I’ve never actually sat through this whole album from start to finish, mostly because I can't stand anything overly dramatic, and this record is just dripping with it. Personally, "The Things You Said" is the standout track for me, followed closely by "Never Let Me Down Again"—honestly, the live version hits even harder, like when they played it at the Rose Bowl. The rest? They just didn't really stick with me. At least they finally moved away from that basic pop sound they had back during the > era. This one feels comparable to their > stuff, but it's definitely a step up from anything they've dropped since > (which, if you ask me, is easily their best work).
I went with PJ because she was the one that really clicked for me, though I was definitely torn on Kyuss—that album is solid. 👍 I'll try to throw my own suggestion out there next week, if that’s cool with everyone.
Honestly, looking at this director's track record, I wasn't exactly expecting a masterpiece, but man... this is just bad. Like, genuinely terrible. How do you even mess up this badly?
Will Ferrell is basically the Tommy Wiseau of comedy—just incredibly annoying. Honestly, I doubt I’ll even sit through this absolute joke of a movie.
I’m honestly a little baffled by the zero nominations for *The Lighthouse*. Like, seriously? Even if you don't think it deserves technical nods, shouldn't Pattinson and Dafoe at least get some love for those performances? They were incredible.
We all know how Hollywood loves its geriatric war epics, but I’ve got a feeling *The Irishman* and *Marriage Story* are going to blow *1917* out of the water when Oscar season hits. And look, I’d love to see *Parasite* take it all, but let's be real—it'll probably just end up picking up Best International Feature and calling it a day.
Leonard Cohen's "Closing Time" is my absolute favorite. That violin melody is just killer, and man, that signature storytelling style he has... it hits different.😍
