#61 ·
I know Monica is on that list... as for the others, I’ll keep my cards close to my chest just in case.
Started by Tyler Grant86 · · 👁 6 views · 89 replies
Tyler Grant86 said:man, honestly, nobody’s even gonna be able to stay upright in the front row once they start playing :2up: 😈 :2up:
Tyler Grant86 said:Man, how many times do I have to tell you guys? The wind blows from the right, making it way more comfortable during the spring and summer months.
Tyler Grant86 said:Honestly guys, how many times do I have to tell you? The wind blows from the right, which makes that side way more pleasant during the spring and summer months...
Tyler Grant86 said:Tyler Brown, you're the man, I love ya😍
Tyler Grant86 said:Tyler Brown, you're the man. Much love. 😍
I should probably mention how great it was watching that guy from the gallery constantly gripping his monitor, just terrified the wind might blow him right off the stage...
boldscout72 said:Keeping an eye on the monitors is really about showing some respect to the crowd—you don't want a wild, distracted mob getting carried away by the music and causing actual damage.
As one of Mick Collins' various ventures following the Gories, the Dirtbombs felt more like an idea than a tangible band for quite a while. It was almost like they were overcompensating for the Gories' lack of bass—
instead, they packed the stage with two drummers, two bassists, and Collins handling the vocals and guitar. Beyond just being incredibly loud and chaotic, the Dirtbombs actually possessed a surprisingly wide-ranging sound—they jumped effortlessly between garage rock, punk, and glam, all the way to old-school soul and R&B. They started out mostly focused on 7" singles, releasing five of them before Larry Hardy over at In the Red talked them into recording their first full-length, *Horndog Fest*, in 1998. Following a few more singles, they dropped their second album, *Ultraglide in Black*, in May 2001—a collection mostly dedicated to vintage R&B covers. That record helped them build a real following in the UK, thanks to constant touring abroad (which included a tour alongside the White Stripes). By 2003, the band pivoted back to a grittier, more rock-heavy sound with *Dangerous Magical Noise*, then returned in 2005 with a split album with King Khan and his Shrines called *Billiards at Nine Thirty*. That same May, In the Red released *If You Don't Already Have a Look*, a massive 52-track double-CD compilation that also included six brand-new tracks. Even though the group went through at least ten different lineups during their run, by the time *Have a Look* rolled around, things had pretty much stabilized around Collins, drummers Ben Blackwell and Pat Pantano, and bassists Ko Shih and Troy Gregory.
If You Don't Already Have a LookAnyway—you can literally see it happening right in front of you. Halfway through the crowd, the people drinking PBR just switch over to craft beer—it’s obvious when you start heading toward the bar... 😁 [/B]