Oh my goodness, I really did. 🤦 It wasn't even intentional, it just kind of happened. I had been reading so much about this one movie lately—I felt like I practically knew the whole plot, plus I’d spent ages scrolling through reviews and critiques... (for some reason, I just hadn't actually sat down to watch it yet). Then, out of nowhere, someone brought the film up in conversation, and I instinctively blurted out, "Oh, I know that one!" Suddenly, the whole table went silent, and the person who mentioned it just stared at me with wide eyes, asking, "Wait, you've seen it? Isn't it incredible?" I couldn't exactly lie and say yes, so I had to admit, "No, but I've read a ton about it." 🤣
It is honestly such an awkward feeling, and besides, it's just... silly. Don't do it, kids.
Exactly. Even in those scenarios where someone is getting jumped in public, there’s usually a security guard or some staff member nearby who could step in. Ideally, people should always rush to help someone being victimized when they witness it, but it’s that classic psychological phenomenon: nobody wants to be the first one to move because they assume someone else will take the lead. It's a whole thing on its own... But to me, that feels different from what happened in the classroom. I actually saw situations like this back in my high school, too—where two guys would gang up on a third student—and my classmates were actually sensible enough that once they realized it wasn't just harmless horseplay, they’d step in, pull them apart, and say, "Alright, that's enough." I mean, these aren't just total strangers; these are people you actually hang out with. Or at least, the girls would... I honestly think a girl would be more likely to stand up for a poor guy than a boy would. 😕
In this movie, by the end, I basically froze the entire class in place, except for those two.
Honestly, just stick to following Pitchfork. If they give an album a score higher than an 8, you can bet it’s actually worth your time to download and listen to. 🙂
Walter Garcia7 said:I could live a perfectly comfortable life without Hollywood, provided that non-American films on torrent sites come with subtitles or are actually easy to track down.
Personally, I have never run into an issue where I couldn't find subtitles. Usually, whenever I download one of those foreign films, the subs are included right in the package 🤷
On networks like ABC or CBS, they occasionally throw in a gem from European, South American, or Asian cinema, though even that is becoming increasingly rare—it’s either repetitive or they schedule three great movies on a Sunday at times that overlap completely. ☕ Now, look, it's not that I rely on television for my movie fix, but I truly cannot fathom how these networks can treat their audience like idiots by airing Steven Seagal's 'Crossfire' for the eight hundred and sixty-eighth time this month. I wouldn't mind them pushing American movies as high-quality cinema (even if they are just cult classics), and there is plenty of material to work with; I highly doubt they actually need ten cycles of Clint Eastwood per year. But of course, as Benjamin Thompson66 pointed out, the issue also lies with people who clearly aren't genuinely interested in film. It’s the exact same thing with music—it doesn't matter what is being "served" to you on a silver platter; the internet is vast and incredibly powerful. If you actually care about finding something good, you will find it.
She’s definitely excited about seeing Cave, but she wasn't out there chanting "bring them here, bring them here" like some people do for bands they've seen a hundred times already. It’s one thing to be stoked when a group like National or Caribou plays, but it feels a bit misguided to demand they come now if they're just going to take up slots from artists who haven't even had a chance to tour the States yet, or at least haven't been here in a really long time.
It’s just a shame that absolutely nobody among those screaming with joy over the lineup actually cares about your opinion. ;D I’m certainly not one of them, and frankly, I highly doubt anyone playing this year will even be my taste. But honestly, instead of whining all over the internet about something I have zero power to change, I’ll just spend my $100 on something I actually enjoy, and call it a day. At least there are still plenty of concerts out there...
Honestly, even the rat is terrible. It’s absolute trash, truly. Maybe I should take a look at those Saviors to see if they can actually improve my impression a bit 🤷
Richard Wilson4 said:I'm watching this movie by the director who decided to baptize Papić right now, and I am honestly blown away by the sheer trash potential here. 👍
No nonsense—the acting is terrible, the special effects are even worse, but this could easily become a cult classic for fans of bad movies. 😁
Honestly, I was laughing my head off through the entire thing. 🤣
That one scene with the fish and the camera? Oh my god, thinking about it now just kills me. Who on earth comes up with stuff like that? 🤣
But seriously, the wooden acting actually shocked me. I can't tell if the script is just that ridiculous or if there's some other issue... the actors look like they were forced to stand there and recite lines against their will. It’s a total disaster. The concept itself feels like an attempt at "something new," which is interesting, but the execution is so poorly done that I don't even know where to begin with my critique.
And honestly, restlessranger30, I have to admit I got a good laugh out of your assumption that "most people won't watch it just because it isn't a massive blockbuster." You’re saying this on a film forum where we spend our days dissecting obscure indie gems that your average casual moviegoer couldn't tell you if their life depended on it 🙂. Besides, let's be real: for a huge chunk of the audience, seeing Jack Nicholson's name on the poster is more than enough reason to buy a ticket. That definitely includes those folks who sit through, goodness gracious, Lord of the Rings.
Such a cool movie. Jack absolutely crushes it. 🙏 That scene where he mimics Carl’s walk is pure gold, and the ending? Just incredible. I also loved those two women chatting about Alaska. And of course, you can't forget that diner scene. To be honest, I think individual segments of the film actually hit harder than the movie as a whole, but that’s totally fine with me—there are plenty of films like this that I still hold incredibly dear.
Heh, it’s not like I only listen to it at home; I have the radio playing at work too, so honestly, it doesn't matter where I tune in. And yeah, I think you hit the nail on the head regarding how stations operate—take a major station like Z100 in New York, for instance. During the day, when the ratings are peaking, they stick to music that's catchy enough for everyone to enjoy. But once they switch to their late-night programming? That's when things get interesting and you can actually find some variety. You're probably right about the listener habits, too; people wouldn't necessarily be offended by something like Mogwai, but there's a much higher chance that someone looking for those easy, melodic hits will just flip the channel rather than sit through Arcade Fire.
Anyway! To finally get back on topic. I don't know... if I had to pick, I'd go with Silver Jews, Grizzly Bear, Fleet Foxes, Sufjan Stevens, or Girls... but as much as I'd love to choose one of them, I'm convinced none of those quite fit what we're discussing here. 😢
Kevin Chavez3 said:So, I’ve been thinking about this lately—what is the actual, fundamental difference between Wham! and The Killers? It seems like a simple question on the surface, but when you really dive into the DNA of their music, there's a massive divide in terms of vibe, era, and even how they connect with an audience. On one hand, you have Wham!, who basically defined that bright, infectious, high-energy pop perfection from the early '80s. It’s all about those catchy melodies, the polished production, and that undeniable sense of joy that makes you want to dance around your living room. They were the kings of making you feel good, period. Then you shift gears to The Killers, and you’re stepping into a completely different world. Even though they definitely have those anthemic, stadium-sized hooks, there’s this underlying layer of indie rock grit and a certain kind of cinematic melancholy that just isn't present in Wham!'s catalog. One is pure sunshine; the other is more like a neon-lit night in Las Vegas—it’s got soul, it’s got edge, and it carries a much heavier emotional weight. It’s essentially a choice between the ultimate pop escapism and that driving, guitar-driven indie energy. Truly fascinating stuff! 🤔 Are we really supposed to believe that the other guys are somehow more "artistically significant"? 🤣
That is an excellent point, and I couldn't agree more! As for Arcade Fire... I honestly feel like this new album is just a bit too "radio-friendly" for my taste. I remember sitting in a coffee shop once while "We Used to Wait" was playing, and it actually took me nearly half the song to even realize it was them! To me, it just feels somewhat "faceless." That’s exactly why you’ll never hear a post-rock band getting any airtime on our local radio stations. Let's be real: it’s just not the kind of music that appeals to the masses. Imagine if a station like KROQ decided to spin something by Les than if they played an eight-minute monologue from Milivoj Lulek instead! People would be calling in immediately, absolutely losing their minds, asking, "What on earth are you playing now?" 😁
I couldn't agree more with Jamie Nelson10. Hollywood isn't the center of the universe. Honestly, if you're one of those people who can't even sit through a movie unless every single word is spoken in English, then I really can't help you. Besides, there is a massive wealth of incredible, small-scale independent American cinema out there that often flies completely under the radar simply because they don't get massive mainstream coverage... except perhaps here on this forum, which remains an exceptionally useful resource. 🙂
For me, the ending hit out of nowhere. I mean, it was pretty much a given that those two would absolutely lose their minds after that scene on the beach; you could practically guarantee they wouldn't be showing up to school the next morning like any other day. But honestly, Joseph just doesn't seem like the type to pull something like that. He strikes me as the kind of kid who would head home and just... end it all. As for Kasper, that moment early in the movie where he suggests they both just die—that felt a bit over the top to me. That said, his reaction at the end actually feels more consistent with his character than what we saw from Joseph.
It also strikes me as weird that none of the girls stepped in. In these kinds of high school dramas, there's always some popular girl who'd march right up to the bully and tell him to take it down a notch. It’s honestly baffling to me that nobody showed even an ounce of sympathy for Joseph. 😢
All things considered, though, it's a powerful film. I really loved how Anders doesn't fit the mold of your typical cinematic bully; he doesn't act like someone with deep-seated issues who just lashes out at easy targets. None of the characters feel typical, except, like I mentioned before, Joseph. To me, he perfectly captures that archetype of the misunderstood, suicidal geek.
But how on earth is anyone supposed to actually get to ZG when everything is completely blocked off? 🤷 It’s not like I’m planning on heading out there myself, it’s just something I’m genuinely curious about.
Aaron Lopez43 said:Amy Macdonald. A new album is coming, oh boy, here we go!
Oh, please. 😁
I was actually just wondering the other day what it would be like if Massive Attack came back to tour here, and then this happens. I am genuinely looking forward to it! (Though, strictly speaking, just for them for now)
I honestly think we need to take a step back and look at the bigger picture here. It’s easy to get caught up in the immediate hype, but if you really analyze the trajectory of this situation, there’s a much deeper layer to unpack. We can't just brush over the nuances! kaže: It didn't completely blow my mind, but I'd still give it a solid 8/10.👍
George Clooney is looking sharp here—not exactly dressed for an Oscar ceremony, but still looking great. And look at Anna Kendrick! 😍 Absolutely top-tier. I have to admit, I was actually pretty dismissive of her performance during the first half of the movie, but by the end, my opinion had completely flipped. It was a total 180! Farmiga is fine, I guess. She was getting on my nerves a little bit, but she’ll do. Let's be real here: without George Clooney, this movie wouldn't even be in the conversation for an Oscar. But there's a massive irony at play—it feels like someone else (Kendrick) completely hijacked the spotlight and stole the leading man status right out from under Clooney.
I’d give this one a thumbs up across the board. It might fall just short of an 8/10 for me, but honestly, given how incredible the soundtrack is, I can definitely live with that. Kendrick is absolutely phenomenal! Thank God they didn't end up together! Seriously, if Clooney and her had actually tied the knot, it would have been such a massive disappointment. I can't even imagine how much that would have ruined everything for me.
Arthur Anderson75 said:If we don't get Placebo or Mus, then the organizers have failed completely!
LOL, oh sure, let's just recycle every single artist that has already toured the States over the last two or three years! 👋
Honestly, I don't care all that much about Mus or Placebo—it’s not like I have anything against them—but making a statement like that? Good grief... it's as if they're the only bands to have released a new album lately. There are so many younger, more interesting acts out there who HAVEN'T been to America yet.