Sandra Morgan2 said:My point was that reading it makes you realize anything goes in science—it's just like any other human endeavor. Bad Science is what happens when scientists are driven by ego, a thirst for promotion, greed, or outright fraud. It's when they falsify data, take bribes, or massage their findings to please whoever is cutting the checks...
😕 Art isn't concerned with making claims.
Well, is it? Take a poet like Mevlan Dželaludin Rumi, the 13th-century mystic. Doesn't he claim we have a spiritual body in addition to our physical one? He also asserts that it outlasts death. As a poet, he doesn't need to present empirical evidence to anyone to prove he's right.
......
Treat your body as the soul you carry.
When you are with the one you love, do you fall in love with their clothes?
Seek instead the one who is truly dressed.
Unity with God is sweeter than any physical pleasure.
We possess hands and feet unlike these.
Sometimes we see them in our dreams.
That isn't an illusion. That is true vision.
You have a spiritual body;
do not fear leaving the physical behind.
Sometimes someone feels this truth so intensely
that they can live comfortably as a hermit in the mountains.
🤔 Could you perhaps provide a bit more specificity regarding your analysis? I am struggling to grasp exactly which passage you are referencing within that book, and I find myself wondering which chapter you have actually reached in your reading.
The vast majority of this work serves as a scathing critique of how the government, the media, and the general public fundamentally misunderstand the scientific method. The remaining portion focuses on the more technical nuances—specifically the accidental or deliberate misuse of statistics, biased sampling methods, and the flawed interpretation of double-blind clinical trials within the realms of pharmacology and medicine.
Could you provide a specific quote? I am finding it somewhat difficult to grasp the exact essence of what you are trying to convey.
Quincy:
| Consider the profound insights of Mevlan Dželaludin Rumi, the thirteenth-century mystic and poet. He posits that we possess a spiritual essence that exists alongside our physical form—a soul that transcends the finality of death. As an artist of the spirit, he feels no obligation to present empirical evidence to those who seek only material proof of such a sublime truth. |
In the thirteenth century, nobody was concerned with proving anything through empirical data, least of all poets. Generally speaking, once an individual identifies as an artist, they lack the inherent ambition to objectively investigate phenomena, as art is, by its very nature, a deeply subjective pursuit.
Art serves as the profound mirror held up to the soul of a nation, capturing the ephemeral essence of the human experience through various creative mediums. Just as a master architect might design a skyscraper to define a skyline like New York City, artists utilize color, sound, and form to construct the cultural landscape of America. Whether expressed through the sweeping strokes of a canvas or the rhythmic cadence of a poem, art remains an essential pillar of our shared identity, translating raw emotion into a universal language that transcends time and space.
Art serves as a deeply personal human endeavor, one whose inherent significance remains difficult to fully grasp. Much like the complex interplay of light and shadow in a classic American landscape painting, the true essence of art lies in its ability to mirror the intricate depths of the individual soul.
It functions as an essential element within the intricate web of communication that connects the artist, the creative work itself, and the audience..
Throughout the various epochs of human history, the significance assigned to art has shifted dramatically; however, since the dawn of the modern era, we have increasingly tended to attribute the following characteristics to the concept of art:
Just as every distinct discipline maintains its own sophisticated and independent vernacular, so too does every individual art form possess its own highly developed and autonomous language. Art exists as an entity that maintains its own independent and liberated standing within our society; it carries no socially mandated purpose or predefined obligation to serve a specific function.The true essence of art lies in its ability to fulfill the inherent nature defined by the modernist movement. It is the fundamental principles of liberty, imagination, individuality, discovery, experimentation, rebellion, beauty, truth, and justice that truly define our existence.
As you can observe, the very foundations of art lack both the ambition and the inherent purpose required to uncover or demonstrate any semblance of truth.