jadedrifter17 said:When it comes to Spielberg, all I see is a technician—just math, budgets, and calculations. I don't see any soul, no raw spirit, none of that uncompromising art that actually provokes you, hits you in the gut, or stirs up genuine empathy.
p.s. Oh, and about that plane... yeah, doesn't smell right, my Nidzo. Njegoš once wrote:
A merchant lies to you with a smile
a woman lies by weeping tears
but no one lies to a Turk on a major matter.😁
It seems to me that you’re just hung up on the name, staring at the massive brand Spielberg has built out of his own identity while ignoring a pretty vital reality: he isn't a bad director by any stretch. Most of the scripts for his biggest hits are penned by other incredible artists—specifically, some of the greatest filmmakers working today, like the Coen brothers. At his core, Spielberg is a director; even though he left his mark as a writer on films like The Goonies and Close Encounters of the Third Kind, he isn't one of those rare, multi-talented freaks of nature like Luis Buñuel, François Truffaut (who actually acted in Close Encounters of the Third Kind), David Cronenberg, or David Lynch. Isn't it a bit foolish to compare him to them and conclude he's a bad director? It's clearly a matter of talent, perhaps even genius. His goal isn't to leave you mesmerized by his intellect, nor is he trying to lay bare his inner workings for an audience the way the aforementioned directors do, so in that sense, you have a point—he is a craftsman. But why is there a problem with that, when so few people actually know how to direct a movie? Catch Me If You Can, The Terminal, Jurassic Park, Jaws, Saving Private Ryan, Duel—they are all fantastic films.
Maybe what's actually bothering you is something else entirely, like the fact that he's a Jew and the wealthiest living director, but if that's the case, shouldn't you be just as bothered by everything else coming out of Hollywood, given that almost every major studio under that leadership is run by Jews?