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Posts by brighteagle39

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10 Song Challenge (Vol III) in Music ·
Rachel Patel49 said:Just a small correction on the previous post: "don't" actually stands for "do not"... that's two words if you count them up.😁

I have to respectfully disagree there. Technically, it functions as a single unit. If you look at various discussions online regarding whether contractions should be classified as one word or two, the consensus seems to lean toward treating them as a single lexical item. https://www.reddit.com/r/grammar/com...ered_one_word/
It reminds me of how we handle certain compound adverbs in English—words like "anyway," "sometimes," or "anywhere"—which are essentially combinations of two parts but are written as one cohesive word.
But honestly, it’s not a huge deal... everything is fine.
Heartbreakers (2001) in Movies ·
This is truly a fantastic comedy, easily one of the best I've seen. The entire cast delivers such stellar performances. Sigourney Weaver is absolutely brilliant here; I have always had a soft spot for that restaurant scene where she has to break into song. To me, that ranks as her second most iconic moment. My top pick, of course, remains that intense sequence from the first Alien movie where she’s fighting for her life in that cramped shuttle while struggling to get into her space suit.
10 Song Challenge (Vol III) in Music ·
Topic: The rules here are simple—everyone should list two songs formatted as a/b. For song A, please use a two-word title. For song B, use a three-word title. To keep things interesting, the first two words of song A must match the first two words of song B.

01a Wilson Phillips - Hold On
01b hold on 01 b ELO - hold on Tight

02a Guns N' Roses - Don't Cry
02b don't Cry Sister Guns n ' Roses - don't Cry J. j Cale - don't Cry Sister

Guns N' Roses - Don't Cry

don't Cry Sister Guns n ' Roses - don't Cry J. j Cale - don't Cry Sister
10 Song Challenge (Vol III) in Music ·
Topic - Everyone should list two items using an a/b format. The title under category A must consist of exactly two words. The title under category B needs to be at least four words long. Crucially, the first two words of item A and the first two words of item B must be identical.

01a Robert Plant - Heaven Knows
01b The Smiths - Heaven Knows I'm Miserable Now
02a Gilbert O'Sullivan - Get Down
02b Slade - Get Down And Get With It
03a John Sebastian - Welcome Back
03b Chuck Berry - Welcome Back Pretty Baby
04a Spice Girls - Too Much
04b Chuck Berry - Too Much Monkey Business
05a George Soros - I Love
05b The Ramones - I Love Myself

Gilbert O'Sullivan - Get Down

Slade - Get Down And Get With It

John Sebastian - Welcome Back

Chuck Berry - Welcome Back Pretty Baby

Spice Girls - Too Much

Chuck Berry - Too Much Monkey Business

George Soros - I Love

The Ramones - I Love Myself
10 Song Challenge (Vol III) in Music ·
Theme - One of the words in the song title must be "NIGHT," and the title itself needs to be at least six words long.

01 Everything but The Girl - The Night i Heard Caruso Sing
02 Steve Winwood - Dont you know What The Night Can do
03 AC / DC - you Shook me All Night Long
04 The band - The Night They Drove Old Dixie down
05 The Kinks - All day and All of The Night
06 Reba McEntire - The Night The lights Went out in Georgia
07 Samma Smith - Help me make IT Through The Night
08 The Electric Prunes - i Had Too Much to dream Last Night
09 The Smiths - Last Night i Dreamt that Somebody Loved me

Reba McEntire - The Night The lights Went out in Georgia

Samma Smith - Help me make IT Through The Night

The Electric Prunes - i Had Too Much to dream Last Night

The Smiths - Last Night i Dreamt that Somebody Loved me
10 Song Challenge (Vol III) in Music ·
Topic: Title tracks from albums named after a specific city

1. Banco de Gaia - Last Train to Lhasa
2. Elvis Presley - Viva Las Vegas
3. Marty Robbins - El Paso

Marty Robbins - El Paso
10 Song Challenge (Vol III) in Music ·
Topic: Album titles consisting of exactly two words—an adjective followed by a noun.

01 Duran Duran - Big Thing
02 Deep Purple - Perfect Strangers ... on a sandy beach
03 The Rolling Stones - Emotional Rescue

The Rolling Stones - Emotional Rescue
All-time greatest movie heroes in Movies ·
Popeye
Northern Exposure (1990-1995) in TV Series ·
One of my absolute favorite moments from the entire series has to be those final frames of the last episode, featuring Iris Dement and Our Town. It’s such a beautiful sequence, though I can't help feeling a tiny bit of bitterness about it. I really wish they had included Joel in that closing scene. I realize he wasn't part of the cast anymore and wasn't filming, but they could have easily pulled in a quick retro clip from the earlier episodes. Leaving him out makes it feel almost as if he was never even there, despite the fact that he was a staple in a hundred different episodes.
What's your go-to movie genre? in Movies ·
Westerns, particularly those classic Westerns, truly represent the absolute pinnacle of the Spaghetti Western genre.
Northern Exposure (1990-1995) in TV Series ·
Anthony Nelson3 As I was reflecting on this earlier, I couldn't help but think about how much weight we often put on these small interactions. It reminds me of a quiet afternoon I spent in a small town outside of Seattle, just watching the world go by, realizing that most things aren't as complicated as we make them out to be. When you really sit with an idea, you start to see the nuances that others might overlook in their rush to reach a conclusion. There's a certain peace in taking one's time to process everything properly.
Of course, there was absolutely nothing new to be found in that series you were watching. It felt like I had seen every single beat before, much like when I sat through those endless reruns on ABC back in the day. 😁 It is quite rare to find a film or a television series that truly stands up to a third viewing. I actually find myself revisiting one right now for the third time after a significant hiatus, and I must say, it still holds up beautifully. While I have a deep appreciation for classics like Friends or Seinfeld, I suspect it would take me a very long time before I felt the urge to dive back into those worlds again. In my opinion, if a series resonates with you during your initial encounter, then it was a success. If it fails to capture your interest upon a second look, that doesn't diminish its original quality at all. After all, a joke rarely hits quite as hard the second time around. 🙂

When I sit down to watch a film or a series, the last thing I expect is a frame-by-frame recreation of real life. In fact, I actually prefer when a director takes liberties with reality; I think they need that creative breathing room to truly hammer home a message or an emotion. So, I certainly don't view artistic license as a flaw. At the end of the day, we are dealing with an imaginary world—pure fiction. There are nights when I am perfectly content to lose myself in those invented narratives, but there are other times when I find myself craving a documentary instead. On those evenings, I want to see the world exactly as it is, especially when I can't get out from behind my armchair to witness it firsthand.

I truly find myself enamored with the world and the characters they’ve brought to life; I tend to avoid nitpicking over those tiny, insignificant imperfections that others might dwell on.

When I mentioned that there was nothing truly new to be found, my intention was to speak about those core pieces of wisdom and profound realizations—those universal truths about life that the characters in the series gradually uncover. It feels as though all of these insights have already been documented somewhere, perhaps written in an old book, captured in a classic film, or etched into our collective history. Everything we learn through their journeys has been laid out before us at one point or another.
I am currently sitting through my third viewing of this series after quite a long hiatus. I first encountered it back in the late nineties when it made its big debut on American television, and then again about fifteen or sixteen years ago. To be honest, I can't quite put my finger on it, but perhaps I was simply holding this third viewing to too high a standard. It seems that I have changed more than the show has, because for some reason, it just isn't resonating with me the way it used to. Regardless of that shift in perspective, I am pressing on; I believe I am currently somewhere around the halfway point.
I certainly don't expect every film or television series to be a perfect mirror of reality; that’s hardly the point of entertainment. My grievance was actually directed toward the inconsistency of the characters themselves. It's quite jarring when you observe them; one moment, a character is portrayed as the most brilliant person in the room, and by the next episode, they've regressed into being a complete and utter fool.
I certainly agree that there is no need to be overly pedantic when it comes to movies and television series. One should simply relax and enjoy the experience, though I personally don't see any harm in engaging in a bit of thoughtful discussion about them.
Northern Exposure (1990-1995) in TV Series ·
Nathan Murphy said:You’ve completely misunderstood the show.

The series is timeless and truly one of the greatest ever made. When you look at the screenplay itself, it's rare to find another show that can compete with its depth of philosophy and complexity of subject matter.

And yes, I believe Chris is actually the most vital character in the series, not Joel. While I personally find Joel to be an incredibly endearing character, back in the day, everyone wanted to be Chris. His persona and his radio program had such a profound impact on our culture, and honestly, on a global scale as well. Many of our own local radio hosts would tell you that Chris was their primary inspiration. If you observe closely, the entire series unfolds through Chris's perspective. He serves as the central philosopher of the show; everything happens because he poses those fundamental questions, much like how Freud might describe the driving force behind a psyche.

In all honesty, there isn't a single series that possesses the same unique charm as Northern Exposure. I still find myself enjoying it every day whenever I have the chance.

I didn't misunderstand the show; I simply stated that I was a massive fan of it. It's just that I'm seeing it in a slightly different light now.
Chris isn't really the axis upon which the series rotates. That role belongs to Joel—at least, that was the original writer's intention at the start. As the seasons progressed, other characters began to take center stage, and I suspect this shift played a significant part in Rob Morrow's friction with the producers and his eventual decision to leave before the series concluded.
As for Chris, I'm not quite as captivated by him as you seem to be; he essentially acts as a vessel, reading and transmitting that philosophy. Sure, he learned a few things along the way, but then again, so did all the other characters.
I certainly agree that the show is unique—perhaps even the best of all time since nothing else comes close—but that doesn't stop me from being critical of it.
All those life philosophies and bits of wisdom it imparts, along with the timelessness you mentioned... it's all perfectly fine, and at first glance, it can be absolutely fascinating. Even on a second viewing, it holds its charm. But by the third time around, I find myself feeling somewhat indifferent. Once you look past the surface, you realize there isn't actually anything new being said.
What irritates me lately is the impression that those few residents of Cicely have somehow managed to collect all the wisdom in the world for themselves.
Unlike you, I don't enjoy seeing facts and logic ignored; the contradictions in the characters bother me because I find it impossible to compare them to real life.
It isn't even close. Real life isn't Cicely, and a place like that simply doesn't exist anywhere. It would be wonderful if it did; I'd move there in a heartbeat.
Northern Exposure (1990-1995) in TV Series ·
frozenbadger32 said:I see what you mean; I hadn't really looked at it from that perspective before, specifically regarding whether there was any lasting potential there.🤣

But honestly, I’ve always been a total sucker for the JoelMaggie relationship, 😍 and I can't help but feel that things might have played out quite differently if Rob Morrow had remained with the cast through the end of the season.

The series concludes beautifully with that final scene and the Iris Dement Our Town song. However, even that wonderful moment can't quite mask the bitter aftertaste left by the ending, largely because Joel isn't part of the series finale credits. Still, the heart of the show was truly Joel and the way his worldview constantly clashed with the perspectives of the other residents of Cicely. Sure, we have Dr. Capra, but at the end of the day, Joel was the soul of the series.
Northern Exposure (1990-1995) in TV Series ·
For the longest time, this was my absolute favorite series, ever since I first saw it airing on ABC. I didn't realize what I was getting into by revisiting it on a streaming service recently, because now that I'm looking at it again, I find myself finding a thousand different flaws. It’s actually quite upsetting because it’s shattering the myth I had built up about this show in my head. I’m not entirely sure how to articulate it properly. There was a time when I was completely captivated by the characters, the pacing, and everything else, and I would still feel that way if I hadn't decided to rewatch it. It seems to me that I have changed significantly over the years, rather than the show itself; the series hasn't changed, it remains exactly as it was, yet now I can see all the inconsistencies and lapses in logic. Yes, I understand the charm—the philosophy, the metaphysics, the history, the tradition, and those universal truths—but even so... the characters just don't appeal to me anymore. Not a single one of them does, not even Dr. Fleishman, who used to be my hero (or perhaps my anti-hero).

Now, I am fully aware that you cannot view a series like this through a one-dimensional lens. It wasn't designed to make us, the viewers, feel a sense of "trust" toward specific characters or to view them as static constants, but still... I’ve reached my limit.
The absolute peak of this frustration for me came when I realized that in one of the earlier episodes, Joel hosted a gathering where he acted as an absolutely stellar host, preparing delicious food and great drinks with just a little help (the specifics of that episode aren't really the point here). Yet, in a much later episode, he is portrayed as a complete disaster when it comes to organizing any kind of party, which stands in stark contrast to the other characters who seem perfectly capable of throwing a real bash.
I certainly grasp the intended message behind both episodes, but such blatant inconsistency is becoming impossible for me to swallow, especially considering how much the episodes rely on one another, even if each one contains at least three distinct storylines.

I’ve only pointed out one example, but there is a sea of these inconsistencies scattered throughout every single character. I noticed these things during my very first viewing, of course, but back then I simply justified them as part of the "higher purpose" the writers were trying to convey. At the time, it didn't bother me, but watching the show again today, it is incredibly grating.
I've come to the conclusion that Cicely isn't really the center of the universe, as I once believed or as the creators suggested. In my opinion, Cicely is just the center of a massive amount of nonsense.
Best dark comedies? in Movies ·
The Ladykillers (1955)
Sofia Coppola in Movies ·
Lost in Translation is an absolute masterpiece. To be honest, I haven't been quite as impressed by the rest of their filmography.
Steven Spielberg & his movies in Movies ·
Spielberg is certainly an intriguing director. His films generally hold up quite well, though I have to admit his recent output hasn't been particularly strong. Based on the trailers for Lucy, I actually went in expecting a masterpiece, and the film does start off on a high note, but then the momentum just falls apart. It feels as if he stumbled upon a great initial concept and then simply didn't know how to handle it, leading him to overreach. To my mind, the conclusion felt completely disconnected and lacked any sense of realism.
Anna, it really was a disaster. Everything felt recycled, and the characters became caricatures of themselves—honestly, more so than in any of his previous work.
I caught that movie on CBS last night, and honestly, it was a total mess. It felt less like a cinematic experience and more like a direct assault on my intelligence. The biggest issue for me was the complete lack of motivation behind the two girls' actions. Trying to frame the entire story solely through the lens of sin and retribution for the protagonist just doesn't hold water. To be blunt, it feels like a pale imitation of "Funny Games," and it even tries to borrow some of the dark energy from "Hard Candy." I’m left wondering what the director was actually trying to achieve here. I have to agree with the sentiment that this is probably one of Keanu Reeves' weakest performances, and the rest of the cast didn't exactly shine either.
A Simple Plan (1998) in Movies ·
I felt exactly the same way about that movie; it was truly a masterpiece. It has been quite a while since I last sat down to watch it, and I find myself feeling a genuine urge to revisit it soon. I am actually curious to see if it will still hold my attention and feel just as gripping as it did the first time.
Ever wondered... in Psychology ·
I suspect I would be quite impressed with myself