Posts by wearytinker8

The list is pretty incredible.
It’s interesting how much Gibson was involved in three of those films—acting in one, directing one, and then pulling double duty as both director and actor in another.
They also conveniently left out the fact that the real William Wallace was basically a thief, a rapist, and a killer of innocent people.

Richard Howard2, if you didn't realize the inclusion of "2001" is a joke, then you're the idiot here, not the people who put the list together.
velvetgardener5, when a movie is titled "10,000 BC," I'd think the creators would feel some level of responsibility toward historical accuracy...
If they had just called it "The Wonderful World of Roland Emmerich," it would be a completely different story.

I wouldn't be caught dead going out for milk and cookies with Macaulay Culkin in The Good Son...

Laura Reyes said:Seven is just so morbid—especially that ending with the head—but honestly, those scenes hit way too hard

Sure, "Se7en" hits you hard in the gut, but honestly? Fincher’s follow-up, "The Game," is way more unsettling because of how twisted the plot gets.
The whole setup relies on these flashbacks at the start... we find out the lead, this big-shot businessman Nicholas van Orton (Michael Douglas), actually watched his father commit suicide when he was just a kid. That trauma basically follows him everywhere, turning him into this totally withdrawn, depressed guy.
Then there's the coincidence—Nicholas is 48 now, exactly the age his dad was when he died. To top it off, his younger brother (Sean Penn) decides to give him this bizarre birthday present: a sort of live-action role-playing game that bleeds directly into his actual life.
Now, here comes the dark stuff. (SPOILER ALERT!!!)

The first sign that the "game" is actually happening? Nicholas finds a wooden clown lying in front of his house, posed in the exact same way his father was found dead after jumping from the house.
Then it escalates. He finds a note inside the house saying, "Like my father before me, I choose eternal sleep," along with a photo of his dead dad.
Things get even weirder when Nicholas wakes up in a grave in Mexico... he ends up having to sell a watch his father gave him just to bribe some official at the U.S. Embassy.
And the kicker? Nicholas ends up jumping off a building, just like his father did.

What really sticks with me, though, is how the movie wraps up with these incredibly sick jokes. Like, one participant tells Nicholas, "If you hadn't jumped, I would've had to toss you myself." Or when his brother—the mastermind behind it all—explains his motive by saying, "I had to do something. You were acting like an idiot," while pointing to a shirt that says, "They drugged me and left me in Mexico, and all I got was this stupid t-shirt." It's messed up. Truly.

In my opinion, the movie is one of the best ever made, but it probably could have been a masterpiece without all that extra morbid baggage...

redowl90 said:That's absolutely fair, because it's true. Every Hitchcock film is suspenseful, and every single one of them (at least the ones I've seen) really belongs on that list.

But, let's be honest, I'm pretty sure Melville's Le Samourai isn't even remotely on that list. And that's a seriously tense movie, too. Still, the main thing is that Dog Day in Afternoon made the cut.

You're messing with Filmash, but you clearly aren't reading the posts closely enough either.
Let's do a quick refresher on what the criteria actually were: "100 greatest American heart-pounding movies..."
That’s exactly why things like "Le Samourai," "Blowup," "M," "Tesis," "The Vanishing," or "Mad Max" didn't make the list...

Jason Chavez32 said:So, is it actually possible for a movie to be boring yet still be good? Does anyone else feel that way about Ghost World? 😉

Kate Torres mentioned that "The Conversation" felt slow to them, even if they didn't think it was bad.
So yeah, it's definitely possible.

Kate Torres said:What exactly are you trying to get at here? When did I ever loudly defend the Academy or their decision to give an award to No Man's Land?

Even though I despise that award, you have to recognize its undeniable impact on a filmmaker's career trajectory.

Sorry, drifted a bit off-topic there.

OT: It absolutely infuriates me how people claim a "thriller" has to be fast-paced, while slow shots can never be considered tense. Look, not everyone watches movies the same way. Tension doesn't always require constant action. Even the sheer beauty of a shot can feel tense. Just watch Blowup and you'll see what I mean.

That’s exactly what I was trying to get across. A movie can be slow yet still maintain tension—or at least stay engaging and gripping (think "2001: A Space Odyssey" or "The Deer Hunter").
But if a movie is both slow AND boring... well, then you've got to be a serious masochist to actually enjoy it.

Scáthach Asks:
Ugh... I honestly thought I was the only person on this entire planet who found that movie absolutely infuriating... Usually, whenever I bring it up, people just stare at me like I’ve lost my mind or start falling asleep right then and there...

Next time those pseudo-intellectual friends of yours pull that stunt, just tell them where to shove it... honestly. And don't ever be afraid to call a movie garbage, even if it's something like Citizen Kane...

Kate Torres said:The exact same people pick the Oscars, so you tell me if they’re actually the gold standard for quality.😉

So, when they hand out an Oscar for No Man's Land... then suddenly everything is just fine, right?

redowl90 said:When someone uses terms like "heart-pounding" and "adrenaline-inducing films," I’m looking for names like John Woo and Michael Bay. Are they represented here by their work? Because if they aren't—then the whole list falls apart.

Dog Day in Afternoon and All The President's Men definitely don't fit that description. It just seems off.

Like I’ve said before... action and tension just aren't the same thing. In fact, constant action tends to kill the tension entirely. That's probably why you don't see many action flicks showing up in the top 100...
But obviously, that doesn't mean an action flick can't pack in some suspense and actually feel tense... I mean, just look at Die Hard or Speed. They get it right...
As for those two directors... clearly, according to whatever "expert" jury you ask, their work just doesn't have enough tension to crack the top 100. If it makes you feel any better, Face/Off was one of those 300 nominees that just couldn't quite break through the barrier...
Look, "Rear Window"... the whole thing basically takes place in a single room with just one guy—and then there's the other character who's really only there to talk to him, essentially acting as a mouthpiece for us, the audience... it’s still more intense than "The Rock," "Armageddon," and "Pearl Harbor" combined.

redowl90 said:Nobody's going to crucify you here, because claiming Dog Day in Afternoon is a "tense" movie is just plain silly. Where exactly is the tension? Don't get me wrong, it’s definitely a high-quality film—it absolutely is—but it isn't tense. Even All The President's Men doesn't really fit that description either.

I honestly think that AFI's list of most suspenseful films is total garbage. They didn't even bother to define what they actually mean by a "suspenseful" movie. At this rate, I wouldn't be surprised if they tucked American Beauty somewhere in their top 50 all-time thrillers. Or maybe even Million Dollar Baby.

Nonsense.

Every single time I sit down to watch this movie, it keeps me right on the edge of my seat from the opening frame until the very last minute...
The main thing is probably that gut-wrenching fear for those two robbers... you know, that tension that kicks in once you realize they aren't just walking out of the bank with the cash. It’s easy to get sucked into their struggle, especially with performances from Pacino and Cazale that feel so incredibly raw and real...
Jerry Martin19 hit the nail on the head... dynamics and tension are two completely different beasts.
For instance, like, 95% of *Deliverance* doesn't even have any actual action in it... yet it’s still easily the most nerve-wracking movie I've ever seen.

redowl90 said:Nobody's going to crucify you here, because claiming Dog Day in Afternoon is a "tense" movie is just plain silly. Where exactly is the tension? Don't get me wrong, it’s definitely a high-quality film—it absolutely is—but it isn't tense. Even All The President's Men doesn't really fit that description either.

I honestly think that AFI's list of most suspenseful films is total garbage. They didn't even bother to define what they actually mean by a "suspenseful" movie. At this rate, I wouldn't be surprised if they tucked American Beauty somewhere in their top 50 all-time thrillers. Or maybe even Million Dollar Baby.

Nonsense.

The jury's whole mission was to nail down the "100 greatest American heart-pounding and adrenaline-inducing films, regardless of the genre"... which basically means finding those hundred movies that actually get your pulse racing and your adrenaline pumping, no matter what kind of flick they are...
Look, you can totally disagree with certain picks—for instance, I’ve always found things like *The Wizard of Oz*, *E.T.*, *Rocky*, or *Raging Bull* to be pretty questionable... But calling the entire list a massive pile of garbage? Saying it's completely unprofessional just because it was compiled by some group of 1,800 actors, directors, writers, producers, historians, and critics? That's a bit much...

redowl90 said:Hmm... I don't know. An excellent script, maybe? A solid thriller-style climax? Great performances?

"Magnolia" definitely isn't trying to be deep. It's just a straightforward film about people and human nature. I'll give you that it ends with a pathetic song, but everything leading up to it (including an incredible Tom Cruise) is great. The directing is almost flawless, even if the script might have one too many characters.

What kind of thriller? What are you talking about? All the President's Men is a political drama.

Whatever, man. If "The Exorcist" is too boring for you, go watch Jason X. Or Dracula 2000.

Look, you can call it a drama if you want, but to me? It’s a documentary. Not that it really matters...
I’m just honestly shocked that... So, I was looking over AFI's list of the 100 most suspenseful movies... just sitting here thinking about how much tension they managed to squeeze into those frames. It's a hell of a lineup. Some of them hit you like a freight train, while others just simmer under the surface until you can't take it anymore. Makes you wonder if we even appreciate that kind of pacing anymore... or if everything just has to be loud and fast these days. Not that there's anything wrong with loud, but there's an art to the slow burn... a certain kind of dread that stays with you long after the credits roll. Think about movies like Planet of the Apes, The Dirty Dozen, Halloween, Dog Day in Afternoon, Blade Runner, Terminator 2, Night of the Living Dead, or Blood Simple...

redowl90 said:Hmm... I don't know. An excellent script, maybe? A solid thriller-style climax? Great performances?

"Magnolia" definitely isn't trying to be deep. It's just a straightforward film about people and human nature. I'll give you that it ends with a pathetic song, but everything leading up to it (including an incredible Tom Cruise) is great. The directing is almost flawless, even if the script might have one too many characters.

What kind of thriller? What are you talking about? All the President's Men is a political drama.

Whatever, man. If "The Exorcist" is too boring for you, go watch Jason X. Or Dracula 2000.

Why on earth "Jason X," for crying out loud? I mean, that's your absolute favorite movie...
Look, if we’re talking about movies hitting that same theme, I’d have to bring up Poltergeist... honestly, it’s ten times more tense and gripping than The Exorcist.

redowl90 said:Man, I have to say something about this... This list couldn't possibly get any worse. Seriously. I can definitely get on board with Lolita and Mean Streets, but I haven't actually sat down to watch Ken Park or Dawn of the Dead.

However...
The Crying Game?!?! 😲 One of the best thrillers from the '90s.
Magnolia?!?! 😲 Honestly, you might be better off just skipping *There Will Be Blood* altogether.
Traffic?!?! 😲 Best drug movie in recent memory? Honestly, I have no clue. Maybe ever.
The Conversation?!?! 😲 Are you kidding me?! This has to be Coppola's best work besides The Godfather—though, if I'm being honest, the middle of that one drags a bit. But man, those first and last thirty minutes of this film? Absolutely killer. And that ending is pure genius.
All the President's Men?!!? 😲 That’s easily one of my top five political movies ever made. Robert Redford and Dustin Hoffman are absolutely perfect in those roles. Honestly, how could anyone find that boring?
The Exorcist?!?! 😲 I’m running out of threads to post in. But honestly, a movie where a little girl impales a crucified Jesus through her vagina while screaming, "Let Jesus fuck you!" can't possibly be boring, no matter how much you hate it.

Phew... Okay, I needed to vent a little. Honestly, I have to disagree with your list. 😬

Come on, man... besides that massive twist—which, by the way, was clearly ripped straight from Sleepaway Camp—what else is actually worth mentioning in that absolute disaster?

redowl90 said:Man, I have to say something about this... This list couldn't possibly get any worse. Seriously. I can definitely get on board with Lolita and Mean Streets, but I haven't actually sat down to watch Ken Park or Dawn of the Dead.

However...
The Crying Game?!?! 😲 One of the best thrillers from the '90s.
Magnolia?!?! 😲 Honestly, you might be better off just skipping *There Will Be Blood* altogether.
Traffic?!?! 😲 Best drug movie in recent memory? Honestly, I have no clue. Maybe ever.
The Conversation?!?! 😲 Are you kidding me?! This has to be Coppola's best work besides The Godfather—though, if I'm being honest, the middle of that one drags a bit. But man, those first and last thirty minutes of this film? Absolutely killer. And that ending is pure genius.
All the President's Men?!!? 😲 That’s easily one of my top five political movies ever made. Robert Redford and Dustin Hoffman are absolutely perfect in those roles. Honestly, how could anyone find that boring?
The Exorcist?!?! 😲 I’m running out of threads to post in. But honestly, a movie where a little girl impales a crucified Jesus through her vagina while screaming, "Let Jesus fuck you!" can't possibly be boring, no matter how much you hate it.

Phew... Okay, I needed to vent a little. Honestly, I have to disagree with your list. 😬

Taj film is just driving me insane... It’s trying so hard to be deep, but honestly? It’s about as deep as a puddle at Black Lake...
I can totally see Anderson doing this: "First, I’ll hook them with an intriguing intro about these wild coincidences, then I'll spend three hours filming pointless footage featuring top-tier actors, and finally, I'll wrap it all up with some enigmatic rain of frogs and a pathetic little song. It'll be a hit..."
If you're looking for something deep with similar themes, you should really check out Kieslowski's Blind Chance from 1981...

redowl90 said:Man, I have to say something about this... This list couldn't possibly get any worse. Seriously. I can definitely get on board with Lolita and Mean Streets, but I haven't actually sat down to watch Ken Park or Dawn of the Dead.

However...
The Crying Game?!?! 😲 One of the best thrillers from the '90s.
Magnolia?!?! 😲 Honestly, you might be better off just skipping *There Will Be Blood* altogether.
Traffic?!?! 😲 Best drug movie in recent memory? Honestly, I have no clue. Maybe ever.
The Conversation?!?! 😲 Are you kidding me?! This has to be Coppola's best work besides The Godfather—though, if I'm being honest, the middle of that one drags a bit. But man, those first and last thirty minutes of this film? Absolutely killer. And that ending is pure genius.
All the President's Men?!!? 😲 That’s easily one of my top five political movies ever made. Robert Redford and Dustin Hoffman are absolutely perfect in those roles. Honestly, how could anyone find that boring?
The Exorcist?!?! 😲 I’m running out of threads to post in. But honestly, a movie where a little girl impales a crucified Jesus through her vagina while screaming, "Let Jesus fuck you!" can't possibly be boring, no matter how much you hate it.

Phew... Okay, I needed to vent a little. Honestly, I have to disagree with your list. 😬

Maybe I just found the movie stupid because of the subject matter... and honestly, I couldn't care less about The French Connection.

redowl90 said:Man, I have to say something about this... This list couldn't possibly get any worse. Seriously. I can definitely get on board with Lolita and Mean Streets, but I haven't actually sat down to watch Ken Park or Dawn of the Dead.

However...
The Crying Game?!?! 😲 One of the best thrillers from the '90s.
Magnolia?!?! 😲 Honestly, you might be better off just skipping *There Will Be Blood* altogether.
Traffic?!?! 😲 Best drug movie in recent memory? Honestly, I have no clue. Maybe ever.
The Conversation?!?! 😲 Are you kidding me?! This has to be Coppola's best work besides The Godfather—though, if I'm being honest, the middle of that one drags a bit. But man, those first and last thirty minutes of this film? Absolutely killer. And that ending is pure genius.
All the President's Men?!!? 😲 That’s easily one of my top five political movies ever made. Robert Redford and Dustin Hoffman are absolutely perfect in those roles. Honestly, how could anyone find that boring?
The Exorcist?!?! 😲 I’m running out of threads to post in. But honestly, a movie where a little girl impales a crucified Jesus through her vagina while screaming, "Let Jesus fuck you!" can't possibly be boring, no matter how much you hate it.

Phew... Okay, I needed to vent a little. Honestly, I have to disagree with your list. 😬

I can't even remember half of that garbage anymore, but I do know I spent two damn hours waiting for a payoff that never actually arrived... and when it finally did, it was just completely contradictory and confusing. Total disaster of a movie.
De Palma’s "Blow Out"... honestly, if you look at how similar they are in theme—since both are basically different takes on "Blow Up"—he completely runs circles around the original. It's leagues better... easily worth ten grand more just for the execution alone.

redowl90 said:Man, I have to say something about this... This list couldn't possibly get any worse. Seriously. I can definitely get on board with Lolita and Mean Streets, but I haven't actually sat down to watch Ken Park or Dawn of the Dead.

However...
The Crying Game?!?! 😲 One of the best thrillers from the '90s.
Magnolia?!?! 😲 Honestly, you might be better off just skipping *There Will Be Blood* altogether.
Traffic?!?! 😲 Best drug movie in recent memory? Honestly, I have no clue. Maybe ever.
The Conversation?!?! 😲 Are you kidding me?! This has to be Coppola's best work besides The Godfather—though, if I'm being honest, the middle of that one drags a bit. But man, those first and last thirty minutes of this film? Absolutely killer. And that ending is pure genius.
All the President's Men?!!? 😲 That’s easily one of my top five political movies ever made. Robert Redford and Dustin Hoffman are absolutely perfect in those roles. Honestly, how could anyone find that boring?
The Exorcist?!?! 😲 I’m running out of threads to post in. But honestly, a movie where a little girl impales a crucified Jesus through her vagina while screaming, "Let Jesus fuck you!" can't possibly be boring, no matter how much you hate it.

Phew... Okay, I needed to vent a little. Honestly, I have to disagree with your list. 😬

Oh, sure, let's just make a two-hour thriller about two journalists trying to figure out who broke into the Democratic Party headquarters...
It's basically like making a two-hour thriller about an investigative reporter digging into a massive corporate scandal at a huge US tech firm.
If you want a real political thriller, go watch The Parallax View by the same director from a couple years earlier. Now *that* is a thriller.

redowl90 said:Man, I have to say something about this... This list couldn't possibly get any worse. Seriously. I can definitely get on board with Lolita and Mean Streets, but I haven't actually sat down to watch Ken Park or Dawn of the Dead.

However...
The Crying Game?!?! 😲 One of the best thrillers from the '90s.
Magnolia?!?! 😲 Honestly, you might be better off just skipping *There Will Be Blood* altogether.
Traffic?!?! 😲 Best drug movie in recent memory? Honestly, I have no clue. Maybe ever.
The Conversation?!?! 😲 Are you kidding me?! This has to be Coppola's best work besides The Godfather—though, if I'm being honest, the middle of that one drags a bit. But man, those first and last thirty minutes of this film? Absolutely killer. And that ending is pure genius.
All the President's Men?!!? 😲 That’s easily one of my top five political movies ever made. Robert Redford and Dustin Hoffman are absolutely perfect in those roles. Honestly, how could anyone find that boring?
The Exorcist?!?! 😲 I’m running out of threads to post in. But honestly, a movie where a little girl impales a crucified Jesus through her vagina while screaming, "Let Jesus fuck you!" can't possibly be boring, no matter how much you hate it.

Phew... Okay, I needed to vent a little. Honestly, I have to disagree with your list. 😬

Wow, okay, you really just showed your true colors there, you sick fuck.
Look, those few shock scenes don't save a movie where eighty percent of the runtime is just the kid's mother having endless, drawn-out conversations with a revolving door of doctors, psychiatrists, priests, and detectives.
That should be a horror movie, not some damn melodrama.
And don't even get me started on the ending... "The power of Christ compels you!" over and over again fifty times.

crimsonmoose3 said:1. "Lost in Translation" (23 percent)

I'm in complete agreement. I get that it's supposed to be "artistic," but good grief, absolutely nothing happens... 🙄

2. "Star Wars: The Phantom Menace" (18 percent)

It's a silly movie, but I wouldn't call it boring. It's just enough to keep a three-year-old occupied...

3. "Eternal Sunshine of the Spotless Mind" (14 percent)

The problem is that most Americans, with their subpar intelligence and obsession with toilet humor, simply can't grasp the nuance or the romance in this film... 😁

4. "Vanilla Sky" (13 percent)

Hmm, haven't seen it. But Tom Cruise in a drama? I'll stick with Magnolia...

5. "A Beautiful Mind" (10 percent)

Russell Crowe without the beard isn't really Russell Crowe... 😁

7. "The Remains of the Day" (eight percent)

Haven't watched it...

8. "The Black Dahlia" (seven percent)

I could barely get through the book...

9. "The Da Vinci Code" (four percent)

How can a piece of trash like that movie or book be considered boring?

10. "The English Patient" (three percent)

The book is unreadable...

I would add
1. Magnolia — honestly, making three hours of pure drama?
2. Nekromantik — necrophilia, rabbit torture, smashing cats against walls, fetishizing blood and knives... tedious...
3. Lifeforce — interesting concept, but an incredibly dull film because it's directed by Tobe Hooper, who seems to be living solely on his past glory...
4. Texas Chainsaw Massacre remake and prequel — both are garbage, and both are boring... direction, acting, even a subpar Leatherface...
5. Audition — his worst work. Not even close to horror; it's just a slow, tedious drama...
6. Cujo — the scenes with the dog are legendary, but the beginning and certain segments are painfully slow...
7. Guinea Pig 1 and 2 — torturing a girl in various ways? I fail to see what makes that watchable...

You really... actually, you don't need to bother watching "Schramm," from the same director.
redowl90 is wondering how a 90-minute movie can be boring. Well, this one's only 60 minutes long, yet it feels like three hours...

Anyway, here are my TOP 10:

1. Lolita (1962) — a massive milestone in cinema history, sure, but try sitting through it twice...

2. Mean Streets (1973) — Scorsese has plenty of dull entries, but man, this one just drags...

3. Traffic (2000) — I think I fell asleep about ten times during this one.

4. All the President's Men (1976) — believe it or not, this documentary-style thing is ranked 57th on the AFI list of most suspenseful movies ever.

5. The Exorcist (1973) — hands down the most tedious horror flick in history.

6. The Conversation (1974) — compared to this, Warhol's "Empire," which is just eight hours of the Empire State Building, feels like a high-octane action thriller.

7. Ken Park (2002) — honestly, I was just screaming in frustration...

8. Dawn of the Dead (1978) — four people with enough ammo to take over the world, fighting off zombies who move at a snail's pace while 70s "Starsky & Hutch" style music plays in the background...

9. Magnolia (1999) — three hours of pure, pretentious self-indulgence.

10. The Crying Game (1992) — (SPOILER!!!) The girl has a dick! Is that really why we have to endure all that misery?

I’m pretty convinced there’s some deep symbolism and hidden subtext buried in all of that, but honestly... I’m still too shaken up to go back and watch it again just to dissect it.

Hands down, the most disturbing movie I've ever sat through.
It makes Salò, Eraserhead, and Pink Flamingos look like Disney movies combined...
I’d heard rumors about this one scene involving necrophilia and... well, a mess... and honestly? I thought that would be the absolute peak of the depravity. Turns out, it was probably the least sickening part of the whole thing.

The dialogue is pure gold:

(So, after this middle-aged guy gets himself stuck in a corpse, the very next scene shows him and the body in a small tub, where his wife tries to help him get free by pouring gallons of vinegar into the water)

Husband: You sure this is actually going to work?
Wife: They say it softens the tissue.
Husband: Wouldn't some warm oil be more effective?
Wife: At least it'll be easier to clean up later.

Anthony Bailey said:This isn't some cheap gum you'd find at a gas station in the middle of nowhere.
😁
I can't get this link to work. It’s just a broken video link from Google. Honestly, I don't have the patience for dead ends like this. If you're going to post something, at least make sure the damn thing actually plays. Total waste of time.

You really think just because you're from Switzerland, you're suddenly some sophisticated gentleman to us poor Americans?
I bet you were wearing overalls and digging holes in the woods until yesterday...
I skimmed through your blog, and it was pretty obvious why you're defending this movie.
But, I hate to break it to you, most people don't find watching a bunch of freaks writhing around for 90 minutes particularly entertaining.

Personally, I live for sci-fi and horror. I’ve got at least 50 movies in both genres that I could watch on loop for days, so I don't get why someone who finds this freakshow unbearable would be labeled a hillbilly...

The movie is brilliant. That ending? Absolutely insane... gives me major "American History X" vibes.
But honestly, I’d ditch that damn techno soundtrack in a heartbeat. It needs more grit—more classic American punk rock, like Jam's "Going underground" playing over those end credits.
Also, I’d swap out all the drug use for just heavy drinking instead.

No, look, Rusty Nail actually trashed the ice cream truck while the guy was busy looking away, and then I think he just grabbed the corpse, shoved it into the driver's seat, and floored it... which made it look like the ice cream man crashed into the motel himself, making him out to be Rusty Nail in the end.

This flick is basically just a mashup of my absolute favorite thrillers: Duel, The Hitcher, Breakdown, Blow Out, Deliverance, and When a Stranger Calls. It feels like I directed the damn thing myself.

It’s such a waste that Levine only did the voiceover instead of actually acting... he was just some random, out-of-shape nobody playing a maniac. Honestly, they probably should have just left him out entirely.

Here we go again, another one of Vadim's masterpieces, "And God Created Woman".
He really had an eye for picking the leads, didn't he?

Nicole Lopez38 said:If I recall correctly, the main draw of this movie was just how incredible the lead from J. Fund looked... definitely its biggest selling point.

Facts. The plot is absolute garbage, sure, but let's be real—the leading lady is the whole reason people are having late-night fantasies about this one.

George Alvarez3 said:I mean, what are you even talking about? You couldn't find a better face or more perfect acting for Mr. Freeze... seriously.

Mr. Freeze.