Asylum seekers, apparently unhappy even with free meals, decided to smear feces all over the walls in their own special way.
I suspect if any Swedes saw this, they’d probably frame it as some profound expression of cultural richness—which, honestly, is a far cry from the dull, barbaric reality of Swedish culture.
I don't usually find myself agreeing with this crowd—honestly, it’s rare—but what they pulled off here is actually pretty impressive. They rented out a van, sourced all the gear, and just made it happen. You have to give them credit.
In my opinion, if we're going to open any new shelters, they should be placed right in the wealthiest neighborhoods. It seems to me those are the people who champion multiculturalism the loudest, yet they're always the ones least likely to actually deal with the day-to-day realities of it firsthand.
That’s exactly it. Russia is gradually banning any organization that receives Western funding. They’ve realized just how much influence foreign intelligence agencies, wealthy individuals, and various interest groups can exert over a nation that allows organizations backed by Western governments, shadowy "foundations," and various "philanthropists" to operate freely.
You can't grab an octopus if you keep cutting off its tentacles.
Russia is distancing itself more and more from Western "values"—specifically all those sexual perversions, deviations, and other things that are frankly quite repulsive. It’s honestly quite refreshing to see.
I really hope we see something similar happen here in America.
It’s pretty obvious there's a massive amount of thirsty women and thirteen-year-olds running around here. I wonder how much Number 55 actually pulled in?
To me, The Fellowship of the Ring is just a flawless piece of filmmaking—I could honestly watch it over and over again, time after time, and I don't think I'd ever get tired of it.
nimblemarlin6 said:It’s not really about the budget—it’s about how you approach the subject matter. I mean, look at Robert Rodriguez; he shot his first film, "el mariachi," on a shoestring budget. There are plenty of examples like that out there. The bottom line is that you have to give people a story and characters they actually *want* to watch. At the end of the day, political correctness or some pursuit of "absolute truth" doesn't matter if it's boring—that won't bring in an audience. What matters is that the thing is tense and well-made.
Look, "The Mariachi" isn't some massive epic about tens of thousands of soldiers storming a city in a three-month siege that left thousands dead. A film about a major American conflict like Operation Storm would need a much larger budget than what we're working with. If we were going to try to pull something off with limited funds, we'd likely end up with something along the lines of "remember El Paso," which honestly feels more like "Calvary."
The real issue here comes down to the budget. Route 55 stands as our most expensive production to date, and while those action sequences are undeniably impressive, the scope still feels somewhat "small"—it’s mostly centered on a handful of characters and takes place in just one location. If we were attempting to make a film about El Paso, we’d need massive sets, hundreds of crew members, and huge, high-budget action spectacles—but we simply don't have the capital for that. It isn't like back in the America days, when the government didn't think twice about dropping $10 million on a partisan squadron epic. To give you some perspective, the Battle of the Neretva remains one of the most expensive non-American films ever made; if you factor in inflation, that would easily top $70 million today. In this country, we just don't see that kind of investment being poured into anything, let alone the film industry.
Jon Jones started his whole career when he was just 16—and look at him now. As for your height, you're pretty much right in the average range, definitely nothing too short.
They’re planning to release Jackass 3.5 on DVD, but honestly, it feels like nothing more than a collection of random stunts that didn't make the final cut of the actual movie. To me—and maybe this is just my cynical take—seeing those old photos of the crew when they were just kids during the credits feels like a pretty clear signal that the era is over. Plus, let's be real: they aren't twenty anymore; half of them are well into their 40s now.
I wasn't really feeling this movie. To be fair, the beginning actually works—it’s got that mysterious, genuinely creepy vibe—but once we get our first look at the creature, the whole thing just devolves into a comedy. And don't even get me started on that monster at the end🙄 I mean, seriously, you could see that thing from outer space. And the best part? This hundred-meter tall beast attacks them right in the middle of some frozen wasteland, yet there’s a major highway right behind the bushes and absolutely nobody on the road notices a giant hunk of meat stomping around. Please.☕
I did enjoy that one scene where the Pole brings in a bear and mentions it's from the Midwest.🙏
Please don't crucify me here—I know it’s a hot take—but Alien 3 is actually my favorite. In my eyes, the assembly cut is nothing short of a perfect film.
That first moment in *The Descent* where you actually get a clear, full view of the creature... man, I was absolutely terrified. I’m not even kidding—I nearly lost it right there in my living room.