Paul Anderson7 said:In my opinion, you should only do a reboot if technology has advanced enough to actually make a remake worthwhile, or if the original was just a bad execution of a great idea. I’d also only consider remaking action flicks that rely heavily on visual spectacle and stunt work. Dramas should be left alone if the original was solid. It really all depends on the movie itself.
Remaking dramas like Apocalypse Now or Citizen Kane makes absolutely zero sense, and honestly, the same goes for sci-fi/action classics like Alien, Predator, or Mad Max. Some movies are absolute masterpieces exactly as they are, and you should never touch them because you can't recreate that specific atmosphere, and even if you have better special effects, it doesn't mean much—most of those new versions would just end up being total garbage.
Basically, I'm against reboots because for me, the story is everything, and if I've already seen the story, I don't need to sit through it again just with different actors and shiny new effects.
I totally agree; generally speaking, reboots should be banned and original films shouldn't be messed with at all. But maybe just for that top-tier AAA group, like that recent Terminator mess we're seeing now.
No amount of fancy CGI or any other goddamn thing in the future is ever going to be able to replace the soul of a movie.
That said, I do think there are plenty of franchises that were poorly made back in the day due to technical limitations—you know, crappy lighting, bad gear, old cameras—and then there are films that are just bad because nobody put in any actual effort, like lazy writing, terrible directing, or subpar acting.
For those kinds of movies that lack any real "cinematic value," I could see the argument for a reboot.
Yeah, but that’s where the whole problem starts, because who gets to decide that? There are movies out there so incredibly bad that they've somehow become part of "film culture." You'll definitely have a bunch of mediocre movies with cult followings that would fight tooth and nail against any changes.
And anyway, we should really be asking why we bother rebooting old stuff instead of just making new movies, especially since there are countless books just sitting there waiting to be turned into films.
If I had to suggest a reboot—if you can even call those things reboots, because I refuse to recognize them—it would be Dragon Ball and Dylan Dog.