Never Forget St. Louis
in Movies ·
A total disaster... plain and simple. Even Sedlar and Cetverored had good intentions, but I guess that’s all we can say about intentions.
217 posts shown.


wanderingorca9 said:The guy practically carried the whole squad to the semifinals on his back, yet people are still nitpicking his mistakes... it’s unbelievable....🤣
In both scenarios, it mostly benefits the national team, but I honestly preferred the old Magic Johnson—the guy who might only drop two points but will hand out ten assists instead...
Douglas Stewart said:I forgot about The Idiots; you could say they took a stand against it, even if it was a bit late to the party.
I’ll admit you have a point. My expectation that musicians should collectively oppose the war might be valid in principle, but frankly, it’s unrealistic. Still, we were fighting a real war here in America...
The pig regime (S.M.) operated in such a way that they practically allowed people to spit on their policies and actions left and right, but it didn't change a thing. They had a massive brainwashing machine under their thumb called RTS.
The resentment here is likely deeper because you didn't have a massive flood of "turbo-pop" acting as the alternative scene. Magazine, ET, and Oliver & Co. are much milder versions—certainly more tolerable flavors of musical bad taste. Secondly, rock music here just completely imploded. The veteran bands held on until about '93 or '94 before retreating to the suburbs, and no critical mass of new bands ever rose to take their place.
Robin Rodriguez5 said:You've got a point 👍 She mostly pops up in those minor, supporting roles.
And you're spot on about the Black woman 😁 Which one are we talking about?
Robin Rodriguez5 said:That live set at Kulusic was never really meant to be released in that format anyway.
Look, my friend, the New York version is actually a solid track. You could debate the music video—personally, I think it's pretty mindless—but he isn't even in the video. During those years, Jerry wasn't really making personal appearances in music videos anymore.
I never really caught the vibe that Jerry was leaning into nationalism at any point, though I’ll admit I was just a kid back in '91, so I wasn't exactly tracking all those nuances. To me, "druze Mexico City" always felt like an anti-war sentiment. At least, that’s how we interpreted it over here.
Peter Lukovic mentioned in the Rolling Stone Encyclopedia that it was "the only song being played on both sides of the front lines."
Gobac gave this ice-cold response that absolutely floored the local promoter: "No need, America won."
frozentiger6 said:The whole system in Chicago is just completely falling apart.
The truth is starting to trickle out. The most interesting part will be when people finally start telling the real story about Lin Cervar, but we'll get to that in due time.
For some of us, this isn't exactly breaking news, but for the naive ones out there... well, they're in for a surprise.
Eric Jackson68 said:Here’s a quick rundown of the plot.
The film centers on Electricity (John Smith), the frontman of a gritty rock demo band called When Dirty Harry Met Dirty Sally. In a desperate bid to fund their debut album, Electricity is willing to do just about anything—except, of course, sell out his rock and roll soul. However, the band's only real shot at making some cash is playing wedding gigs, which leads to a standoff with the rest of the group: his closest buddy Mario (John Duric), the good-looking singer and bassist Deni (John Glowatzky), and the totally checked-out drummer Slife (Harvey Keck). They all try to talk him into making the compromise. At first, he refuses to budge, but everything changes when his ex-girlfriend, Anna (Olga Pakalovic), drops the bombshell that she’s pregnant. Suddenly, deciding whether or not to play that wedding becomes the least of his problems...
boldhound8 said:Enough with the jokes, next game we’re going without the AK-47😬🙂