In my view—and feel free to disagree, I don't care—the Silver Surfer eventually finds a way to bypass the constructs. You can build all the giant green hammers you want, but how do you stop someone who can manipulate the very atoms that make up the ring's energy? It’s a tough call, sure, but the Surfer’s raw, existential authority gives him the edge. It’s just more fundamental. Just a thought.
So, I was sitting around thinking about this matchup—it’s one of those classic "who wins" debates that pops up every few months—and honestly, it's a fascinating one. We're talking Thor from Marvel against Captain Marvel from DC. It’s a heavy hitter showdown, no doubt about it. On one side, you’ve got the God of Thunder himself. When you look at Thor, you aren't just looking at someone with high power levels; you're looking at a literal deity with centuries of combat experience under his belt. There’s a certain weight to his fighting style—it’s visceral, it’s heavy, and when Mjolnir starts flying, things tend to get messy very quickly. He’s basically a walking natural disaster. Then you pivot over to Captain Marvel from the DC side of things. Now, she’s an absolute powerhouse. Her energy absorption and manipulation abilities give her a kind of versatility that most heavy hitters just can't match. If she can soak up the lightning—which, let's be real, is a huge part of Thor's toolkit—she becomes an even more terrifying force on the battlefield. It’s that specific dynamic—the ability to turn your opponent's strength against them—that makes this fight so tricky to call. It really comes down to whether Thor can end it before she manages to tap into his own elemental output. It’s a tightrope walk between raw, divine might and tactical energy redirection. One mistake, one moment of hesitation, and the whole outcome shifts. Just some food for thought while you're scrolling through the forums.
So, I was sitting around thinking about this one—it’s one of those classic "what if" scenarios that people love to argue about at bars or on internet forums—and it really boils down to a single question: Batman (DC) vs. Captain America (Marvel). It's a fascinating matchup because you aren't just looking at raw power, you're looking at two completely different philosophies of combat. On one hand, you've got the First Avenger. Captain America is basically the gold standard for peak human conditioning—think of him like the ultimate special forces operator, maybe someone out of a high-level Navy SEAL program, but with that super-soldier serum edge. He’s got that tactical brilliance and that shield, which is arguably one of the most broken weapons in fiction. If he gets a clean hit, it’s over. Then there's Batman (DC). Now, he doesn't have the serum, obviously, but he has that obsessive, almost pathological level of preparation. He’s the guy who shows up to a fight having already studied your heartbeat, your favorite food, and exactly how much pressure it takes to snap your radius. It’s less about a fair fight and more about him engineering a scenario where his opponent has already lost before the first punch is thrown. It’s an interesting tension—pure, disciplined skill versus sheer, calculated contingency planning. One fights with heart and unbreakable will, while the other fights with gadgets and psychological warfare. Honestly, it’s hard to call a winner without knowing if they're fighting in a dark alley in Chicago or a sunny field in Texas, but that's the beauty of it, right? Just a massive, theoretical collision of two icons.
So, I was sitting around thinking about this matchup—it’s one of those classic "what if" scenarios that keeps you up at night—and we have to talk about Spider-Man from Marvel versus Superboy from DC. It’s an interesting one, really. On one hand, you've got the web-slinger, the guy who basically defined the neighborhood hero vibe in New York City, and on the other, you've got the powerhouse legacy kid from the DC universe. Now, let's be real here—if we're just looking at raw, unadulterated power levels, Superboy generally holds the upper hand. I mean, he's got that Kryptonian-adjacent strength and speed that just hits different—it's a lot more than just being a strong guy in spandex. He can move mountains, essentially, whereas Spider-Man, as incredible as he is, is still very much grounded in a certain level of physical reality—even with his spider-sense making him nearly impossible to hit. But—and this is a big "but"—you can't just write off Peter Parker. His agility is off the charts, and that spider-sense? That’s a total game-changer. It’s like having a built-in early warning system that bypasses traditional combat logic. He’s smarter, too—way more tactical—and he’ll use every gadget and ounce of wit in his arsenal to turn a physical mismatch into a psychological chess match. If they actually went at it, though—I mean, truly went at it—it would probably come down to whether Spider-Man can stay out of reach long enough to find a weakness, or if Superboy eventually lands that one decisive blow. It’s a wild thought, honestly—one of those fights where you just want to grab some popcorn and see how the physics play out. My gut says Superboy takes the win on sheer force, but man, watching Spidey try to dance around him would be a hell of a show.
So, I’ve been sitting here thinking about this one—it’s a bit of a wild thought, really—but what happens when you actually put Wolverine from Marvel up against Lobo from DC? It’s a hell of a matchup. You’ve got Logan, who is basically a walking, breathing weapon of nature with that healing factor that just won't quit, going head-to-head with the Main Man himself. Now, look, we all know Wolverine is tough. He’s lived through things that would break a normal man ten times over, and those claws... well, they don't exactly stay dull. But then you have Lobo. This guy isn't just some brawler; he’s an intergalactic bounty hunter who operates on a completely different level of chaos. He’s practically impossible to kill—and I mean *really* impossible—which brings us to the core of the problem. It’s essentially a battle of attrition where neither side seems capable of staying down. You have Logan’s raw, animalistic fury versus Lobo’s sheer, unadulterated lunacy. It’s interesting, isn't it? One guy fights because it's his nature and his curse, while the other does it because it's his job and he enjoys the carnage. If they actually went at it, I suspect it wouldn't be a quick fight—not by a long shot. It would probably turn into this endless, messy grind of regeneration versus destruction. My money? It’d likely end in a stalemate, or more realistically, a massive pile of rubble with both of them still trying to find a reason to swing again. Just a total mess, honestly.
So, I’ve been sitting here thinking about this matchup—it’s one of those classic "who wins" scenarios that keeps you up at night if you’re into this kind of thing—and honestly, we need to talk about Storm from Marvel versus Wonder Woman from DC. It’s a wild one. On one hand, you’ve got Storm—the goddess of the elements, basically a walking weather pattern. She isn't just throwing lightning bolts around like some amateur; she controls the very atmosphere. We're talking pressure systems, wind currents, the whole nine yards. If she decides the air around her opponent shouldn't exist, that's a massive problem. It’s intense, highly unpredictable, and frankly, a little terrifying if you're standing in the middle of a hurricane she just summoned out of thin air. But then... there's Diana. Wonder Woman. Look, I love a good elemental display as much as the next person, but Wonder Woman is built differently. You're looking at a warrior who has been trained by the best since she could walk—Amazonian training, divine strength, and gear that's essentially legendary. Even if Storm tries to strip the oxygen right out of the room, Diana has this sheer, stubborn willpower and combat instinct that feels almost impossible to overcome. She doesn't just fight; she dominates the space she's in. It’s an interesting tug-of-war between raw, cosmic environmental control and disciplined, superhuman martial prowess. One can reshape the world, while the other is designed to conquer it. I’m leaning toward the Amazon here—mostly because when things get chaotic, experience and pure grit usually trump a sudden thunderstorm—but man, if Storm catches her off guard with a localized vacuum? That's a whole different story. Just food for thought.
So, we’re back at it again—the ultimate heavyweight showdown. It’s the classic cosmic mismatch that everyone loves to debate over a beer: Superman from DC versus the Hulk from Marvel. Honestly, it’s one of those fights that feels like it should be simple, but once you start digging into the physics—if you can even call it that when dealing with gods—it gets messy. On one side, you’ve got the Man of Steel. He’s basically the gold standard for power in the DC universe. You have the speed, the flight, the heat vision... the whole nine yards. Then you look at the Hulk, who is essentially just pure, unadulterated rage given physical form in the Marvel universe. There isn't really a "ceiling" for him, right? The angrier he gets, the stronger he gets. It’s a terrifying feedback loop. If you ask me—and I’m just spitballing here—it really comes down to how you view their limits. Superman is incredibly powerful, sure, but he still operates within certain logical frameworks. The Hulk, though? He’s a force of nature. He doesn't care about logic; he just cares about smashing things. If the fight drags on and the Hulk keeps getting more worked up, you might find yourself watching a very one-sided demolition. But then again, Superman has enough raw output to potentially end the fight before the Hulk even hits his stride. It’s a fascinating mess of a matchup.

We’ve seen crossovers before—it’s nothing new. For instance, you had that whole Superman vs. Spider-Man thing.
Batman and Judge Dredd sharing a comic book... man, we used to see that happen all the time back in the day.