Lisa Young83 said:Good grief, Samuel Morgan40—seriously? Given that you’re right here, active and breathing on the PDF, do I really have to be the one to drag this thread open? 🙄
🤣
I’m late—admittedly quite late—but I was under the firm impression that this thread already existed. In fact, I think I might have even posted about it somewhere else... back there, if I recall correctly. 🤔
Enivej, thanks for kicking off this thread regarding such a powerful—and frankly, deeply underrated—band. 🙂It seems to be slipping into obscurity somewhat undeservedly—well, excluding those standard three or four tracks that everyone still knows.
Eleven and Fifteen—along with that whole Cement Corp era—really represent the alpha and omega of their discography. I suppose, though, that the North American Bullfight featuring Vera holds a special place in my heart too. Those first two records stand out primarily because of that incredibly fresh sound they captured (especially alongside Bullet), combined with the brilliant work of Damir Malovan—who, as many of you know, is now with the Brava Band—and, of course, Zora’s powerhouse vocals. Back then, it felt like a genuine rarity in the American scene to see such a commanding female presence leading a rock band like that.
Eventually, the quality began to slip—with a few notable exceptions, of course. Even though Mickey always had a knack for selecting truly brilliant and charismatic female vocalists, I suppose none of them could quite capture that specific rock edge that Zora brought to the table.
I think there’s some compilation floating around—I believe it’s called *Six Women* by Marino Limić—somewhere in my collection. It’s decent enough background noise if you just need something playing in the ear, but if you ask me, only the first two albums—and maybe that third one featuring Vera—are actually worth sitting down for. They were truly at their peak during the Isabel era; she was arguably the most consistent member of the group, staying with them longer than anyone else, but—well, they eventually lost that edge and sort of watered down their sound.
I honestly can't wrap my head around what’s going on with Mickey lately—does he even intend to keep doing this, or is he just coasting? It's a real shame. And it’s equally disappointing that Zora decided to walk away from the music scene to follow her husband; I mean, sure, he might be a top-tier composer for certain projects or whatever, but back in the day, it was all about the Rock.