neonhound32 said:Phew, this film is intense and fascinating all at once. If it were shorter, I probably wouldn't have been sucked in quite so deeply, and they definitely should have trimmed the final act—it ends up feeling a bit pathetic.
I found myself laughing quite often; those kung-fu scenes are excellent. Kudos for using slow-mo, though it feels like the movie was edited specifically for younger generations who can't hold their attention unless something is constantly flashing in their faces. It’s just too much at once. 🙂
I dig the concept of infinite alternative lives, but I'm not sold on the idea that you're surrounded by the exact same people in every single one, essentially living the same life just with a different job. It doesn't feel authentic to me.
This has absolutely nothing to do with Parasite. The comparison is completely off base. Parasite has a very clear, driving narrative that tracks the clash between the wealthy and the poor, showing the fallout when someone is pushed to the brink of despair. It’s full of metaphors that are subtle yet obvious enough to catch.
This film is a chaotic blend of fantasy, superhero elements, comedy, action, and drama. You get exactly what the title promises. At least they didn't miss the mark on that front.
I wouldn't call it woke, but the whole subplot about the gay daughter feels forced. There's no real substance or detail there; to me, her girlfriend serves more as a metaphor for how difficult being a teenager is, and how the mother-daughter bond suffers due to misunderstanding and fear.
The ending is murky. The daughter says she just wants someone to understand her and what she's going through, but then when the mother shows understanding, it's still not enough because of something else. Is she the same good daughter, or is she Tutu Chewbac? 😵
Overall, the ending should have been her letting her go to the Bagel immediately, which would mean accepting her and letting her be who she wants to be. Instead, it was just this back-and-forth, push-and-pull. A mess.
Please, don't make it any longer; if they did, the last part would be totally redundant. 😁 Just a bunch of crying from the mother and daughter without any real message behind it. 🙂
I was getting vibes of Inception, The Matrix, even certain video games—just a bit of everything. I honestly can't wrap my head around how it holds such a high rating; personally, I found it pretty underwhelming.
If those first two parts had been shorter, maybe there’d have been enough time to develop a third part that goes in some weird, unconventional direction—kind of like how they did things in Twin Peaks, I guess.
But whatever, it's not like the movie was aiming for that level of depth anyway. It's basically just a basic action comedy stuffed with sci-fi elements, a little madness, and all that colorful chaos you see on TikTok or internet clips (remember all those ridiculous scenes with dildos used as swords?). On top of all that, they tried to squeeze in some family drama. I mean, sure, they managed to pull it off, but the whole blend just bored me—I didn't feel a single thing during those family fallout scenes.
And yeah, about her daughter's relationship... this Asian mom is super supportive of her sexuality and accepts her girlfriend right from the jump. In the real world, we know Asian families tend to be way more conservative than Americans, and most parents would probably lose their minds if they found out their kids were gay. Maybe they'd chill out once the kids are grown and moved out, but while they're still teenagers? Realistically, there'd be massive pressure to stop. What am I getting at? Just that this mom was liberal from the start and gave her kid everything she could materialistically. I don't see what the hell is her fault that the daughter drifted away. Yeah, okay, she works all day, but someone's gotta put food on the table.