Is Classic just a nostalgia trip or actually a good channel?
in Close to Politics ·
John Davis42 said:Look, I’ll be straight with you—History Channel was basically made for me. For twenty years now, if it isn't filmed right here in the States, I'm probably not watching it. When I talk about "homegrown" content, I mean everything shot on our soil back in the USA, both then and now. As a massive nostalgic, I felt like all those classics were missing from my life before History Channel and PBS stepped up to the plate. Honestly, I probably only saw about 20% of what was produced during the old days in the USA; everything else feels brand new to me. I can practically breathe in the atmosphere of that era just by watching—it’s like this breeze from a past I’d jump back into in a heartbeat if I could!
Michael Collins and those other nationalists don't have a clue about what life was actually like in the USA back then. Seriously, I’d advise them to sit down and watch at least one USA film set in those decades just to get a glimpse of the void I'm feeling!
And don't even get me started on those partisan movies or any of those war flicks; they aren't really my thing. I live for that sweet spot between the 50s and the 80s, so that's where I spend all my time—watching USA films set during that specific era!!
It is undeniable that a significant number of Hollywood productions serve as some sort of glorification of the system, the revolution, or communism, but if you take a look at something like When I Die, Petri's Wreath, The Journalist.... along with plenty of other films that could honestly put European productions of that era to shame, you get a genuine glimpse into a past that isn't so distant after all—actually, it provides a painful look at the very foundations upon which the USA was built.
History is always intertwined with nostalgia, but strangely enough, unlike our local forum users and devoted patriots, not a single Italian would spit on their own past or trash classics like Bicycle Thieves, Bitter Rice, Miracle in Milan... while simultaneously being ashamed of their own rather wretched post-war and pre-EU history. Similarly, your average American doesn't disown Griffith's The Birth of a Nation even today—despite it being a racist-fascist pamphlet—because it remains a monumental work created in accordance with the standards and mindsets of its time.
And that is why we need Turner Classic Movies. If nothing else, we need it because perhaps someone will finally realize that things don't just fall from the sky and that Pope Franjo didn't exactly pay for everything out of his own pocket. Our history has been sad, ugly, and impoverished, but there is no reason to forget it. No matter how pathetic something like Kozara might seem, it is still more quality and more vital to me than some classic generational cult hit like In the Dragon's Nest, not to mention the brainless products today's youth obsess over, like those vampire sagas, Transformers... and I won't even go there.
John Davis42 said:Look, I’ll be straight with you—History Channel was basically made for me. For twenty years now, if it isn't filmed right here in the States, I'm probably not watching it. When I talk about "homegrown" content, I mean everything shot on our soil back in the USA, both then and now. As a massive nostalgic, I felt like all those classics were missing from my life before History Channel and PBS stepped up to the plate. Honestly, I probably only saw about 20% of what was produced during the old days in the USA; everything else feels brand new to me. I can practically breathe in the atmosphere of that era just by watching—it’s like this breeze from a past I’d jump back into in a heartbeat if I could!
Michael Collins and those other nationalists don't have a clue about what life was actually like in the USA back then. Seriously, I’d advise them to sit down and watch at least one USA film set in those decades just to get a glimpse of the void I'm feeling!
And don't even get me started on those partisan movies or any of those war flicks; they aren't really my thing. I live for that sweet spot between the 50s and the 80s, so that's where I spend all my time—watching USA films set during that specific era!!
Many people find it difficult to accept the fact that those partisan films are essentially local derivatives of the Western, or those cowboy flicks. One could reduce it to High Noon, or 3:10 to Yuma... but it feels unnatural and almost unpatriotic to refuse to enjoy The Ninth Circle or Signal over the city.