Posts by Richard Barrett53

Just a quick rundown of the acts that have officially confirmed their appearance over the last few days, in case you haven't caught the news yet😁:

Mark Taylor3 said:Hey there
Does anyone happen to know if it’ll still be possible to snag festival tickets about ten days before Coachella?
I suppose there might be people looking to offload them at the last minute, right?

I can't say for certain, though I suspect they won't sell out quite that quickly.

By the way, The Killers have confirmed they're coming.

It looks like the Australian hard rock band AC/DC might be making an appearance, I guess.

I find it hard to believe that Bad Religion would be taking the main stage. Even if they do perform, I suspect they won't actually be the headliners. In my view, they’d likely headline a smaller stage instead, unless a massive influx of new talent arrives and pushes them down the lineup somewhere.

I wonder, will there be two or three stages running this year?

I caught that on FOX just yesterday—What a Guy, they still manage to amuse me, I suppose🙂. Though, I have to admit, the second installment felt even better.

For what it's worth, my absolute favorite parody series has to be the Golden Gun Series🙂
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Man, I remember having this recorded on a VHS tape back when I was just a kid, watching it from the beginning probably a hundred times. I finally sat down to revisit it after all these years, and I guess it’s still 🙏
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I caught wind that the show is already sold out.
I suppose this might be the lineup for tonight:

19:00 doors open
19:50 One Piece puzzle
20:40 Brk
22:00 Let3
23:30 Cold Beer

I suppose I’ve always had a bit more of an affinity for Paris, though I can see why this might appeal to some people too.🙂

Has nobody else seen this yet? I found it to be quite alright, I suppose. It certainly doesn't reach the heights of his absolute best work, though there are some decent moments—particularly that subplot involving Leopold and that singer in the shower.🤣.

It’s a solid film, I suppose. I’d probably recommend it to anyone with even a passing interest in Prohibition-era stories, provided they don't mind a bit of grit and violence.
The plot and script seem fine enough, and the cast is certainly impressive. I usually find Shia LaBeouf a bit grating, but this might actually be his best performance yet, if I'm being honest; the rest of the actors are quite good too, though it feels like a missed opportunity that Gary Oldman doesn't have more screen time.

I suppose one might find some sort of grim fascination in the sheer density of it all, though I can't quite say if it's worth the effort. kaže:
Bugarin, Kawasaki 3P. I suppose that’s an excellent title. 😁

I suppose I might have some inkling as to why it carries that specific name, though I can't say for certain without digging a bit deeper.

They've announced some massive band to fill the slot left by The Cranberries. I suppose I wonder how people will react to the news. It might be just enough to convince me to actually buy a ticket, though I highly doubt it.

Grace Adams32 said:I suppose it really comes down to whether the label is based here in America or overseas. I think Šulić and Hauser released their album through Sony Music, whereas that Urban and Hauser project was put out by Aquarius.

Well, that might be technically true, though it feels somewhat pointless to me.

I mean, if Lady Gaga happened to release an album through Sony Music, would we suddenly start calling her an American artist?

Regarding the nominations, I suppose the awards aren't distributed too poorly, though it’s certainly a bit of a shock seeing TBF take home Album of the Year; I mean, I’m quite fond of them, but I probably wouldn't have handed them a Grammy since they've definitely put out superior work in the past.

It still strikes me as somewhat odd how Hauser and his partner managed to sweep the international categories while being classified as domestic acts, whereas someone like Hauser is treated as a local entity... I guess the logic just isn't there.

Justin Howard76 said:😂😂😂😂🤣

I suppose one might wonder if grabbing a ticket is worth it just to see Franz, though I'm not entirely sure.🤔

I suspect it might be wiser to hold off for a while, given how few artists they've actually announced so far. It’s a three-day festival, yet we only have about ten names on the list, which seems rather sparse.😕 They seem to be dragging their feet with the lineup, perhaps waiting for the early bird pricing window to close before they reveal anything else.🤷

At this point, making it to the Coachella Valley Music and Arts Festival feels less like a backup plan and more like a last resort I’ve barely considered.
I suppose it's still early enough that there might be some decent indie acts worth seeing, though I've never really found myself particularly drawn to the big headliners at Coachella anyway.

It really just comes down to personal preference, I suppose. Some people might find this year's lineup more appealing than the previous ones, even if those earlier years were objectively better and had much more draw.

I suppose I misspoke there; I don't follow them closely enough to be certain, though I recall they haven't really been much of a topic of conversation lately.

Lisa Cook8 said:They always seem to dig up these legacy acts from the archives. Honestly, given the price of those tickets, they probably could have booked a band that actually matters in the current scene today 🙂

I suppose I agree with that, though I suspect they’re just banking on the fact that these guys haven't performed in the US yet.
Hopefully they haven't🤷

Gosh, I had no idea he was still making movies; I suppose I might have to take a look at this one eventually.