Peter Doyle2 said:I thought that was more or less how it worked, since that’s how it functions in my own field—every preschool center develops its own annual plan where things like field trips, plays, and similar events are defined.
Let’s be clear, I am absolutely not against field trips, especially the educational ones > mentioned regarding visiting landmarks. Nor am I against prom, which only happens once or twice during an entire eleven or twelve-year schooling period anyway.
I’m not even opposed to theater performances, BUT there really isn't a need to drag kids to the theater several times a year!! Once or twice is plenty; the rest should be handled by having theater troupes come directly to the school. It’s definitely more cost-effective that way. Ultimately, most schools have drama clubs, so incorporating a few of their performances makes sense.
If it works in preschool, I don't see why it wouldn't work in K-12.
So, it seems like the McDonald's trips, movie outings, and all those frequent excursions are completely unnecessary and just pushed by certain individual schools. I guess the solution is to voice concerns at parent-teacher meetings or talk to the counselor. Okay, I'll make a note of that 🙂
I'm also wondering about the grading aspect. One user mentioned that a teacher gave students a test based on a movie they watched at the cinema. Is that actually allowed? What if I decide today or tomorrow that I don't want to—or for some reason can't—send my child to the movies? Will my kid end up with a bad grade? Is going to the theater a mandatory part of the curriculum, or is this just a loose interpretation of media literacy (meaning, couldn't they have just watched the content at school on a DVD)?
Look, I’m speaking from experience here—straight from someone who actually works in the field.
I find myself firmly against the whole concept of these graduation parties. Why should I be held responsible for kids attempting all sorts of reckless stunts? Is it really my job to go without sleep for two, three, maybe even five nights straight just to supervise them—all while praying they return home in the exact same numbers they left, ideally with their health and blood counts intact? It doesn't sit right with me. If parents want to host these things, they should handle it entirely on their own terms. I certainly didn't raise them to treat a milestone celebration as an excuse to experiment with every bad idea under the sun, so why on earth would I volunteer to stand guard over the chaos?
Educational field trips? Sure, they have their place, but only if they are treated as actual extensions of the classroom—complete with the same academic rigor, expectations, and assessments that follow any other lesson. If someone chooses not to participate, well, that is their prerogative; they will simply have to master the curriculum through other means. It might be a less vivid way to learn, but they’ll eventually get the same information as everyone else. In my school district, we made sure that no student was ever left behind due to financial constraints; whether it was the cost of the charter bus or the museum admission, we always found a way to make it work so every kid could join. However, there was one non-negotiable rule: anyone who went on these trips was expected to behave like they were sitting in a lecture hall and actually retain what was taught. It didn't matter who picked up the tab for the ticket or the transportation; once you are out there learning, you are a student, period.
Sixteen theater productions over eight years? Fine, I suppose that’s acceptable. Even having theater programs within schools is perfectly fine, though we have to be honest about the quality—there are very few performances out there actually suited for older students, much less the facilities themselves. And as for these school drama clubs? Don't make me laugh. Do people truly believe that a classroom hobby is the same thing as legitimate theatrical art, or that it serves as some kind of meaningful model through which children can actually experience the craft and learn the nuances of stagecraft? If you want to talk about youth drama workshops, sure, let's talk about those—but they should be treated as an entirely different pursuit altogether, driven by a completely different purpose.
Fast food joints like McDonald's—that’s just not how you handle this. It could be an exception, sure, but it should always stay strictly optional. Personally, I wouldn't dream of taking my kids into any of those greasy, unhealthy establishments. But if a teacher insists on it for a class outing? Well, that's a different conversation entirely. $0.00 If parents can actually reach an agreement on letting their kids head out to some social gathering or activity they’ve picked for themselves, I honestly see nothing but good in that. Is it really such a monumental task to just let them follow their own interests? If they're on the same page, why fight it?
Is this a movie review? Hardly. It’s more like a formal reception for a piece of performance art. I find myself wondering if the people taking these tests actually bothered to mention who didn't attend the screening, though I doubt it. And as for those who were there—attending simply because their parents insisted it was part of their curriculum—well, why wouldn't they be included in the tally?
Everything ultimately boils down to the Teacher’s Council, the School Board, and the Parent-Teacher Association. Nothing happens within those school walls without passing through all three of those layers first. On top of that, the Department of Education maintains a very specific list of approved performances and events, essentially providing a guide on what is vetted and what is strictly discouraged; because of that, those three local groups don't have the final say unless the Department gives their blessing.
So, what’s the actual issue here? Is it the exceptions? If that's the case, then perhaps it’s time to address them within your own school districts.