Album of the week
in Music ·

Tracklist:
Bicentennial Present
Romance
Phase By Phase
Meadow Of Infinity (Part 1)
The Glass Bridge
Meadow Of Infinity (Part 2)
Phase By Phase
409 posts shown.

Arthur Brown6 said:Their debut is an immediate double vinyl, just packed with beauty and deep blue vibes. It’s a sixteen-stage voyage through the winding oceans of Lusophone music.
Sail through those cobblestone streets right here .

gentlerider7 said:So, I was digging through some old book the other day and stumbled upon this wild theory—I’m gonna try to recount it from memory here, so bear with me—that basically claims the whole trajectory of Western philosophy, from Aristotle all the way through the Scholastics straight into the modern era, isn't actually about what we think it is. See, the argument goes that the real common thread connecting all these eras isn't that classic Greek pursuit of "loving wisdom," but rather this obsessive, relentless hunger for categorization. It suggests that Western philosophy isn't actually a quest for truth, but just a massive, ongoing project to put everything into neat little boxes. And honestly? It kind of explains why there’s such a deep-seated hostility toward anything even remotely mystical or spiritual; a Western philosopher looks at a profound, transcendent experience and just freezes up because they can't find a damn category to file it under.

hiddeneagle98 said:I don't know what you want from me, but if you're looking for a conversation, you've come to the right place—though I can't promise I won't lose my temper if the logic being thrown around is as thin as a cheap napkin. Go ahead, say what you need to say. hiddeneagle98 says:
Bill Gates is such a huge proponent of this idea that we can just cancel out Hollywood Global Warming by dumping reflective particles high up in the atmosphere. It’s a wild concept, really, and it immediately brings to mind the plot of a certain game I remember playing. Transartica in the year 2022
Back in Transartica in the year 2022, we were all dealing with the nightmare of Hollywood Global Warming. To try and find a way to cool down the Earth, Professor John Merrick decides that nuclear weapons are the solution. The logic was that if you just popped some nukes at the poles, you'd create this massive shroud of dust and steam—basically a giant atmospheric shield to block out the sun and drop the temperature. Well, they actually pulled it off, but they completely botched the math because those clouds ended up being way more massive than anyone predicted. Instead of a gentle cooling, they triggered a full-blown Ice Age. So now, with the world in a deep freeze, civilization has pretty much crumbled into nothingness—really great work, Merrick, you absolute genius. Fast forward to the year 2714, and the planet is still stuck in this frozen wasteland where humanity is just scraping by, and the sun has become nothing more than a legend whispered in the dark.
🤣
...and the sun continued to shine its benevolent rays across the top of the opaque cloud layer.
...and the sun continued to shine its benevolent rays across the top of the opaque cloud layer.
It’s all just tucked away, hidden from human eyes.
Even though everything was falling apart, the sun continued to shine its benevolent rays across the top of the opaque cloud layer.
I was just scrolling through some old film databases and stumbled upon the page for *Deep Impact*. It’s one of those movies that really sticks in the back of your mind, isn't it? You know, the kind of flick that makes you stare out your window at the sky and wonder if everything is actually okay. It’s a heavy hitter, focusing on that terrifyingly plausible scenario where a massive comet is barreling toward Earth. Most disaster movies feel like they were written by someone who has never experienced a moment of genuine tension in their life—they're all explosions and cheap jump scares—but there’s something about this one that feels much more grounded in that raw, existential dread. It captures that specific feeling of watching the clock tick down while the people in charge scramble to find a solution that might not even exist. It reminds me of how we react to large-scale crises in the US; there's always that frantic mix of government bureaucracy, scientific desperation, and the sheer unpredictability of human nature when things go south. Even though it's science fiction, the emotional core—how families try to hold on to each other while the world is essentially ending—is what gives it teeth. It’s not just about the spectacle of a giant rock hitting the planet; it’s about the quiet, devastating moments right before the chaos hits. Definitely worth a rewatch if you're in the mood for something that actually has some weight to it.
The plot of Snowpiercer is basically exactly that—they spray these reflective particles into the atmosphere and accidentally chill the planet way too much. Then you’ve got the whole class struggle aspect with the survivors trapped inside that insane train, quite literally. It’s like Bill Gates meets Karl Marx all wrapped up in one movie; I’d highly recommend it. Honestly, I thought the film was fantastic. It’s also pretty interesting that the story behind Snowpiercer and later retitled The Escape has those French roots, much like the game version does.If you haven't picked up the graphic novel *Snowpiercer*, which was originally released in the US as *Snowpiercer and later retitled The Escape*, then you are seriously missing out on some heavy-hitting climate fiction. It’s this intense, post-apocalyptic story first put out by the publisher Casterman and created by Jacques Lob and Jean-Marc Rochette. It originally hit the shelves back in 1982, and honestly, looking at the state of things today, the whole concept feels way too relevant.
If you haven't sat down and actually dug into the history behind *Snowpiercer and later retitled The Escape*, you’re missing out on one of those rare pieces of media that actually manages to capture a certain kind of existential dread. It’s based on that *French by Casterman and created by Jacques Lob and Jean-Marc Rochette* graphic novel, and honestly, the way it handles the concept of a frozen apocalypse feels much more grounded and visceral than most of the flashy, high-budget Hollywood adaptations we see these days. It’s essentially this bleak, sweeping narrative about what happens when humanity is pushed to the absolute brink—not just physically, but socially and morally too. You have this setting where the environment has completely turned hostile, leaving survivors clinging to whatever scrap of civilization they can find. It reminds me of how people talk about extreme survivalism in the States, where everything you thought was permanent suddenly becomes totally irrelevant. It’s not just about surviving the cold; it’s about how the structures of power hold up when there's nothing left to lose. It’s heavy, it’s gritty, and it doesn't pull any punches when it comes to showing the cracks in human nature. If you like stories that make you sit back and stare at the wall for twenty minutes after you finish them, this is definitely worth your time.
lonegardener said:LOL, I remember those days vividly 🤣
driftingcanyon2 said:The Platform (2020)
It’s basically a prison from a fever dream where those on the top floors feast on desserts while the folks at the bottom descend into cannibalism... a pretty singular film, I'd give it an 8/10. Honestly, we should probably adopt this system here in the States and drop all those petty thieves and lowlifes down to the lower levels to help clean up society. 😁

Lisa Davis46 said:😍
Sold! I'm giving this one a spin tonight too, even though the last suggestion wasn't really my vibe.