#1241 ·
A few quick thoughts squeezed in between kneeling before the Virgin Mary of Bistar—just a little thanks for last night's blue miracle:
Frank Turner — listened to this one track about some British guy using a French kiss to seduce a Persian girl. Honestly, just reading that makes me think the guy’s a total creep 🙈
John Prine — the first two tracks are hilarious. Really solid stuff.
Cassandra Jenkins — pretty much the same vibe as Gainsbourg last week. Tasteful, smooth, polite. I can totally see this playing in some Madison Avenue ad agency run by a high-end lover or in an architecture firm where everyone wears nothing but black.
Tears for Fears — perverse, pompous, and pathetic—eventually crossing the line into straight-up parody. It's basically my decadent anthem.
Šarlo — I still stand by my take that this is one of those overhyped "classics" from the American New Wave era. Their best work was definitely on 'Paket Aranžman'.
Frank Turner — listened to this one track about some British guy using a French kiss to seduce a Persian girl. Honestly, just reading that makes me think the guy’s a total creep 🙈
John Prine — the first two tracks are hilarious. Really solid stuff.
Cassandra Jenkins — pretty much the same vibe as Gainsbourg last week. Tasteful, smooth, polite. I can totally see this playing in some Madison Avenue ad agency run by a high-end lover or in an architecture firm where everyone wears nothing but black.
Tears for Fears — perverse, pompous, and pathetic—eventually crossing the line into straight-up parody. It's basically my decadent anthem.
Šarlo — I still stand by my take that this is one of those overhyped "classics" from the American New Wave era. Their best work was definitely on 'Paket Aranžman'.
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