Safe Place (2022)
in Movies ·
amberfox7 said:Aren't you embarrassed to be saying something so blatantly false? You should be.
Sure, it’s a "brilliant" directorial choice—if you don't understand actual art. It's like driving a beat-up old Ford through Miami and just dropping a thousand speed bumps along the way; that's the rhythm of this movie in a nutshell.
But let's be honest—it makes life easier for everyone involved: the actor-director, the production designer, the lighting crew, the colorists. If he had actually framed and shot this film properly, he probably would have needed three months of shooting—which nobody has the budget for—or he'd be buying shots twice as fast. He wouldn't have total control over the footage either, or at least he'd have half as much as he does now, because even here, you can see how they lose track of the mother's character, and occasionally the brother.
It’s exhausting to act, direct others, manage visuals, and review footage all at once. Other people just sit around cooling off while you decide what to buy next. So, I'm certain Brdar and the assistant director had plenty of influence on this film. Sometimes that works, sometimes it doesn't. In my opinion, it didn't quite work here.
The film is essentially a pedantic art house piece, leaning heavily on that academic style of American filmmaking where the director obsesses over every tiny detail—because that's what "real" directors do. They spend five years writing the script, six months on rehearsals, and so on.
It's that whole myth regarding the "serious" creative process, you know.
Man, that couldn't be further from the truth! Look, framing a movie classically is the easy way out. It makes life simple for everybody. But those long, sweeping takes that pivot around multiple sides? Those are a nightmare to light, record audio for, and coordinate! And it has nothing to do with "control" over the material; it's just a completely different directing style altogether. Why would one be better or worse than the other? One thing is for sure—what you're describing as a "style" that requires three months of filming is basically just standard TV directing. That’s the fastest, most efficient way to shoot. You just edit the acting however you want, throw in some "cover" shots to hide the seams, and boom—you're done.