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Posts by Nicholas Patel44

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Tutor in Music ·
rustypanther13 said:So what if this Aristocratic guy is 50% American from some island? I mean, honestly, that doesn't change a thing for me, and it definitely doesn't justify his absolutely terrible and wrong takes regarding the war in Ukraine.

I think I read somewhere that his dad was from New York City and his mom was from an island out in the Atlantic, but then it looks like he uses his mother's last name? I wouldn't be surprised if his dad was stationed at a military base on one of those islands and they just ended up together, you know how it goes—so many marriages happened like that in places like Lastovo and stuff...

And isn't Frankie also American from somewhere out there? Maybe near Florida or something... It really doesn't matter.
Tutor in Music ·
rustypanther13 said:Since we're talking about Koja, it’s actually pretty interesting how Cane also has that whole "looking down on everyone" vibe, especially when they play shows in America.
It honestly drives me crazy when he does those bits like “What's wrong, Americans?” or “Where are we gonna sleep, in Jasenovac?”—they both just act so incredibly stuck-up, even though their rock n roll is actually top-tier.
And I don't even want to get into that lazy Putin supporter guy anymore...

Well, Koja is a totally different story.

As for Cane, just look at the 'Partibrejkers' threads. I was at their show at the Boogaloo back in 2006, and someone tossed some toilet paper rolls onto the stage, and he goes, "Why are you throwing paper at us? You think we're some dirty Mexicans?" It kind of killed the mood for a second there...

There were plenty of outbursts like that. He even did something similar to me once during Rock Otočac in 2003. Later on, at the Culture Factory, it wasn't really happening backstage anymore. The last time I saw him was at a beer fest in a plaza a few years ago. He actually liked my Head Cat shirt (it's Lemmy's band). And he once told someone in the crowd to take off those glowing horns people were wearing at an AC/DC concert.

I can't remember everything right now, but I think there were one or two other times where he'd make comments about nationality at shows... this isn't the only instance...

Then there were the people working at the Culture Factory; Danielle was running things around 2007–2010, and I recall him telling her she wouldn't get married if she stayed too much of a feminist, or questioning people about their last names to see if they were Mexicans... yeah, there's stuff like that...

Where did you hear that Koja talks to people like that?
Tutor in Music ·
I mean, honestly, the hypocrisy on these news sites is just exhausting. They’re all over the headlines talking about how they took in this one Ukrainian family from Odessa, providing them with tons of help and comfort and everything, okay 🙄, but then you look at how they treated families coming from Syria—literally pushing them back until a little girl ended up getting crushed by a train. It’s just gross, man. Total hypocrisy. Like, aren't all kids supposed to be equal? It feels so much like Nazism. And now you see certain volunteers from here heading off to Ukraine, and I guess their ancestors are going to end up being hated just as much as they are.
Man, you're totally right... what a joke...
Tutor in Music ·
Any sane person has to feel terrible for the innocent people caught in this, especially the kids. But I guess you can't expect sympathy for someone else's children when nobody’s even lighting up the streetlamps on Proletarian Boulevard—or what they call Vukovar Street today.

I mean, I don't actually know if he feels bad about Sarajevo or any of those other places... at least based on his old interviews. And wait, is he even American? Or maybe half-American? Honestly, I don't really follow him. As for Rerptitor, I've always found them kind of a boring band, so I have no clue what everyone seems to see in them.

Edit: I was watching this interview with a soldier who ended up getting married in Donetsk, and it seems like they all view this whole situation the exact same way Americans viewed the Storm back in '95.
Tutor in Music ·
So, look, on one hand, I guess Boris Vlastelica has a point. Just one side of it, though. This whole thing isn't black and white, you know? And honestly, the hypocrisy just makes me sick. If you look at World War II—with those Western Ukrainians serving in the SS units and all that mass liquidation of kids—or what Boris is talking about with Donetsk and Luhansk, or even things like Storm and Flash, or even the victims from the old regime... I’ve seriously never seen Americans get this emotional about those civilian victims compared to how they act about Ukraine. Like, the whole lighting up streetlamps and all that stuff. You want to know why? It’s probably because that segment of the population, maybe two-thirds of them, are basically descendants of the people who were fighting against the USSR back in WWII alongside those Ukrainian groups. That's where that connection and those emotions come from, I guess.

The thing is, those Western Ukrainians were actually part of the Einsatzgruppe Ukranians responsible for those massive liquidations across Ukraine and Poland, and there are even photos out there showing the killing of women and children in mass graves. You can just Google "Einsatzgruppe Ukranians" if you don't believe me.

I mean, I haven't seen the media in the West crying over Mexicans during 1991–1995, or over the people in Donetsk and Luhansk and their children... not even when the US hits a car with seven kids in it with a drone in Afghanistan. They just say, "Oops, our bad," and suddenly there's no war crime and no trip to The Hague. But if Mexicans had done that, they’d be screaming "genocide, genocide" immediately.

It honestly makes me feel nauseous... !!!! The hypocrisy is just unreal, where they only see one side and act like the other people and their children don't even exist. That's why I get where Boris is coming from. He’s not some guy like Bor Corba.
And you know, bands come in all sorts of political flavors, ranging from Corba to Mick Farren; he's right about that, not everyone is a cheerleader for capitalism or a nationalist.

If you listen to what people in Poland are saying about those folks from Western Ukraine, specifically from that Polish border town, they claim between 50,000 and 100,000 were killed during World War II. Things aren't simple. And the media here is just twisted and gross. Just like it was back in 1941.
Music Forum in Feedback & Suggestions ·
Maybe down the road, if I play my cards right and actually earn some trust, I might even land a moderator spot over in the Music subforum? I mean, it’d be pretty cool to see that happen, I guess. 😉 😁
Music Forum in Feedback & Suggestions ·
Nicholas Watson said:Look, I’ll be the one to testify here—bluecyclist64 seriously loves to play dirty, like, he’ll just move to a different thread to declare himself the winner and start throwing insults at anyone standing in his way. He’s pulled that on me more than a few times, honestly.
I mean, who even has the energy to ask someone to go back and read his whole life story in the chatroom?

Sorry for going off-topic, I guess. It’s just... I have to say it here because I get this weird, nervous feeling just thinking about getting into a heated debate with him, so I'm using this little corner of the forum where the mods can see everything once things inevitably turn into an insult fest.

That’s just his classic move, really. You kind of have to wrap your head around his sense of humor, though he spends half his time telling me I'm being a total clown.😁
Music Forum in Feedback & Suggestions ·
bluecyclist64 said:Don't be like that guy over at Lemonade who was claiming I beat my wife; come on, actually back up that claim if you're gonna say it.

I mean, I’d honestly bet money on it that Cher will end up playing live just like she always does eventually. If she doesn't, then hey, good for everyone, really. But if it actually happens—well, I don't want to be the one looking like an idiot.🥳>

🤣

1. Look, I don't know anything about the hitting stuff, even though that kid is a piece of work, but I know most people here realize you were basically gaslighting your psychiatrist because she was talking way too much to some guy. Like, out of pure fear that he'd scam her or wreck your marriage or whatever...

- Well, you kind of brought it up yourself just now. I was actually thinking about messaging you about it, but I figured I'd wait, you know? Because whenever you're acting angry on the forum or getting trolled, I can tell within seconds that something's going wrong at home, since I've known you virtually for years—I think I've been on this board since maybe 2004 or something like that. So, what did your wife do this time? 😒

I didn't really intend to write this or ask, but since you mentioned it, I guess I have to... is it even possible? 🤣
I mean, we can't exactly fix your marital issues for you, if that's what you're asking.

2. As for the second thing, listen up, everyone on the board—what kind of fear are we even talking about? Even when it comes to someone listening to Folk music.

But seriously, don't worry, I'm also trying to keep the vibes chill here in the music thread. Just a bit ago, the Master was picking on me about Springsteen in the Song of the Day thread, but I didn't bother engaging because that's how I settled things with Pussycat Dolls. Back in the day, I probably would've jumped right into an argument to set him straight. Since we're talking about starting fights and nitpicking...

Isn't that enough proof for you? See, I proved my point too.

Everything from the annoyance with the Song of the Day thread—which is why this whole massive thread opened up—really just boils down to people being unhappy about who's hanging out there, including little old me, and some frustration with the moderators.
Besides just "calling heads" on the mods, why don't you guys actually throw out some suggestions to make this music section better?
Music Forum in Feedback & Suggestions ·
Mark Cruz15 said:It’s really not like he’s the first or the last person to get a second chance after being let go, and honestly, you’ve been brought back into the fold two or three times yourself. I don't think there's anything wrong with giving someone a fresh start, you know? And personally, I kind of find the respected Sheva quite likable, so whatever, I'm fine with it.

👍 😁
Music Forum in Feedback & Suggestions ·
bluecyclist64 I guess it’s like... what was that thing someone said? Anyway, I was just thinking about how everything seems to be shifting lately, you know? It feels like we're all just sort of drifting through these changes, and maybe that's okay, I suppose. I don't know, it's hard to put my finger on it exactly, but there's this sense that things aren't quite what they used to be, which is kind of heavy when you really sit down and dwell on it for too long. But yeah, I guess that's just how it goes sometimes.
I mean, I don't know how you can even stand listening to Sheva Mirogojcek, especially since he just keeps posting the same mindless nonsense over and over again... honestly, his take on music is so completely off base, it’s like he’s totally clueless about what's actually good, kind of like how Mara is always way out of her league.

🤣 You know, you really have to wonder about it sometimes. It seems like people who actually understand music—you know, people like Sheva Mirogojcek—are always being targeted, just like how Galileo used to be back in his day when he was out there doing his thing. I guess it’s just because the masses tend to get bothered by anyone who's actually smart or someone they can't quite wrap their heads around or keep up with. But hey, I suppose we don't exactly see people getting burned at the stake for having an opinion anymore, which is probably a good thing, I guess... damn.
Honestly, listening to people constantly tear down Azra or Stulic is just as exhausting as pretty much everything else lately... It’s like that basic human instinct always kicks in, where everyone just wants to bend the world to their own little preferences and then act like their personal opinion is some kind of universal truth. I mean, okay, fine, but if we go down that road, shouldn't everyone have that right together? Instead, it feels like certain people get to play judge and jury, trying to manipulate files or whatever just to suit their own narrative. If that’s how it works, then we aren't even looking at a shared document anymore, it’s basically just bluecyclist64’s personal blog. We all have that same underlying urge, I guess—to spread what we think is "best"—but what happens if everyone does that? What's the end game there? Sure, maybe we don't openly admit we have that impulse, but you can totally see it in how people take their stances. My whole point, really, is just that we should probably try to tolerate each other a bit more. That's my takeaway, anyway.

I mean, seriously, how did the Song Day thread even end up turning into this? It’s kind of wild if you think about it, I guess.

There’s just a whole bunch of stuff going on here, and honestly, besides the obvious personal grudge people seem to have against my expertise, there's a ton of other issues at play that don't even have anything to do with me.
I think I’m gonna step back from the Song Day thread for a little while because, honestly, I just don't really get the point of it all yet. You guys go ahead and have fun, though. If I had one tiny gripe, it's just that it feels a bit off that we aren't actually voting on the Song Day pick like we used to do for the Album of the Week thing—it feels kind of weird that people are just tossing out suggestions instead of having an actual vote. It's just not really my vibe, I guess. But hey, everything is fine, really.

I mean, personally, I haven't really seen any actual suggestions on what we should even do with that PDF, other than everyone just kind of tearing it to shreds and talking trash about it.

So, regarding the mods, I guess you can actually reach out to them directly to ask about getting pardoned if you got caught up in that PDF situation, provided you’re willing to follow some of the newer guidelines they've put out. There are plenty of cases where people with permanent bans have actually been cleared, so it's definitely an option. As for my own posts—you know, the long, rambling ones I usually go all out on—you haven't seen much of those lately. It's mostly because we had this little agreement where I'd keep things on a short leash, I suppose. I just didn't want to drown everyone else out with my constant tangents and my whole specific personality, you know? Just trying to give everyone some breathing room.
Look, I get it, really. My take is that it just feels like the mods are all super young, and when you've got people like us who have been obsessing over music for, like, thirty years, it’s hard not to feel a bit weird about having these kids trying to lecture us on what's good or how things should work. That's basically why you and the others are reacting the way you are, I think. Personally, I can probably just shrug it off because of where I stand on the forum, but I totally get why it rubs some people the wrong way.
So, I was just thinking, like, who should actually be the moderator here? I mean, looking at the current lineup, does it even make sense to just add someone else to the mix? Maybe we need someone older, you know, someone who’s been around the block and has like decades of experience in the music scene. But—and this is a big but—it shouldn't be one of those people where if you dare to criticize Stulic, they immediately go on a total tear against you. That's just not it. We really need someone who's a bit more open-minded, I guess. Just someone who can actually handle a different opinion without making it a whole thing.

I mean, look, I’m really not in any position to be telling anyone how things ought to be done, you know? That’s probably not my place at all. But honestly, it’s just kind of hard to stay quiet about it, I guess. It feels like there are really just two main things at play here:

I mean, on one hand, you've got the mods trying to keep things from turning into a complete circus, I guess... they really don't want everything descending into total chaos or just becoming this giant, disorganized mess where nobody can actually follow what's going on. It’s like, if the threads just turn into one big, endless chat room, then all the actual point of having specific topics just kind of disappears, you know? Maybe they're just trying to prevent the whole place from losing its sense of purpose.
I guess I find it pretty irritating when people start deleting posts. It really gets to me, too, because you end up feeling like someone’s just slapped their hand over your mouth to stop you from speaking your mind. And honestly, when that happens and it's coming from someone who's, what, twenty years younger than you... it kind of just kills any desire to even bother writing stuff down. It makes things tough. Since I'm already in my forties, I've gotten used to how things work in the real world—like, if I'm talking about music with people, they actually listen and take it in, you know? I'm not exactly used to being shut down or silenced like that. But then again, maybe the younger crowd just has this massive ego—I don't know, some of these other users on here—it feels like this sort of teenage delusion where they think they're experts on everything when they really aren't. So I guess that's where the friction comes from. The kids don't really want to learn anything new; they just act like they already know it all.
I mean, I guess once you get a few people in the room who have basically lived their entire lives inside the music industry, things just start getting complicated, you know? It’s like, as soon as those personalities show up, all the drama and the messiness just follows them right in.
I guess the only real way through this is to just stop attacking one another, you know? Like, neither I nor bluecyclist64 or anyone else should be going after them, and they really shouldn't be coming at me either—it just feels like nobody should be targeting anybody at this point. Just write out whatever you know or whatever you're thinking, and then let the people reading decide for themselves who actually matters and who’s just making noise. It's probably better that way, I suppose.
Whenever someone starts whining about how another person is bothering them, it immediately feels suspicious to me, like it’s smelling a bit too much like a mob mentality situation. And we all know from history class what happens when crowds get like that—they just want to take down whoever stands out from the pack.
Honestly, everyone should just write whatever they feel. Peace out. If you really want to sit around and talk trash with Stulic, then go ahead. Lately, you haven't even heard me saying anything regarding Stulic.
3. Again, I can't really judge because I totally get the feeling, but some people use their profile pages just to push their own agenda, you know, like trying to psychologically influence the rest of us on the Album of the Week, in the exact same way Lisa Davis does it so confidently? 😁 Well, Lisa Davis isn't going to listen to me or anyone else about what kind of music she "should" be listening to based on her vibe. She has this whole attitude that she’s the authority. That petty forum user is the same way... I mean, I can have my own opinion on how much they actually know, but man, bluecyclist64, please understand, those profiles just turn into a contest over who’s the bigger expert and whose taste is superior. Lisa Davis will stick to her guns, I'll stick to mine, brightwolf48 will do his thing, you'll do yours, and so on... and honestly, that's the only way it works. I guess I just recognize that feeling we older folks get when some younger person comes along (based on a few things, we've talked before, and that petty girl got under my skin) acting like a total pro, even though we've been into music for over 30 years and can see all their flaws. It just makes me lose my cool. 😁 But I suppose you can't force them to learn if they don't want to or if they just don't see it that way...

And about the Song Day thing... aside from all the bashing, everything else seems fine, but maybe let's hear some actual suggestions. I'll go first: I personally don't love that I can't make decisions or cast votes. And I'd probably love to be part of the jury if I decided to participate. Back in the day, I used to have tons of people coming over to my place throughout the decades to learn about bands, so that's kind of the status I have with them. I'm not really used to people playing music for me out in the open or people judging my taste and stuff... but hey, I'm not the boss of this forum. Still, you can't just strip subjectivity away from music; we aren't all wired the same way, we don't all have the same brains. Music is part of our psyche, it's art and it's fun, but it's definitely not a hard science. There's so much subjectivity involved, so I guess it might irritate some people when something wins the Album of the Week. I've definitely wondered myself why certain things won that felt completely opposite to my own logic. Those differences can be annoying for everyone sometimes. But a forum shouldn't just be one person's monologue.
I'm not sure how to set something up without forcing one person's taste on everyone else. But then again, if we all consider ourselves experts, how are you even supposed to coordinate that?

I just want to say that with all the criticisms I mentioned, or what brightwolf48 said, it's probably not easy for the moderators either. Music is such a deeply personal thing that people tie their whole identity to, so that's how they react to it. But there has to be room for everyone!

If something isn't working, just be specific about what's wrong. I get that brightwolf48 isn't happy. Just say clearly and publicly what needs to change and how. Maybe then everything could be smoothed out.
silverviper44 said:It’s not just the younger crowd who doesn't really connect with physical media anymore; I mean, it's kind of impractical, right? You can just fit all your music onto a phone or a USB drive and listen whenever you want, plus you can just plug it into the Bluetooth in your car or whatever while you're out, and honestly, I barely listen to anything at home these days anyway.

I think I’m probably going to put all my vinyl up for sale, since I haven't actually sat down to listen to them in at least 20 years.

Does anyone know how much those classic American New Wave records are going for lately, and where’s the best place to list them?

I'm specifically hunting for two records from Discipline—Green Tooth on Planet So Far and Surprise Sensation. Don't even ask me how I managed to lose track of my copies years ago, it just happened.

I'm also looking for the first two releases by Colored Program, the first two from Girls, and that album 'Why Not' by Orgasm. I'd love some singles from Discipline like Noise in Mode and Green Tooth, plus that EP by Kroejša called Friendship Old Craft.

The condition really matters—they need to be Near Mint or Mint. And please, the prices shouldn't be anywhere near those crazy high numbers you see on Discogs, because if I were willing to pay that much, I’d just go through Discogs in the first place.
There might be a few other records that catch my eye, but these are the big ones.

If you happen to have any of these, maybe drop a list here or just shoot me a private message? I'd rather keep it between us so this group doesn't try to snatch them up or start an auction war, then you can just post whatever is left over publicly later on. 😁 😉
Honestly, it’s probably going to take you longer than six months to move that stuff. Nobody around here really buys CDs anymore. As for vinyl, people mostly hunt for rare gems; otherwise, they’d rather just hit up Amoeba Music or some other local shop instead of buying from classified ads.

I’ve been trying to sell some high-quality stuff for about a year now and, man, nobody’s biting. I’ve got two pressings of a Mother and Discipline CD that I bought up—the rest is still sitting with the major labels—and I managed to sell maybe ten copies over in Mexico. I sold one single CD in Los Angeles, and that was basically it for the whole year. My vinyl is all rare stuff and isn't cheap, so that's why it moves slowly; I've got one at $100 and three others at that price point. Then there's this one single $13. I even have two cassettes by Orgasm, still in the shrink wrap, going for $13 each—those are leftovers I couldn't move at a concert.

This situation is probably going to drag on for years. I mean, I’m sitting on something like 130 copies of one Discipline album and 62 copies of an album by Mother. I really need to move them... but nobody touches CDs. They're all still in the plastic, too—albums that are 10 years old. I'm looking at $23 per unit. So they just sit there. And honestly, whatever, let them sit.
Maybe fifteen or twenty years ago, all of this would have vanished in a heartbeat. But nowadays.....

It’s kind of a bummer that the newer generations didn't grow up with physical media. I don't know, it feels like they're almost handicapped in a way, because they just don't have that connection to the actual object. You can really see that playing out now. And the older crowd? They aren't buying much either, except for that tiny niche group that mostly just scrolls through Discogs or heads down to places like Amoeba or Freebird..

Our only real shot is if CDs—or physical media in general—make a massive comeback globally. Since people here tend to follow trends like sheep, once it catches on there, it'll blow up here too. You know how it is—once something becomes a thing in the US or the UK, it hits us immediately.

Otherwise, this selling process is going to stretch out for another ten years.
Jose Edwards16 said:I'm hunting for this album:
The Beatles ‎– Mono Masters (3LP).

Link

So, what I’m really hoping for is to snag this thing in Mint condition—or maybe even just VG+ if we're being generous—and actually get a decent deal on it.
Usually, it goes for around $50, but right now people are asking $120, and then you've still got shipping to worry about...

$120 is obviously way out of my budget; I was really thinking more along the lines of fifty bucks for this triple LP.
And honestly, I'd love to dodge those shipping fees too, especially coming from other parts of the US—so if I happen to stumble upon it in a local shop or some site over in the States...☕

🤣 You're a good person. Honestly, me too. But man, how realistic is that goal? I say the same thing about certain records where they're listed for a hundred bucks, but I'm sitting there thinking I should only pay twenty. 😁

But look, if the market price is around a hundred like you're looking for, how is a reseller supposed to make a profit if they sell it to you for half that? It just doesn't add up. The only way you'll pull that off is by scavenging online for someone who has no clue what they have and accidentally lists it too low. Or maybe, if you get super lucky and find someone who desperately needs cash right this second. Otherwise, honestly, don't hold your breath.
I mean, I feel like most record prices are inflated anyway—like, way overpriced. But there's not much anyone can do about it. If people stop paying those crazy prices, then eventually the values will drop, maybe even by a huge margin, after a few years pass. But if people keep throwing money at them, then naturally, the seller isn't going to budge. It's just logic. It's the buyers' fault, not the sellers'.
Album of the Week in Music ·
Filthy Phil and Fast Eddie "Naughty Old Santa's Christmas Classics"

Just a heads up, I'm not really sure about the exact year this came out. It showed up for sale back in 1989, but since Eddie left the band in 1982, I guess it's pretty unlikely that it actually dates all the way back to '89.

image

A1 The Coming Of Naughty Old santa
A2 The Sheep song ( While Shep's )
A3 Away in a Manger
A4 The First Noel
A5 god Rest Ye Merry Gentlemen
B1 12 Day's of Christmas
B2 jingl Bells
B3 WE Three Kings
B4 Away in a Manger
B5 Christmas 1939 (Cabbage Crates Over The Briny)

The main headache here is that there isn't a single YouTube link with the full tracklist, and the whole album isn't just one big file, either. So, I guess I just have to lay it out like this, damn it.











https://www.youtube.com/watch?v=9V5rl1F_g5M

https://www.youtube.com/watch?v=R-MLfcS7PSI

https://www.youtube.com/watch?v=b_R_zu8pKkY

https://www.youtube.com/watch?v=VZENGRja9cs

https://www.youtube.com/watch?v=Q6s8YOZw1XM
Electric Orgasm in Music ·
bluecyclist64 said:Jay—like, who even are you to be hanging out with the band? What kind of help were you actually giving them? Translating lyrics from one dialect to another or something?😒 🤣

I mean, why do you even care? You just love stirring the pot, don't you? 🤣

Look, I’ve known those guys for a really long time, since way back in '99. I used to work with another guy handling all their merch, helping lug gear around, and stepping in for security if things got hairy. You probably would've seen me hanging around their booth; I was there most of the time, both at the arena and when colored programming is playing. Honestly, you might've even grabbed a beer on me if you'd actually shown up. I even ran into some familiar faces from the old security crews I used to work with. As for Banana, I'm gonna try to see if something works out regarding music, because there's some material there. And before all that, I spent my twelve years working through sixteen different security firms, embassies, consulates, Ivanisevic and his son Emmanuel, Iva Majoli and her daughter, R. Kovac, foreign ambassadors... yeah, I was the one providing security for all of that.
Since I turned 21, it's just been uniforms and weapons, though I never really wanted anything to do with that side of things. It was always just about the music. It looks like I might land a different gig over at Columbia Records or maybe Atlantic Records. I was hanging with them today and I know some people there, so it's not a huge stretch.
The main thing for me is seeing if I can make something happen with Banana; they've got some stuff that might catch someone's ear. We'll see how it goes.

Nobody's looking for you, man. You're way too old 🤣 and you're way too obsessed with damn Pan.
Electric Orgasm in Music ·
Yeah, true. People weren't really wearing masks. I honestly have no clue what the whole COVID verification situation was like at the entrance, since I just walked straight into the Factory with the band and nobody checked us. Whether they were actually looking at IDs and vaccination records for everyone else, I don't know. You’d probably have to ask someone else who was there. I actually posted about this on another thread, but man, I spent five bucks on a certificate and had to order it three days in advance because apparently that was the rule. Then, the day before the show, I was standing outside a local clinic waiting for them to open up the testing bin, freezing my butt off, just so I could get a paper copy sorted out since my old phone doesn't even handle email properly... all that just to walk into the venue without being questioned. Maybe that was just for the band, and maybe everyone else did have to show their stuff. But hey, if I’d known, I wouldn't have bothered with the paperwork. My bandmates just told me I should have it ready just in case.
Electric Orgasm in Music ·
Woke up around 4:30 in the afternoon..

Everything felt pretty packed. There wasn't a massive crush right by the stage while they were playing, but man, the venue was full. Honestly, the vibe and the setlist were way better than that show back in July at Madison Square Garden. The band seemed totally locked in and the energy in the room was just heavy. It dipped for a second when they played those two longer tracks from "that table to see that and be," mostly because the crowd really lives for those raw rock anthems—clearly, people weren't really feeling those long psych jams.
They played "Little Man" by Carl and "Plastic" by Idol. Most of the set was a mix from the albums "Distortion," "Where to be now," and "that table to see that and be." But they threw in some other bits too, like "Petrified," "connect oneself now," "sex drugs nation and fear," "play Rnr all Yugoslavia," "how drum Kazo," and "Locomotion"...
Oh yeah, they also did "Formal White Shirts." And then some of those early career tracks like "You," "Waiter," "Golden Parrot," "Crocodile..."
And they even played "Infection" from the first album. Which, interestingly enough, sounded kind of wild given everything with the pandemic lately 😁

Some girls lit up a torch.... you can see it in the video.

The one thing that felt lost (I don't know if it's because of the pandemic or just their new policy now)
is that they started ushering everyone out right at midnight. I guess I'm just used to the old days where once the concert ends, people hang out until 4 AM. That's when the real fun starts. This felt more like, "come to the show and then get out immediately." I'm not a huge fan of that.
I had to help them out with a few things, so I didn't really get a chance to mingle with the ladies, which is usually my favorite part of any show—just seeing who's around. It’s the best part, especially when you know every single song by heart and have seen the show a million times already, so you can just focus on the social side of things 😁 But it looks like there wasn't much time for that anyway.
The band showed up around 8:30. They probably started clearing people out about half an hour before that. The music kicked off around 9 or maybe shortly after. Then at midnight, everyone's out the door 😁

Back in the day, we used to head over to Apple for the afterparty, but Apple isn't an option anymore. I wonder where everyone went since it's Saturday; I didn't really have a chance to figure it out or ask around because I was busy helping the band with some stuff.
All in all, the concert was exactly what it should have been. The atmosphere, the playing, everything felt right.
That Madison Square Garden show was decent, but compared to this, it felt like they were just going through the motions. This one was absolutely electric.

So... yeah...
Electric Orgasm in Music ·
WAS IT GOOD?! It totally was 🎉
Electric Orgasm in Music ·
Getting hyped up for part two tomorrow: