Posts by driftingeagle27

Just finished watching it... what a pathetic pile of garbage. The Titanic footage is actually phenomenal, but this 😲

But what is the ESSENTIAL difference—and I don't mean the "politically correct" packaging, I mean the ACTUAL core difference—between statements

a) I don't mean to be rude, but I feel compelled to point out that your perspective lacks the necessary depth for me to take it seriously; please be so kind as to research this issue more thoroughly before presenting your arguments further.

and

b) Shut up, you have no clue.

Can't see it? Let me spell it out for you: the ESSENTIAL difference is that a total idiot will actually understand the second one, unlike the first.

I’ve been into metal since I was in fifth grade; what's the big deal?
np primalscream.rise

Lisac is way too good to be wasting her time on a collab with Santan, honestly it feels even more out of place than when Napalm Death tried to link up with Tom Waits.

What's the verdict on the Mascis + Crazy Horse version?

Like you already noticed, we aren't just throwing random foreign tracks at you, because honestly, I think making that kind of distinction when you're putting together a selection like this is just pointless 😛>

Directed by Zivko Pavlovic, Dinko Tucakovic.

Things went totally sideways with this movie after Zika passed away, since someone actually had to finish it... There was a chance Shiyan would step in to wrap things up, but that didn't happen, so Tucakovic ended up taking over the job. Some people claim he couldn't quite pull it off, though I honestly have no clue because I haven't had a chance to gledati it yet, and even when I finally do, I probably won't be able to tell where Zika left off and where the rest begins.

Anyway, the whole post-mortem mess dragged on forever, involving all this chaos with the premiere being pushed back and everything; it almost ended up skipping theaters entirely just to go straight to cable. The drama really boiled over publicly after the premiere, especially since a bunch of the people who worked on the film wouldn't even show up to the event. Most folks point the finger at the producer, but nobody really knows what kind of shady business was actually going down behind the scenes.

I'll likely get around to watching it this week; I'll drop a note here once I do.

Come on guys, give me some Wild Cherry. 🙄

And you really gotta watch your step with No Doubt too: they’ve got some decent tracks, but plenty of absolute garbage thrown in there; though honestly, the trashier stuff seems to be what everyone gravitates toward by default.

Yeah, STEREO MC'S!

You could honestly just blast their last two albums, party onnnnnn🙂 They're actually solid, they aren't even that "weird" (unless you're looking too closely, that is).

Man, Vronžo, if I were at that party, I’d probably lose my mind... 😁

Anyway, Susan Nguyen85, this topic is a total minefield. For instance...

You can definitely throw on some Depeche Mode, but Clean and my other favorites probably won't fit the vibe, so you might be better off just sticking to the heavy hitters.

Then there's R.E.M. It's wild how much those un-indie kids actually dig R.E.M. (Around here, they usually just call them 'A-R-E-M' because they don't really get them, but hey, they'll listen).

And Blur! Throw in some Blur hits, and while you're digging through their discography, you might actually surprise yourself with how many good—and dark—tracks they have. Even people who hate everything love Song 2.

Azra! Is there anyone alive who doesn't want to hear Azra?

Magazin. They have stuff that's actually listenable. That one track, "Jer se navikne čovjek...", doesn't even bother me.

Pink Floyd. If they realize it's Pink Floyd, they probably won't complain, mostly just out of fear of looking stupid. For people who don't know anything about music, Pink Floyd is basically sacred ground.

More where that came from. Just keep in mind my experience trying to curate a similar list—I was asked to pick the music for a crowd just like this once. I really put in the effort, and afterward, people were literally asking why the DJ was playing that stuff, like they thought he'd gotten dumped or something.

After all that chaos, Žika Pavlović’s latest flick just had its big premiere in New York City. The whole plan to drop the movie simultaneously across all the major hubs of the former USA fell through, just like so many other attempts before it, mostly because they were trying to wrap up what’s clearly going to be a massive cinematic event—I haven't actually sat down to watch it yet, but the subject matter combined with the fact that it’s Pavlović’s final project makes it feel pretty heavy.