Sandra Clark88 said:Freddie Mercury—arguably the greatest pop vocalist ever, and definitely one of the best overall if you ask me—went from being a reality show villain to a literal national treasure. It’s wild. Think about it: an alcoholic mother, a total social outcast, surviving assault and physical abuse once he started walking around in heels. Most people would have ended up hanging themselves or becoming a serial killer, or who knows what else. But Burns chose to be a rebel instead, and honestly, things turned out pretty well.
The whole deal with Dead or Alive is fascinating because of that voice, though in the early days, you also had Wayne Hussey messing around with the strings and drummer Joe Musker popping up occasionally—he didn't just end up in jazz for no reason. I’m not a huge fan of That's the Way (I Like It); it’s not that the cover is bad, it just grates on my nerves for some reason. Everything else makes up for it, especially Misty Circles, which is easily one of my favorites alongside Number Eleven (Tiny Desk Concert version) and Whirlpool.
What I Want is also totally irresistible. I can have anything that I want but what you want from me I don't want none! And then that part: I can do what I want but I don't do nothing! right at the end 🤣 👍
They’ve got some reworked older material too. I know for a fact that Sit On It is actually an original Guilded Splinters track. There's a comment down below saying: "i was at this gig they supported killing joke brings back memory Ian McCulloch was there and a few other soon go be stars i remember pete in the crowd and everyone was frightened to death of him fun days"
Just imagine what that atmosphere was like, Killing Joke and Dead or Alive together 😁
Anyway...
Man, thank you so much......
This works perfectly as an intro since I was feeling too lazy to write one this time (obviously), but maybe it’s even better this way, because it seems you actually know the history even better than I do.....
To be honest, I didn't even think there would be any interest in "early Dead Or Alive."
Well, "early," strictly speaking... mostly because most people only know them through You Spin Me Round (which really hit at the end of 1984 when it was originally released, only hitting the top of the US charts a few months later). But the DOA history stretches back several years before that, to when they were—some might say—at their most impactful, with that raw, indie-based material.
It’s actually pretty interesting how they completely ignored that specific era when they released that massive 17CD+DVD box set a few years ago. That thing has exactly 27 versions of You Spin Me Round (if I recall correctly)... but absolutely nothing from before 1983.......
Personally, Misty Circles is a favorite of mine too—especially that epic 9-minute extended version on the B-side of the You Spin Me Round (12" Mix) reissue......
I sort of lost interest in their music somewhere after 1987, but I still think that debut album holds up incredibly well.....
😛
PS - The best little side note to this whole story is that Wayne Hussey was somehow a member of three significant bands during that brief window from roughly 1984 to 1986: DOA, TSOM, and TM.