No rush, it'll happen when it happens. 🙂
I'm hoping The Doors play tonight... or tomorrow at the latest. I guess I'm feeling too restless to just sit at my computer right now, and this intro is actually pretty important to me. Plus, I need to rewatch that documentary to refresh my memory, and I’ve kind of spiraled into some Nietzschean philosophy reflected in most of Morrison's lyrics.
Also, I just wanted to say that voting was incredibly hard this time around. I managed to listen to almost every album, more or less. It was tough picking just eight. I really have to highlight the last suggestion, Blake Mills and his 'Mutable set', which blew me away. It's my first time hearing him, but his music has such a specific vibe—it's like pure peace and healing in these crazy times. Just beautiful ambient electronica mixed with acoustic vibes; very minimal, not many words, but somehow warm, gentle, and soft. I really liked the review by Thomas Jurek on AllMusic:
Mutable set combines The instrumental and production prowess of 2018's nearly ambient instrumental look and The poignant songwriting sensibilities of 2014's Heigh ho, only more softly. Released during the height of the COVID-19 pandemic, its songs are concerned with timely topics: The strange pace of modern life that races while seeming to stand still; individual and societal isolation, climate change, the exterior state of the world and its people, as well as Mills' interior universe.
(...)
Mills leaves his ego OFF Mutable set and serves The songs with Care, attention, and tenderness. And while this record sounds bleak on the surface, there's a strange sense of comfort in these songs; they acknowledge the sad state of the world even while attempting to transcend its darkness and uncertainty.Anyway, thanks Kokeza for this awesome recommendation. I hope there are more coming! 🙂
redbear12 said:Do you happen to know Italian? 😁 To me, this whole work, (this piece 🤔) sounds like a precursor to musical theater, as weird as that sounds, even though that form only existed in Italy for a short time before being suppressed by opera.
I'm not sure, but some parts were easy enough to understand! 🙂 Well, a little. As a musical or even a play, it makes sense. But to me, it felt fun and cheerful; it doesn't have that heavy melodrama you get in opera. And I don't know exactly where the line is where opera emerged from various vocal musical forms like cantatas and oratorios... maybe you know?
redbear12 said:By the way, that guy used to compose these pieces where cats meow, dogs bark, and all sorts of animals make noise.🙏
And this actually sounds pretty interesting! 😁
redbear12 said:Maybe you've heard of Jordina Savall? The next thing will probably be something from "his" catalog.
Never heard of them, but just send it my way! 🙂