#1641 ·
It's Thursday. Got a fresh suggestion for our Album of the Week:
Larry Wallis "Death in the Afternoon" (2001)
So, Larry Wallis was this legendary guitarist from the UK who really kicked things off back in the 60s. He was a pure player—never had any interest in being some massive superstar. Apparently, the whole "music as a business" thing just rubbed him the wrong way. For him, music was strictly about the art.
Back when he was starting out, he was heavily influenced by The Shadows, but he ended up playing with a huge array of bands and rubbing elbows with basically everyone in the British underground scene during the late 60s and 70s.
He played in UFO and Bloodwyn Pig, wrote tunes for Dr. Feelgood (some of which they actually covered), and worked alongside Steve Peregrin Took—who was in T. Rex—as well as his buddy from their band Shagrat. Back then, they’d have these little jam sessions at Took’s place with guys like Twink and even Syd Barrett...
But Larry really started getting noticed once he took the reins of the Pink Fairies, a group that frequently teamed up with Hawkwind for those Pink Wind projects. After that, he became part of the original Motörhead lineup and laid down their first album, "On Parole."
Later on, he collaborated with Mick Farren, producing his album "Vampires Stole My Lunch Money," which featured a killer lineup including Andy Colquhoun (from the Warsaw Pact and Pink Fairies), Chrissie Hynde (The Pretenders), Sonja Kristina (Curved Air), Wilko Johnson (Dr. Feelgood), Alan Powell (Hawkwind), and more. He also worked on the live album by The Deviants, "Human Garbage," featuring Wayne Kramer (MC5)... plus he had a great EP and the only release by The Redbirds.
He was also a major producer for Stiff Records. Honestly, just Google him to see how much else he worked with.
Sadly, aside from a few compilations of demo recordings, this is pretty much his only true solo album.
By the way, I actually swapped a few emails with Larry Wallis just a year before he passed away. He was supposed to send me some stuff, but—well, life happens.
The opening track on "Are We Having Fun Yet?" is actually a sequel or a second part to the song "When's Fun Begin?" from the Pink Fairies album. For that track, as well as "Where the Freaks Hang Out" and "Don't Mess with Dimitra," the lyrics were penned by Mick Farren.
You can definitely hear a bit of that Shadows influence on the track "El Diablos Hangin' Ten."
Then there's "Police Car," which was probably one of his most recognizable songs—a single back in '77—but here he decided to stretch it out into a 7-minute epic, whereas the original is under 4 minutes.
The final track, "Screw It," is essentially a different version of "Do It" from the first Pink Fairies album, but in this version, he's basically taking a shot at Twink. To be honest, the Pink Fairies crew and other musicians Twink worked with all pretty much say he was a total jerk, even if he was a decent musician and singer. Larry couldn't stand the guy.
I actually had Twink try to charge me 100 bucks for an interview once, so I just walked away.
Hope you guys dig it. This is a totally different vibe from that Robert Calvert stuff you all were listening to last week.
The album originally came out with 11 tracks, though Cleopatra later released a 2CD reissue with some demo bonuses and two unreleased tracks...
You can listen to the whole thing right here. Honestly, the sound quality is even better if you don't feel like using YouTube:
https://larrywallis.bandcamp.com/alb...guitarfternoon
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Larry Wallis "Death in the Afternoon" (2001)
So, Larry Wallis was this legendary guitarist from the UK who really kicked things off back in the 60s. He was a pure player—never had any interest in being some massive superstar. Apparently, the whole "music as a business" thing just rubbed him the wrong way. For him, music was strictly about the art.
Back when he was starting out, he was heavily influenced by The Shadows, but he ended up playing with a huge array of bands and rubbing elbows with basically everyone in the British underground scene during the late 60s and 70s.
He played in UFO and Bloodwyn Pig, wrote tunes for Dr. Feelgood (some of which they actually covered), and worked alongside Steve Peregrin Took—who was in T. Rex—as well as his buddy from their band Shagrat. Back then, they’d have these little jam sessions at Took’s place with guys like Twink and even Syd Barrett...
But Larry really started getting noticed once he took the reins of the Pink Fairies, a group that frequently teamed up with Hawkwind for those Pink Wind projects. After that, he became part of the original Motörhead lineup and laid down their first album, "On Parole."
Later on, he collaborated with Mick Farren, producing his album "Vampires Stole My Lunch Money," which featured a killer lineup including Andy Colquhoun (from the Warsaw Pact and Pink Fairies), Chrissie Hynde (The Pretenders), Sonja Kristina (Curved Air), Wilko Johnson (Dr. Feelgood), Alan Powell (Hawkwind), and more. He also worked on the live album by The Deviants, "Human Garbage," featuring Wayne Kramer (MC5)... plus he had a great EP and the only release by The Redbirds.
He was also a major producer for Stiff Records. Honestly, just Google him to see how much else he worked with.
Sadly, aside from a few compilations of demo recordings, this is pretty much his only true solo album.
By the way, I actually swapped a few emails with Larry Wallis just a year before he passed away. He was supposed to send me some stuff, but—well, life happens.
The opening track on "Are We Having Fun Yet?" is actually a sequel or a second part to the song "When's Fun Begin?" from the Pink Fairies album. For that track, as well as "Where the Freaks Hang Out" and "Don't Mess with Dimitra," the lyrics were penned by Mick Farren.
You can definitely hear a bit of that Shadows influence on the track "El Diablos Hangin' Ten."
Then there's "Police Car," which was probably one of his most recognizable songs—a single back in '77—but here he decided to stretch it out into a 7-minute epic, whereas the original is under 4 minutes.
The final track, "Screw It," is essentially a different version of "Do It" from the first Pink Fairies album, but in this version, he's basically taking a shot at Twink. To be honest, the Pink Fairies crew and other musicians Twink worked with all pretty much say he was a total jerk, even if he was a decent musician and singer. Larry couldn't stand the guy.
I actually had Twink try to charge me 100 bucks for an interview once, so I just walked away.
Hope you guys dig it. This is a totally different vibe from that Robert Calvert stuff you all were listening to last week.
The album originally came out with 11 tracks, though Cleopatra later released a 2CD reissue with some demo bonuses and two unreleased tracks...
You can listen to the whole thing right here. Honestly, the sound quality is even better if you don't feel like using YouTube:
https://larrywallis.bandcamp.com/alb...guitarfternoon
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3628748-1338009761-4669.jpeg.jpg)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3628748-1338010050-4124.jpeg.jpg)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3628748-1338010056-9895.jpeg.jpg)




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