brightpilot6 said:I can't tell if I'm just finally losing my patience, or if this kind of aggressive Facebook commentary is simply how the younger generation chooses to interact these days.
In any case, when you realize that the local pub you frequent has become overrun by idiots—or more specifically, groups of people you personally deem to be idiots—isn't the most sensible move to just find a different bar?
The real smart play is to ditch the whole bar scene and those drunken chats with random bums altogether. Just head home to your wife and actually get some productive yard work done☕
It’s spring now, perfect time for pruning fruit trees or running the trimmer through the bushes, stuff like that.
Walter Grant5 said:sorry, I don't do "nobodies" just because they're nobodies☕
it's about how things evolve over time. that's on the people, not some calculated move during production. depends on how you look at it, but calling this "mass-market catering" doesn't fly with me. a guy like Burzum isn't trying to play to the crowd, and neither are these bands. but hey, even obscure metal had to grab its slice of the pie as everything went mainstream. every art genre eventually gets its own pop category. plus, underground extreme metal isn't automatically high quality just because it wasn't made for the radio. these bands aren't underground, sure, but they aren't selling out either.
whatever. by that logic, John Maus is mainstream, and those guys playing bass in hipster indie bands will look down their noses at you if you tell them you actually dig him.☕
That's what I was getting at, I just phrased it poorly. It's that typical self-proclaimed "true" crowd belief that anything not totally isolated or despised by the mainstream isn't worth a damn. As for the bands that actually shaped the movement? Everyone knows them now, people are interested in them, they listen occasionally, and there are probably movies about them.
So it's hilarious when these people act like "posers" like Dimmu Borgir and their fans are some massive life crisis. Usually, as examples of "real" underground, they immediately bring up Burzum or Darkthrone—the most exposed ones of all, which anyone who spent even an hour looking into the genre knows exist.