halijen said:The absolute best quote regarding what a recording engineer actually is:
"A recording engineer doesn't even have their own opinion."
(That was the response to my question about where he thought would be the better spot to place a microphone.)
First and foremost, what a recording engineer must master is capturing the exact sound the producer is looking for—or at least having the skill to convince the producer that they've found it. (Let’s be clear here: this isn't some grand creative endeavor; the engineer does exactly what they are told.)
Second, an engineer has to possess total command over a Neve or SSL large-format mixing console, knowing at least 90% of its capabilities inside and out. (To put things in perspective, these are incredibly complex machines—far more complicated than, say, a heart-lung bypass machine used in transplant surgery. Someone once remarked that piloting a Space Shuttle is easier than operating a Neve with all its outboard gear and recorders attached.)
Third, the engineer must—within the limits of the equipment provided—capture the cleanest, highest-quality signal possible.
Fourth is the mix itself, which entails:
-Managing volume levels within the mix (vol. balance)
-EQ adjustments (essentially placing all signals within the 16Hz to 16kHz range)
-Stereo imaging (panning)
-Spatial depth (reverb, delay, etc.)
-Mix dynamics (compression, limiting, gating)
-Mix automation
Here is a picture of an SSL console (which looks much nicer than a shuttle):
