Alright, look. I totally get that you guys want to protect the singer's reputation, but honestly, dropping those numbers doesn't actually break any subforum rules. We have no way of knowing if those stats are even legit or not, and as it stands, mentioning them isn't cluttering up the thread at all.
If things start getting messy or if people begin attacking each other personally again, then we'll step in. But until then, I don't really see a reason to jump in...
Grace Sanders24 said:Paramount Pictures, New York City—man, that movie is a total trip. Seriously, it’s heavy. I don't know who can actually sit through the whole thing without feeling completely drained... It definitely leaves you with a lot to talk about though!🍿
Charlie Kaufman is such a massive name in the screenwriting world, especially now that he’s stepping behind the camera too. I actually sat down to try and watch this one myself, but honestly? It just didn't click for me. Not yet, anyway. I have this weird feeling it might finally hit me in a year or two once my brain settles... The concept is super intriguing, though! I wouldn't say it's "difficult" per se, just incredibly complex...
You seriously have to watch this one more than once... even if you space out the viewings so you don't burn out! It's just that kind of movie... 😁
Incendies, without a doubt. It’s such heavy stuff... honestly, just waiting for those plot twists to hit you is intense...
Actually, thinking about it now, I’d use that same description for this one: Once Upon a Time in Anatolia (2011)
It’s mostly because of how much it leans into the dialogue, those long, lingering shots, and just overall heavy themes. Though, I bet a lot of people would probably just call it 'boring' 😬
But hey, not for me! Sure, it might not be my absolute favorite thing ever, but still...
Joy🙏 one of those top-tier bands that just never fails to put a massive grin on your face😬
I’ve caught them live a few times now and man, the sheer talent level is wild... especially when you mix that high-end musicianship with lyrics that are just pure comedy.
MBTS deals with stuff that just hits you right in the gut... it leaves such a heavy mark because of everything that happens in the story. Whenever there’s a tragedy involved, people always start labeling it as "heavy" or "hard to watch."
I'm totally on board with what analogbear5 was saying.
Sometimes people use that phrase when they want to recommend a movie but also give a little heads-up that it might be a bit much for some folks 😬 I mean, I definitely find myself doing that! I already know I'll suggest something certain to people since I've been so moved by films by Andrei Tarkovsky or Lars von Trier... and then someone asks me what I watched last or what I actually enjoyed lately.
FUNK (KC) - Anti-Todor, Brain Fracture, Fat President
So, they just announced that the final batch of tickets hits the market tomorrow. Honestly? This might be the first FUNK show since they started up that actually sells out completely...
It’s not really my scene anymore, but man, I bet the photos are gonna be killer! 🙂
Honestly, that one about the lady, her Grandma, and the immigrant from Morocco (Ali: Fear Eats Soul) is probably my absolute favorite film he's ever made...
It just completely tears down tradition and exposes all that hypocrisy lurking right under the surface, even among people who are supposed to be close to you. It’s like she isn't even allowed to be happy and is just destined to be alone.
There was some talk about American cinema on the other thread too.
You watch a few flicks and suddenly you feel like you've seen it all! Honestly, there’s plenty of gems out there if you know where to look, especially if you’re in the mood for those heavy social realism dramas...
I’d even have to point out the mini-series The Matrix, it left such a massive impression on me... 👍
Lately, I’ve been having such a hard time actually sitting still and watching anything from start to finish... I keep finding myself scrolling through my phone or just waiting for some "exciting scene" to happen while I'm watching stuff on my laptop. It's like my attention span is totally shot!
But not when I'm watching Lars von Trier. Okay, look, this might not be his absolute masterpiece, and I still need a little time to process everything I saw... but he did the one thing that matters: he kept me hooked! He practically glued me to the screen. Honestly, that seems to be the case with pretty much all of his movies...
I was a little skeptical about casting Dillon at first—he's just not really my favorite type of actor to watch—but man, he actually made a great impression here. That was one of the first things that really caught my eye...
Then there's the sheer amount of themes that are so classic for Lars von Trier. There are so many free associations flying around, plus these dialogues filled with fun facts that jump between science, philosophy, and art, all paired with these perfect illustrations...
Of course, I'm seeing the whole movie as this big metaphor for social critique on multiple levels... ranging from those blatant absurdities to how society treats someone who's just "out of sync"...
And if you look closer, I think there's a subtle message about animal cruelty too, highlighting how hypocritical people can be in that regard...
In the end, it really comes back to something said midway through the film: art is this playground where you can mess around with twisted versions of morality that you'd never actually practice in your private life because you're trying to be "civilized." I totally get why Lars von Trier feels that way sometimes... especially when you feel like you're constantly surrounded by idiots!
My only real question is how they emphasize the female characters in relation to the lead... which might honestly land him that misogynist label again. Sure, the dialogue tries to justify it, but it feels very intentional...
It's not even that the concept bothers me, it's just the execution. I felt like it needed a bit more imagination and better character development... the way it was presented felt a little predictable and flat...
Ever since Nymphomaniac, I feel like his work has dipped a bit, both in terms of storytelling and visuals... there are just a few good moments here and there. You can really tell the creative spark isn't quite hitting the same way. But hey, taking everything into account, Lars von Trier stays true to himself, and I still find that pretty cool to see...
Such a fun ride! McAvoy basically carries the whole thing on his back, keeping things moving with this super fast, high-energy plot... lots of shadows, some steamy moments, and plenty of dark humor too. It might feel a little over-the-top at times, but honestly? A really solid flick overall.
I don't know. To be honest, I’m just not really feeling it... 🤷 I mean, sure, they're fine movies—Sunset Boulevard, Some Like It Hot, and all those others everyone calls "classics." They've got that certain charm, you know? A little sweetness, a bit of subtle flirting with the audience... but overall, nothing really hit me deep in the soul.
I actually just rewatched The Apartment and thought it was pretty charming, but even then, it didn't go much further than that. Last week I sat through Stalag 17, and honestly? I can barely remember half of what even happened in that one!
So, here’s the gist: two women are basically fighting over the affections of a third who just happens to be the Queen. And honestly, nothing is more toxic than female jealousy 😬
Since it's a biopic, this is actually one of the weirder—yet somehow most conventional—ideas we've seen from Lanthimos. Not that he doesn't usually lean into the bizarre stuff we've come to expect from his style, though...
Yeah, I felt like it dragged on a bit too long for a two-hour flick, but the core message definitely lands. It’s great seeing such likable performances from such irritating characters. You've got the moping Queen who can't make up her mind, the second one who's arrogant but politically sharp and capable, and then there's the third, who's just a sweet kid enjoying life at court until she realizes how much she loves the luxury of being close to the Queen...
I enjoyed what I saw, but I've definitely got some mixed feelings. I guess I wanted the whole thing to hit a little harder? It felt like it left me hanging just a tiny bit...
Honestly, I don't see what the big deal is. Sometimes I’ll start watching something and then suddenly realize I’m just totally wiped out... so I just call it a night and pick it up again tomorrow. Plus, the Steam player remembers exactly where I left off, so it's super easy to just shut it down whenever 😁
That said, if I actually have the energy, I try to power through and watch it all in one go. But man, on those days when my brain is just mush? I’ll hit pause like five times throughout the day if that's what it takes
First off, McKay is such an unconventional pick to direct a biopic, which honestly gives the whole thing a refreshing sense of originality right out of the gate. He’s got that signature style you recognize from The Big Short—super critical, heavy on the satire, and just biting...
The movie might just be defined by those incredible transformations from Bale and Rockwell, who basically carry the entire thing on their backs. Now, Cheney himself? His personality isn't exactly riveting, but when you look at him through the lens of everything happening in politics and his specific role... man, he's a fascinating study.
As for Bush, he's pretty much portrayed exactly how people usually see him—sort of like a puppet who ended up in the driver's seat by accident. He lacked the experience and the know-how for the presidency, especially since Cheney was the one pulling the strings behind the scenes. It gave Cheney that massive power he had been chasing his whole career, especially after failing to secure the Republican nomination back then.
That power, of course, led to the regime's most infamous legacy: the wars in Afghanistan and Iraq. All those political spins and maneuvers resulted in so many unnecessary losses on both sides... and let's not forget how his oil company's revenue skyrocketed by over 500% during that era.
The film uses a ton of archival footage to contrast with the movie scenes, paired with that classic McKay commentary where he tries to break down complex concepts and explain why certain decisions regarding Cheney actually mattered. It felt way more seamless in The Big Short, though. Here, it feels a bit unfinished at times, jumping around with sharp cuts and losing its clear focus as the story winds down toward the end.
At the end of the day, it's not a bad movie! There are plenty of fun moments, and the message is loud and clear. The political context feels especially relevant right now with the Trump administration in charge, given how much this focuses on the Republican agenda. While The Big Short kind of made you root for the corporate guys, this movie makes sure you don't feel any sympathy for Cheney at all. Still, Bale does a fantastic job and feels totally real, and Rockwell is just as great.
The math behind the rewards is pretty simple: more eyeballs means a massive platform for pushing specific brands or big ideas. And honestly, the sheer glitz of those Hollywood award shows provides the perfect backdrop for it all. Sure, movies are the main attraction, but they bundle in high-end fashion designers on the red carpet and way too much political messaging or social agendas. It’s all part of the package, and eventually, that influence bleeds right into how the Best Picture categories are picked.
It’s the same old story every single year. The movies seem to be getting worse, and you always hear people complaining that some random film won the big prize for purely non-artistic reasons... I mean, it’s not really surprising though, since at the end of the day, it’s just a themed spectacle.
There are always great films out there—there always will be—it's just that those true masterpieces usually get bypassed by the awards and these big flashy events.
Terry Gilliam’s vision of the future is just gorgeous... at least when you look at the visuals. It’s totally surreal, but honestly, that feels completely justified by the world he built—you know, those targeted ads following you down the street and talking right to you, the main character living in a church that's actually set up like a home, playground signs covered in bans, hyper-personalized media, and this whole virtual reality thing...
There are so many charming little details! The casting is spot on, too, and the story really pulls at your heartstrings. Plus, those big themes about feeling alienated and how much the world tries to swallow you up? They feel uncomfortably close to where our own society is heading lately.
Just like his other movies, the setting is morbidly romantic and definitely leans toward tragedy. I did find the ending a bit rushed, though... it left me feeling kind of cold, which was a bummer because I think it needed to breathe more, or maybe just soften the blow a little.
Waltz is such a brilliant choice here. Everything involving him flows so perfectly—it’s never too much and never too little. I get why some people might not vibe with it, though, since Terry dove so much deeper into the dark side with the philosophical stuff (which I think is the most debatable part, even if the title hints at it)... but hey, if you liked Tideland, you’ll probably love this way sooner than later.
Honestly, I could see this working beautifully as an episode of Black Mirror.
I’ve really been vibing to this lately... just feeling a bit sentimental, I guess. It’s actually an acoustic cover of a song by Knife. 🙂 It adds such a romantic layer compared to the original, even though the lyrics were always meant to feel that way.
Even if that last Hellboy flick didn't exactly blow me away, I’m still pretty skeptical about this one... especially since we won't have Ron Perlman back in the role 😢