Kate Reed2 said:I’m usually the type who won't even touch the remote until the credits roll, but I actually managed to power through an hour of this thing before calling it quits. Such an awful film. Seriously, it's Trešin na kvadrat. I honestly have no clue how any critic could look at this and call it some kind of "film of the year." Like, come on? Even Marvel movies feel like masterpieces compared to this absolute garbage—and that’s coming from me, someone who pretty much hates Marvel.
I am totally with you on that. Pure, unadulterated stupidity.
I’d honestly just go with the documentary. Don't get me wrong, the cinematography here is solid—even if it feels a bit too "Hollywood polished" for my taste—but the subject matter just doesn't feel right for a big-budget feature film. To me, the documentary hits way harder because you actually get to meet the real-life legend who pulled off the impossible. It's much more impactful. But hey, if you're already committed to hitting the theater, grab the 3D version just for the sheer spectacle of it.
If you've already seen the documentary, I've got another one for you to check out... 😉
Caught this one yesterday. Honestly, I’ve never been much of a fan when it comes to Michael Mann—he has this habit of taking a premise that should be high-octane and gripping, then stretching it out into this long, drawn-out thing with an atmosphere that just... I don't know, wears me down? I have to admit, it's probably just a matter of taste, though, because I find it really hard to actually sink into his movies. If I’d known he was at the helm before I headed to the theater, I probably would’ve skipped it entirely. The one thing about M. Mann that’s always fascinated me, though—and I mean this sincerely—is how he took Manhunter and gave it such a distinct style that even for a movie from '86, it looks like it was filmed at least a decade later. :-)
I was scrolling through the NRA music programming and noticed they’re airing just about everything under the sun—including a ton of demo music videos. Does anyone know where those bands actually send their stuff in?
Honestly, this movie was fantastic. Even though it gives off those *Cloverfield* vibes, it totally carves out its own lane and stays away from that specific genre trope. That little dash of humor is really what makes it special for me. It tries so hard to feel grounded and realistic—like it’s aiming for high drama—and then just pulls the rug out from under you with this subtle, tongue-in-cheek energy (the cave trolls honestly look like they stepped right out of a cartoon), which is just so refreshing. But the humor isn't loud or obnoxious; it’s subtle enough that it doesn't mess with the overall mood. Great atmosphere, incredible acting (the guy playing the hunter is so natural, it’s almost like he isn't even acting), and the effects are top-notch. If you get the chance, seriously, go catch this in a theater while it's still running.
By the way, I just realized that people in Scandinavia say good the exact same way we do.
The movie was honestly pretty bad. The cinematography holds up—Philip Seymour Hoffman is great in it, and even that little scene where Vuk, Hasan, and Hasan's girl are talking is actually kind of interesting... but everything else? 👎 It’s just way too dragged out and exhausting. You could almost call it your typical American slog.
Honestly, this movie is a total gem. With all the mindless junk playing at the local multiplex lately, finding something actually worth your time feels like a win. It’s a super gripping, legit crime thriller that doesn't pull its punches.
I thought the movie was alright. Honestly, the first half really grabbed me, but then the second half was... hmm (let’s be real, most big blockbusters from the last decade follow this exact same pattern). I have two main gripes—first off, why did he just start killing people left and right for no reason? Like, I get his whole deal, but what did that little blue-haired kid ever do to him? Poor little guy. And my even bigger issue is that whole tunnel-digging subplot... it felt totally forced and just lacked any real creativity. That said, there are some genuinely tense, well-shot moments in there. Definitely worth a watch if you have the time.
Total garbage movie. It’s not even scary—honestly, it’s almost unwatchable because they went way too hard with the shaky camera work. As if that makes it more convincing or, you know, "scary," yeah man, ooooh my goood!!! Like, seriously, give me a break! Just a bunch of clueless Americans. What was the point of even making that? And that whole REC thing is just the same crap; it's only "better" because people are sick of the usual Hollywood trash, so they flock to the theaters to watch the exact same recycled garbage over and over. Idiots! All of them. Just like those reality horror shows, they're all just bottom-of-the-barrel trash... I mean, Cloverfield is alright, I guess, but everything else—from the Tony Blair-style Blair Witch project nonsense all the way down to that idiotic Diary of the Living Dead... a total DISASTER!! 👎
Ryan Roberts2 said:just watch the movie before you start talking trash... seriously...
And honestly? The humor is actually smart—it isn't just mindless garbage like most comedies coming out of the States these days... man... I'm done trying to explain myself...
If that's the kind of humor we're talking about, similar to Pineapple Express, then yeah... it's nowhere near being "intelligent."
Honestly, the movie was a total letdown for me. I went in expecting something way more substantial, you know? But it just felt like your run-of-the-mill Hollywood production—at least, that's how it landed with me. The plot felt super forced, like they were trying too hard to make things happen, and that spooky atmosphere we all wanted? It didn't really hit its stride until the very end. And personally, I wouldn't even dream of comparing it to Spy. Just wasn't there.
Does anyone happen to know about any other festivals—either here in the States or somewhere else globally—that operate similarly to the Indie Film Magazine back in the day? I'm talking about those spots where there's NO SELECTION process, you know? Just places that focus almost entirely on showcasing amateur, underground, or DIY works... I think I remember hearing about an A Fest over in the Midwest too, if I recall correctly right.
Joshua Jones97 said:they hyped him up way too much—honestly, the movie was just mediocre at best. The whole Apatow hype bubble has definitely burst, and let's be real, if Seth Rogen and that little stout clone of his from Superbad weren't working with Apatow, they’d probably be flipping burgers at McDonald's right now.
I really wanted—as much as it might sound silly to admit—for this movie to actually land some jokes, but man... it was just boring as hell. Like, seriously, about as exciting as catching a stomach flu. It felt totally pointless. I kept sitting there asking myself, "Wait, what? Why am I watching this? What’s even the point?" If a movie has a plot, you know, it should probably actually *go* somewhere, but whatever, putting that aside, it’s painfully obvious the whole goal here was to lean hard on the comedy and sketches. Sure, a few decent bits sneak through (actually funny!), but overall, it's been ages since I've sat through something with such mindless "humor." The dialogue feels like something any random idiot could have scribbled down on a napkin. I don't know, I'm not even that bummed about the ticket price, but my time? That's what hurts. This thing is just a total waste of time.
Honestly, they really ought to put together a decent, legit biopic about Bruce Lee—because let’s be real, that typical Hollywood take directed by Rob Cohen just doesn't hit the mark at all.