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Posts by Noah Roberts46

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Offside Chat Archives (2014-2021) in Soccer ·
Ryan Hall4 said:You are the only true snob in this thread, quite literally. You lecture everyone else about elitism while embodying it yourself. You are a textbook example of a conformist snob who simply parrots whatever outdated rhetoric he picked up from his elders.

Let me clarify my point. I am referring to internet consensus—the kind of tired tropes like "Spielberg is only good for his first two films," "Tarantino peaked early," or "Robert De Niro has been washed for twenty years." While that last one might actually be true, my point stands. People use these clichés solely to mock others and inflate their own supposed sophistication. And Noah Roberts46, stop repeating the same nonsense you've already put in your film PDFs; you’re nothing but a fraud. This Spielberg line is older than the Bible, but back in my day during the 90s, using that phrase was a quick way to get laughed at by everyone else. We didn't dismiss it because it was factually wrong, but because it was a hallmark of pretension. If you say "Spielberg only has two good movies and they were his first," you aren't a critic—you're just a snob.

From the very beginning of this damn forum, certain people have been harping on this just to feed their own egos. It’s honestly hilarious to watch; it’s obvious Noah Roberts46 only started discovering cinema in the last year or two, and now he thinks that one specific line makes him sound incredibly cool, so he keeps repeating it. Look, I’ll admit that Spielberg’s best work might be *Jaws* or *Raiders of the Lost Ark*, but I refuse to act like some pretentious snob claiming he only ever made two good movies. No way, man. I’m perfectly fine swapping out *Duel* for *Indiana Jones* or *Close Encounters of the Third Kind* because, quite simply, they are superior films.

Even as someone who isn't exactly a Spielberg superfan, I am telling you all: please stop following the online mob. In this country, people blindly follow whatever "internet consensus" pops up, much like how they jump on bandwagon opinions regarding certain directors.

It’s the same nonsense when Noah Roberts claims "they haven't made anything good in years." This is a classic trope used by certain directors. My friend here clearly worships that overrated Scorsese guy, who built his entire career on romanticizing Italian-Americans. You could argue Scorsese hasn't produced anything worthwhile lately, but even that isn't quite right. Even if the man is a hack, any true cinephile should recognize that his films are technically well-crafted—though, of course, perception is subjective. You can't apply that logic to Spielberg. *Lincoln* is a solid film. You claim he hasn't delivered anything good in years. I’m not a huge fan of that movie myself, but what I see is stellar acting across the board, sharp Spielberg direction, and great costume design. It didn't do much for me either, but for God's sake, stop clinging to these tired internet consensuses.

And you know who says this most often? Aside from being total snobs, it's usually people who haven't actually watched many movies. They want to feel special; they want everyone to know they finally sat through a "classic," but give me a break—you've barely scratched the surface of Kurosawa or Melville. And the best part is, you can try to flip the script and call me a snob, and fine, go ahead. That's just how you deal with people like you.

Seriously, stop following these online trends. It only happens in circles like this. People recycle the exact same tired catchphrases since this forum started; only the usernames change. I never once saw those cliches coming from ruggedjackal46 or Robert Torres, who are actual cinephiles. I've enjoyed reading their takes on film since the early days. Never. But you lot, who don't know a damn thing, feel compelled to parrot these phrases. I say this as someone who isn't a Spielberg fanatic and would agree that *Raiders* is his peak, but I don't use those lines to act cool, like "Spielberg only has two good movies and they were his first." Bullshit. *Indiana Jones* remains one of the greatest adventure films ever made. That is a real blockbuster.

This is the same situation. Look, this first one is just pseudo-scientific New Age garbage; nothing irritates me more than movies that pretend to be profound when they have no idea what they want to be. It’s like *Coherence*. It’s the same junk as Marvel, just in different packaging. At least Marvel doesn't hide what it is. With this Scandinavian one, you can watch whatever you want, but calling bad movies "excellent" is a mistake. What exactly makes this an "excellent" film? Listen, my standards for excellence, as they should be for anyone, are high. This is based on a novel by that hollow author Jo Nesbo. His books are full of holes, and this movie is one giant, unrealistic void. Think of it as some sort of thriller. There's no supernatural element here, no superpowers—it's a serious film trying too hard to be something it isn't. I get why these are attractive to you; I call them "void movies." Sure, it's fine as mindless entertainment, but there is zero chance that such a hollow film qualifies as excellent.

It's not like you need to sit through Bergman or Vinterberg's heavy dramas, but there are plenty of genuinely good, serious Scandinavian films out there. Yeah, the *Hunter* stuff by Nesbo... 🤣 check this one out instead: https://www.imdb.com/title/tt1332134/. There’s no exaggeration like in *Hunter*; it’s a serious, excellent film.

For a low-budget production, this is a masterpiece: https://www.imdb.com/title/tt0419677/. Unfortunately, not many people caught this gem. There are plenty of films out there, but recommending what you suggested is like recommending Marvel movies to someone. It’s incredible how many people talk trash about Marvel and then turn around and worship that film about Jesus and bounty hunters.

Modern film culture is lacking if you think this is normal. I grew up on Hitchcock. I was raised on his work, and I state this with absolute conviction: there will likely never be a better director than the great Hitchcock. His technical skill and storytelling were unparalleled. His films aren't heavy-handed dramas, yet they are pure fantasy in how he turns simple stories into something extraordinary. Take Scorsese, for example. He’s elevated by kids who are obsessed with mobsters and gangsters. Don't get me wrong, Scorsese is a quality director, but he sold his vision to the youth, and now the youth are the only ones putting him on a pedestal. Realistically, he doesn't belong in that inner circle of the absolute greatest.

Hitchcock is everything. If you actually want to learn about cinema, watch Hitchcock. Raise your children on Hitchcock. I am being completely serious.

Hey Remam. 🙂

Your whole argument falls apart because I never said Spielberg only made two good movies. On the contrary, I actually like Spielberg; I've seen most of his work. Some people find him too sentimental, but that doesn't bother me at all. In my view, most of his films were solid or even great up until the turn of the century. I love *Indiana Jones*—those are hands down some of the best adventure movies ever made. I don't even need to waste breath on *Raiders* or *Jurassic Park*. *E.T.* and *Close Encounters* are favorites of mine, as are some of his more overlooked gems like *Empire of the Sun* and *The Color Purple*. I have no idea where you got such nonsense from; maybe you're just venting some frustration and felt the need to make a new profile just to blow off steam. What exactly is "snobbish" about saying Spielberg and Lucas's ideas aren't relevant today? Or saying that people trash modern blockbusters more than they used to because those guys used to be the ones running the show? Back in the day, someone probably trashed them too, and people would jump to their defense then. How many times did people claim Spielberg destroyed the movie industry? I certainly don't agree with that.

And again with the Scorsese stuff—your go-to move is to attack him just because he's a director I respect, purely to bait a reaction that you never successfully provoke. 🤣

Look, most people probably think his prime is over, and I'm fine with that. Just because he still makes good movies for me personally doesn't mean I'm right.

Hopefully, you can manage to reply from this new profile.

Jessica Gonzalez said:So, I guess Noah Roberts46 thinks Spielberg and Lucas aren't important. It’s pretty interesting to think the people who basically invented modern cinema don't matter. I probably shouldn't say more since it feels a bit pointless, but maybe just stick to watching something like "Rampage" with The Rock or the "Avengers" movies if you want to just switch your brain off and take a break from everything else going on.

It's hard to read your logic when you're saying "today."

By the way, Remam, you aren't a snob; you're just an idiot who puts words in other people's mouths. That's what you are. Half of what you wrote, I never even said regarding Tarantino or Spielberg. You're just a standard troll who clearly has nothing better to do with his life than troll using a thousand different accounts on a forum. Though, I'll give you this: you're clearly smart and probably know way more about film than I do—it's not hard to admit that. It's just a shame that this is how you spend your time.
Offside Chat Archives (2014-2021) in Soccer ·
@SS
Exactly. That’s why I don't get why people like GQ are so against those films. Look, I get that some people just don't like them—no skin off my back—but these movies are constantly being scapegoated as the primary reason for the decline in cinema quality. As if the dip didn't actually start way before that, back when we were getting heavy hitters like *There Will Be Blood* and *No Country for Old Men*.

Spielberg and Lucas have brilliant ideas. 🤣

The problem is they haven't produced anything worth watching in years; frankly, they're irrelevant now. Meanwhile, younger directors with actual vision can pull off hits without breaking a sweat—just look at the youngest Oscar winner behind *La La Land*. It clearly resonated with audiences. And honestly, seeing those old fossils like Cameron whining about the Marvel era? It's obvious they're just bitter because they can't make anything meaningful anymore.

People need to realize that almost every movie is available globally now. Who's actually going to pay to see something like *Lincoln* in a theater when I can just stream it at home with zero difference in the experience? I’d much rather go to the cinema for *Infinity War* than sit through some drama I could easily download. Even if the drama is technically "better," the theater experience dictates my choice.

And I don't understand why other genres are getting lumped into this mess. There are plenty of action movies thriving despite the mountain of superhero sludge out there—actually, there are twice as many. Take The Rock, for instance; his career is built on solid action, not capes, yet nobody blames him even though those movies rake in massive checks. Plus, you've got Netflix now, which will throw money at you if your idea is good. They'll hand Scorsese $150 million for a mob flick; that kind of budget just wasn't on the table before.
Offside Chat Archives (2014-2021) in Soccer ·
I watched that movie and it was actually pretty solid; I didn't see those plot twists coming at all. 👍

But let’s get one thing straight: these big franchises aren't the reason quality elsewhere has tanked. We've always had blockbusters, and they never dragged down the rest of the industry. Hollywood's decline is due to a total lack of original ideas, not because of superhero movies. To claim those thirty DC and Marvel flicks are the culprit just proves people can't figure out how to make decent films anymore. Yeah, right. 🤣

I mean, look at the absolute garbage Vin Diesel and The Rock churn out—just endless piles of mindless action junk. The real issue is that superhero movies are actually significantly better than that trash. There are still good films out there; sure, maybe they're harder to find than they used to be, but they exist.
Offside Chat Archives (2014-2021) in Soccer ·
I honestly think you’re just being blinded by nostalgia. Even those old classics had massive flaws if you actually bothered to look—at least that was my experience when I watched them. But nowadays, with high-speed internet and everything at our fingertips, plus a million theories and deep dives circulating constantly, everyone is much more susceptible to scrutiny. In this day and age, every single movie is going to have its fair share of critics and shortcomings.
Offside Chat Archives (2014-2021) in Soccer ·
They’ll still be around in ten years. 😬

Honestly, I don't get the hate. If you love it, watch it; if you don't care, there are a hundred other things to do instead of wasting your breath. There was a time when I wasn't into Star Wars either, but I never felt the need to talk trash about it.
Offside Chat Archives (2014-2021) in Soccer ·
🤦

Is there actually a single comic where the scenario described above takes place? No.

When it comes to the Avengers, you have a massive library of comics and one beautifully interconnected universe. Honestly, I cannot wrap my head around the hipster hate directed at superhero movies. It’s clearly just whatever is trendy now; these same people used to worship Star Wars and treat it like high art—what’s the difference? There isn't one.

Look, I’ll watch anything. I’ll sit through massive Hollywood epics, gritty crime thrillers, action flicks, dramas, or even those deep philosophical stories from European or Asian cinema. If it's good, I'm in. But I find this stuff fun too. I go to see a superhero movie knowing exactly what I'm getting into after nineteen films of this type. They did a fantastic job connecting these franchises; the character interactions are entertaining and packed with pop culture nods (like that scene in the latest film where S.L. Jackson starts fading away right before dropping the "motherfucker" line). The action is shot well, and this last installment actually delivers an ending that breaks the usual Marvel formula. At the end of the day, you go to the theater to be entertained. To question the fundamental purpose of a blockbuster is ridiculous. If we all wanted to satisfy some lofty intellectual standard, we’d spend our entire lives watching Bergman or Kurosawa—not that I don't love them. It's pure snobbery, plain and simple.
Offside Chat Archives (2014-2021) in Soccer ·
I realize Barca and Pep are out, but is nobody else on this thread going to address the absolute chaos escalating globally right now?🕺
Man Who Killed Don Quixote (2018) in Movies ·
That trailer left me completely speechless. 😁

But honestly? It looks pretty cool.
The Wolf of Wall Street (2013) in Movies ·
I've never quite understood your whole "top and flop" rating system. 🤣
Offside Chat Archives (2014-2021) in Soccer ·
ruggedjackal46 said:It isn't just obvious; it's practically written in stone, especially since this whole disaster was born during that messy transition from socialism to capitalism. And look, our little corner of the States wouldn't be special in that regard; you saw similar predatory privatization schemes play out across almost every former socialist nation. Whether you look at the chaos in Russia or what happened in the old North America, the "transition" process basically just meant looting everything, gutting useful public utilities, and handing massive amounts of power to a handful of oligarchs. In a true free market, anyone with that kind of concentrated power would still find ways to dominate, which isn't exactly comforting—whether you're talking about a corrupt tycoon in Chicago or some massive Russian banking conglomerate.

Exactly. They basically laundered political influence into pure economic dominance. For God's sake, between 1990 and 1993, these post-socialist states took hits far worse than what Western nations endured during the Great Depression of 1929. Just do the math.
The Breakfast Club in Movies ·
Honestly, this movie was surprisingly fun. I wasn't expecting much once it got going, but things took such an unexpected turn by the end that I actually really enjoyed it. The way Slater plays Jacko here—I haven't seen many of their films together, so I can't say if this is their usual dynamic—but it absolutely works for him in this context. That ending was completely over the top. 🤣
Offside Chat Archives (2014-2021) in Soccer ·
Justin James10 said:Is liberal capitalism in America actually working? 🤣🤣🤣

All we need now is for some Western libtards to show up here and clash with the current right wing; honestly, I’d rather just shoot myself.
Jumanji (2017) in Movies ·
Pretty funny, though I just can't picture Kevin Hart in this role.
Phantom Thread (2017) in Movies ·
Subjectively, I’d say it’s Boogie Nights; objectively, it’s TWBB. Either way, those two are the absolute peak, followed by Magnolia. I actually have a soft spot for Inherent Vice, which puts it ahead of The Master and everything else—except for that top three mentioned above. As for his early work, it just doesn't do it for me.
The Death of Stalin (2017) in Movies ·
It isn't exactly hilarious—nowhere near the level of Veep—but it’s an interesting watch, mostly because I either don't know much about these events or have simply forgotten them. There are a few funny moments scattered throughout, but honestly, there's way too much exaggeration for my taste.
Phantom Thread (2017) in Movies ·
🤣

Oh, so this is the guy who thinks Kid Cannabis was the best movie of the year. 🤣

When is it hitting theaters here? I didn't see any trailers for it last week.
Offside Chat Archives (2014-2021) in Soccer ·
Matthew Hernandez4 said:Man, I see them trying to gaslight you into thinking the right wing is actually more mainstream than the left 🤣

Don't waste your energy on it. You lost that fight against people like that a long time ago.

Deleted posts anyway. 😁
Lady Bird (2017) in Movies ·
Nothing will ever come close to the greatness of Dazed and Confused. ☕

Personally, I don't think this one is half bad—it's solid enough. But I just don't get why everyone is making such a massive deal out of it.
Venom (2018) in Movies ·
Tom Hardy was brilliant at first—basically channeling Charles Bronson—but now that I’ve sat through The Returnee, Taboo, and stuff like that... good grief, he just mumbles directly into the camera and makes these ridiculous faces. It’s like he thinks every character should just be Bane. That’s what happens once you actually get used to seeing someone like Leonardo DiCaprio. ☕

The only thing of his I actually enjoy is his work in Peaky Blinders, though honestly, that might just be because the show itself is so good.
Venom (2018) in Movies ·
Hardy is starting to play the exact same character in every single role.